Loudspeakers

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Review: Ken Kessler, Lab: Paul Miller  |  Sep 04, 2023
hfnoutstandingDeVore's 'Orangutan' loudspeaker range now has a funky sibling – the aptly-named O/baby that extends the brand's high sensitivity DNA into a very compact cabinet

Even the name sounds like a clarion call: 'O/baby!', straight out of Austin Powers. It resides 'one from the bottom' in DeVore Fidelity's Orangutan range, with only the minuscule, 25x25x25cm micr/O sealed cube below it. But the O/baby is the one that screams 'Buy me!' at this jaded hack. How so? This trickle-down gem from DeVore, smaller than the O/93 [HFN Mar '23], just may be the answer to my bucket list dreams. Or would be, had I the £6298 for a pair. And £1398 more for the stands.

Review: Adam Smith, Lab: Paul Miller  |  Mar 25, 2021
hfncommendedOmnidirectional and horn-loaded to boost sensitivity, are these really the 'beautiful moon' of floorstanders?

When it comes to makers of true omnidirectional speakers, it seems that those with the highest profile currently hail from Germany. MBL's Radialstrahlers and the German Physiks models occupy the upper echelons of the market, while at the more affordable end it's the Duevel name that springs to mind most readily. Based in Osnabruck, the latter company is the brainchild of Markus and Annette Duevel, who founded the business in 1988.

Review: Adam Smith, Lab: Keith Howard  |  May 05, 2020
hfncommendedStill going strong after 20 years, the Venus is nothing if not the ambassador for the room-friendly 'omni'

Mention 'omnidirectional' and most worldly-wise audiophiles will remember seeing MBL's remarkable Radialstrahler loudspeakers at one hi-fi show or another. Once seen and heard they are not easily forgotten, but they are also devastatingly expensive! By the same token, affordable omnidirectional speakers have never quite made it into the mainstream of hi-fi despite Sonab being a major player back in the 1970s and Canon's models from the 1980s also finding favour with many listeners.

Richard Holliss  |  Jan 22, 2015
This is the largest floorstander in Dynaudio’s Excite range: a new series of entry-level speakers from the Danish company, all designed to be easy to drive. And the X38 not only looks considerably more sleek than the 380 floorstander we tested from Dynaudio’s Focus series [HFN Jun ’13] but it comes at only half the price. The X38’s twin long-throw woofers and midrange driver have supple rubber surrounds and one-piece cones formed for smooth dispersion. They are made of Dynaudio’s magnesium silicate polymer [MSP] for light weight and high rigidity, while the drivers’ chassis are die-cast aluminium, with neodymium magnets and large but lightweight voice coils.
Ed Selley  |  Oct 29, 2011
The updates to this long running range have proved particularly effective Dynaudio’s Focus range was getting a bit long in the tooth so we weren’t surprised to learn when we requested the 140 for this test that it had just been replaced with this new model, the 160. Little has changed externally – if you’re the type who can distinguish Aston Martins at a glance then you’ll note a new light grey paint finish on the drivers and the use of Torx fasteners, only three of which now attach the tweeter – but internally there’s more that’s been breathed on. As before, the cabinet side walls taper a little towards the rear from the narrow bevels at the front baffle edges – a feature which helps tame internal standing waves – but the enclosure has been significantly stiffened. The 170mm bass-mid driver retains its magnesium silicate polymer (MSP) cone, and the voice coil is still aluminium to reduce moving mass.
Keith Howard  |  Aug 24, 2009
Along with the Spendor A6, Dynaudio’s Focus 220 – now in Mk II guise – is the most conservative looking speaker here. Whether you consider that a merit or demerit will depend on both your taste and your décor. Also like the Spendor it is a two-way, although in this case the soft dome tweeter is accompanied by twin bass-mid units operating in parallel. In common with all the other speakers here the 220 II is reflex loaded in the bass, with a port venting on the cabinet’s rear panel.
Review: David Price, Lab: Keith Howard  |  Jul 01, 2018
hfnoutstanding.pngWith a coincident driver array and interport-coupled cavity bass, meet the company’s most radical floorstander in years

Out with the old and in with the new. ELAC is a German loudspeaker company of quite some repute and a great many years’ standing. Yet major changes have been afoot at the company, with its new VP of Engineering, Andrew Jones, indelibly stamping himself on the brand’s products. A former KEF man – there in what were arguably the company’s harvest years with Laurie Fincham, in the late 1980s – he went on to put Pioneer’s luxury brand TAD on the map with some great soundinghigh-end loudspeakers [HFN Jan ’15].

Review: Cliff Joseph, Lab: Keith Howard  |  Feb 01, 2018
hfnoutstanding.pngWith a concentric mid/treble and coupled-cavity bass, the smallest Adante series speaker is no ordinary standmount

There was a time, back in the 1980s, when much of what was novel in loudspeaker design emerged from KEF’s R&D department in Maidstone, Kent. Odd as this may seem as a way of introducing a new ELAC speaker from Germany, it’s doubly relevant because the £2600 Adante AS-61 – indeed, the entire three-model Adante range (not including the ASW-121 powered subwoofer) – incorporates two features associated with that golden era at KEF: one that has remained familiar, and a second that has rather declined into obscurity.

Review: Jamie Biesemans, Lab: Paul Miller  |  Nov 10, 2022
hfncommendedFeaturing a concentric mid/treble driver with a difference, ELAC's Concentro range goes 'compact' with the S 503

For those who felt that ELAC wasn't one for adventurous industrial design, the Concentro series has proved them wrong. You'll find some very curvy and organic-looking models in this range, which rises even above the finely crafted and attractive Vela series [HFN Apr '19]. However, the Concentro range still feels more like a disparate collection rather than a real product family. Virtually every model has its own design, from the menhir-like Concentro and Concentro M to the high-heeled S 507 and S 509 floorstanders.

Keith Howard  |  Dec 16, 2011
An aesthetically attractive and somically capable loudspeaker Surely the most impressive-looking speaker of this group, the Elac FS 189 is a five-driver three-and-a-half-way sporting three 175mm bass drivers, a 140mm midrange unit and Elac’s vaunted JET tweeter, whose pleated diaphragm identifies it as a development of Oskar Heil’s famous Air Motion Transformer. The lower two bass drivers are rolled off at 180Hz, leaving the upper bass unit to crossover to the midrange driver at 500Hz and it to the tweeter at 2. 8kHz. Like the FS 247 Sapphire [HFN July ’11], reflex bass loading is accomplished via two ports, one located near the top of the back panel and the other in the cabinet base, where it vents to the outside via the gap between the cabinet and integral plinth.
Hi-Fi News Staff  |  Jan 22, 2015
This tall floorstander takes its place as the top model in Elac’s Line 400 series. All use the JET 5 tweeter, Elac’s development of a concept patented by Dr Oskar Heil called the Air Motion Transformer (AMT). In the Heil AMT, the moving element is a very light plastic membrane that carries a fine metal track to conduct the audio signal. Suspended between powerful magnets, this membrane moves when current flows.
Paul Miller  |  Nov 20, 2011
Classy German design matches fine build to engaging sonics Elac’s F247 Sapphire is finished with the sumptuous attention to detail. A slim, elegant floorstander boasts an eye-catching front baffle and mirror-like piano black finish. Elac’s signature JET tweeter and a pair of its multifaceted aluminium mid/bass drivers are fitted. These unusual cones are an aluminium sandwich design with cellulose filling, shaped to reduce unwanted vibrations.
Review: James Parker, Lab: Keith Howard  |  Oct 30, 2019
hfnoutstandingThe new ELAC Navis 'powered speaker' series is a slick system alternative, whether or not you use it wirelessly

As one of the largest-scale speaker manufacturers around, US/German company ELAC has what can sometimes seem like a baffling range, all the way from very affordable mini-monitors and 'subwoofer and satellites' packages right the way up to very high-end floorstanding designs. And apart from the sheer breadth of the lineup, this diversity allows it to explore a variety of technologies: in this range there's no signs of a 'one design fits all, just in different scales' approach.

Review: David Price, Lab: Keith Howard  |  May 28, 2020
hfncommendedDespite the success of its Debut and Adante models, ELAC retains its traditional designs, complete with JET tweeter

Constant change is here to stay' as the saying goes. And it's certainly true of ELAC – one of Germany's most long-established hi-fi manufacturers – as the brand has spread its wings over the past few years. ELAC began life way back in 1926 in the coastal town of Kiel, where its main focus concerned the development of sonar systems. It was after the Second World War that it began manufacturing turntables and pick-ups.

Review: Jamie Biesemans, Lab: Paul Miller  |  Aug 25, 2023
hfnoutstandingA mid-'80s audiophile favourite from UK brand Epos is reimagined by the go-to-speaker designer, Karl-Heinz Fink

Revivalist products are in the ascendant, but they range from the dubious, cashing in on nostalgia, to more respectful attempts aiming to recreate something remarkable from yesteryear. Rest assured – the ES14N is firmly positioned in the second category. In fact, it goes one step further by claiming to be both truthful to the design ethos of the original '80s speaker icon, while also improving on it.

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