Review: Andrew Everard

Review: Andrew Everard, Lab: Paul Miller  |  Jan 24, 2020  |  0 comments
hfnoutstandingAdding Roon-ready capability to its highly customised DAC has given this curiously-named Dutch company another highly intriguing device. Nothing fishy here!

For an insight into the digital audio product we have before us, the £8999 Mola-Mola Tambaqui, I turn to no less an authority than biologist, author and TV presenter Jeremy Wade, best-known for his series River Monsters and Dark Waters, in which he goes in search of – and catches – some of the world's largest and most predatory fish.

Review: Andrew Everard, Lab: Keith Howard  |  Jan 06, 2020  |  0 comments
hfnoutstandingBreathed on with the spirit of the company's flagship model, these speakers are nothing less than spectacular

From the sheer performance and value of the flagship Triton Reference [HFN Jun '19], down to the bargain that is the Triton Five [HFN Mar '19], we've been very much taken with the sound of the GoldenEar range. And this despite the 'but it shouldn't work' cost-effective engineering employed by the company, including its liberal use of plastics in the cabinets' construction.

Review: Andrew Everard, Lab: Paul Miller  |  Dec 24, 2019  |  0 comments
hfnoutstandingThe latest 'DAC in a USB stick' may look like AudioQuest's previous efforts, but it's a very different beast – and a conspicuous bargain for use in the home or on the hoof

If the sincerest form of flattery is imitation, then AudioQuest must be feeling very flattered indeed. Since it launched its original DragonFly DAC/headphone amp in 2012, housed in a USB stick and aimed at laptop users, it has seen a raft of similar designs hitting the market from rival manufacturers.

Review: Andrew Everard, Lab: Paul Miller  |  Dec 09, 2019  |  0 comments
hfncommendedNaim's latest version of its classic Nait amplifier features not only improved overall performance, but also a built-in phono stage. Whatever will they think of next?

While it could never hope to match the seemingly annual product replacement cycle of some mass-market brands – and nor, I suspect, would it care to – Naim still maintains a continuous programme of product development that goes on 'behind the scenes' of some of its more attention-grabbing launches. So while all the big news from Salisbury has concerned network-capable audio, as Naim rolls out its 'Future Platform' from the latest Uniti products to new ND-series network players [HFN Apr '19] and second-generation Mu-so models, in the background the company has been working on its core integrated amplifiers, the Nait series.

Review: Andrew Everard, Lab: Paul Miller  |  Dec 05, 2019  |  0 comments
hfnoutstandingAre the days of the disc almost over? Evidence to the contrary comes in the form of this flagship SACD/CD transport and network DAC/preamp from T+A's 'High Voltage' series

I think I can be pretty confident in saying there aren't too many new British hi-fi components out there whose development has been government-funded. Clearly they do things differently in Germany, where the Federal Ministry of Economics and Energy underwrote the design and development of the network-capable DAC/preamp forming half of the subject of this test, T+A's £23,400 SDV 3100 HV. The project has borne fruit in the behemoth of a digital converter you see here, all 26kg of it, described as a 'Super High Definition Audio DAC with bit-perfect data transmission and resolutions of DSD1024 and PCM768'.

Review: Andrew Everard, Lab: Paul Miller  |  Nov 18, 2019  |  0 comments
hfnoutstandingFar from being just cute and compact, Pro-Ject's Box Design range is now all grown up – as this high quality CD/DAC/preamp combination so vividly demonstrates

Considering where Pro-Ject's Box Design range started, it's come a very long way. It all began with a compact and very affordable phono stage, the original Phono Box, launched as an interface between the company's wildly successful lineup of turntables – which arguably spearheaded the entire 'vinyl revival' – and the amplifiers of the time, many of which had long since dispensed with inbuilt phono equalisation.

Review: Andrew Everard, Lab: Keith Howard  |  Nov 12, 2019  |  0 comments
hfnoutstandingThe latest – and largest – model in Focal's Kanta range combines its signature style with innovative materials

You might be tempted to see the Focal Kanta range as Utopia-lite: while the loudspeakers in what is now a three-strong lineup are one-piece designs, lacking the adjustable articulation of the flagship offering, they do echo the company's Utopia style [HFN Dec '18]. This is done by shaping the front baffle so that, in the £9000 Kanta No3 we have here, the two bass drivers are in a section of baffle sloping gently back from bottom to the midpoint where the tweeter is mounted, while the midrange driver at the top is slanted slightly downwards.

Review: Andrew Everard, Lab: Paul Miller  |  Nov 07, 2019  |  0 comments
hfnoutstandingThe high-tech Cambridgeshire company has added a dedicated CD/SACD transport to its Rossini range – and it, and the updated DAC, are remarkably flexible devices

AdCS Rossini CD player? Doesn't the company already have one of those, usable as either a standalone device or as a transport for its range of digital-to-analogue converters? Well yes, and the Rossini Player continues in the range as a pure Red Book device because, at the time it was developed, dCS was unable to source a suitable SACD/CD combination transport.

Review: Andrew Everard, Lab: Paul Miller  |  Oct 24, 2019  |  0 comments
hfnoutstandingThis latest integrated amp from a stalwart of the US high-end may be stereotypically big and bold, but it's also both extremely flexible and surprisingly affordable

Although many aspire to grabbing themselves a chunk of American high-end audio, there's all too often a problem – price. It's very tempting to look at the price-tags back home in the States and shake one's head at the UK ticket. But most of us can guess at the differences between the US and UK markets, the import taxes and costs involved in shipping and distributing small samples of heavyweight equipment.

Review: Andrew Everard, Lab: Paul Miller  |  Oct 16, 2019  |  0 comments
hfnoutstandingA little over half the price of the mighty H590 amp, in a slimmer design and with very similar facilities and output, this new arrival from Norway is a sure-fire bargain

They're clearly fans of the old buckled swash at Hegel: having evoked Master And Commander in announcing its £9000 H590 flagship amplifier [HFN Oct '18], the Norwegian company says it's calling the new H390 'Robin Hood'. Why? Well, it's all a matter of re-distribution of wealth, apparently, for the £4900 debutant takes much of the ability of its big brother, and makes it available to those of us of humbler means.

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