With visuals inspired by JBL’s hi-fi products from the 1960s, the brand’s ‘Classic’ range of separates are populated by technology familiar to audiophiles some 60 years later...
Think JBL and, not unreasonably, you’ll probably think ‘speakers’. The company has been in the loudspeaker business for getting on 80 years, having been founded in California in 1946 by James B Lansing, from whom it takes its name. Lansing himself took his own life just three years later but left an insurance policy to keep the company going, in which form JBL has become an internationally famous audio company and, since 1969, part of what is now Harman International. In 2017 Harman became an independent subsidiary of South Korea’s technology giant, Samsung.
Hailing from the shores of Lake Constance in Germany, Violectric offers a wide range of headphone and combined DAC/headphone preamps. We dip our toes into its waters...
The Violectric name may be new to you, as it was to me, but behind the brand is a company getting on for four decades in business, principally in the pro audio field, where it operates under the rather unusual moniker of Lake People – inspired by the company’s location in the Lake Constance region of Germany. Like many an audio brand from that country, the company designs and manufactures its products in-house, and is proud of the ‘Made in Germany’ label.
A decade since the S3 was launched, and then surpassed by the MkII, this three-way has been reborn with trickledown tech from Magico’s flagship M9 loudspeaker
The latest version of Magico’s S3 speaker, which was first reviewed in these pages a decade ago [HFN Nov ’14], isn’t what you’d call a mild refresh. Just as the company’s MkII version was a major reworking of the original, so this new arrival has been comprehensively redesigned, drawing both on the technology of the flagship M9 model and the measurement abilities of Magico’s enhanced development tools. It’s yours for a couple of pounds short of £57,000 a pair in the five powder-coat M-Cast finishes Magico offers, or £66,000 in a choice of six high-gloss M-Coat shades, including the striking blue colourway pictured here.
Inspired by Leema Acoustics' flagship Constellation series, this pre/power combination is the first fruit of the Welsh brand's new Quantum range. Does the Graviton have gravitas?
The tone of the announcement of the new Leema Acoustics Quantum range has the air of a Hollywood blockbuster: '25 years in the making…' it begins. But perhaps this hyperbole can be forgiven as this is the Welsh company's first new range in more than ten years and sees the technology of its flagship lineup simplified to reach more affordable prices. Here we have the first two Quantum arrivals, both available in silver or black – the Neutron preamp, with 13 inputs including a built-in DAC, is £1500, as is the Graviton stereo power amp, rated at 150W/8ohm. Buy the two together and you save £200, bringing the package price down to £2800.
There's more to this slender, stylish Italian floorstander than striking wood veneers as trickledown hits the target
Think Sonus faber, and the chances are you'll imagine speakers with luxurious finishes and price tags to match. After all, the company used the 2024 CES event to roll out its Suprema speaker system, comprising two main 'towers' and two subwoofers, with a £695,000 price tag. But such lofty ambition also brings the option of 'trickling down' new technologies to less expensive models, including the £2999 Lumina V Amator floorstander we have here.
Audiophiles are assaulted by a fog of noise, and not just from the Internet. Chord aims to remove the hash from our wired Ethernet.
Filters, particularly AC mains filters and regenerators, have long been an audiophile staple but the genre has expanded in recent years to accommodate our embrace of digital and streaming audio in particular. With 'high speed' digital transmission comes the prospect of a sea of extraneous noise and interference, from both outside and inside the 'system loop', that washes though our equipment. Jitter in the digital domain and RF-related IM and other distortions are the least of what we understand as the audible consequences of this entirely unwanted hash.
Unusual, if not unique – does this Canadian company's idea of stacking two speakers for each channel pay sonic dividends?
The idea of stacked speakers is nothing new: SME founder Alastair Robertson-Aikman was famed for using double-decker Quad ELS57 electrostatics [HFN Sep '77 & Dec '01] and the idea was even endorsed by the speaker company which provided instructions to achieve the same thing, with the upper speaker mounted in a frame upside down above the lower. Even the late brand ambassador, Ken Ishiwata, was for a while demonstrating his Marantz electronics with stacked pairs of Mordaunt-Short Performance 6 speakers mounted in frames he'd spec'd and had custom-made.
KEF's R series adopts all the 'acoustic principles' of its far costlier Reference range, but is the big R11 Meta a 'disruptor'
How to make sense of the KEF speaker range? A sideways glance helps no end: comparing ostensibly similar models from across the company's four mainstream lineups – five, if you count the highly polished Muon flagship [HFN May '08] – will give a clearer idea of the way these various loudspeaker series dovetail together, even when the similarities seem greater than the differences.
Rotel's 'entry-level' Michi integrated, now in Series 2 guise, features multiple component updates – including switching to an ESS DAC – while retaining its huge power output
Listening to Rotel's Michi X3 Series 2 reminds me of that popular paranormal radio series Uncanny: I'm sure the amplifier's all-black, slightly menacing presence is in my listening room, though the sceptical view says it shouldn't exist. After all, some months back Rotel reorganised its distribution in mainland Europe, but with no mention of what was happening in the UK. A conversation with Rotel's distributor at the time, Bowers & Wilkins, had indicated that the lawyers were busy, and things were set to change.
Taking both aesthetic and design cues from the flagship 159 monoblocks, the 218 power amp is the German marque's newest model, teamed here with the 077 preamp
Never accuse Berlin-based Burmester of timidity... In an interview published to mark the launch of its 216 and 218 power amplifiers, its Team Leader for Quality Management, Thomas Schneider, says, 'We have thought in exactly the right direction'. The 216 amplifier is part of what the company calls its Top Line, and while the 218 may look similar it's actually in the upper tier Reference Line, one step below the Signature Line that features the flagship 159 monoblocks and near-2m-tall BC350 speakers, yours for £233,000 a pair.