Review: Adam Smith

If you were to attend a classic car show and make a beeline for the enthusiasts exhibiting vehicles made by mass-market manufacturers, it would be easy to predict the kinds of designs you'd see on display. Most space would be given over to the noteworthy models: the big-engined ones, the sporty or luxury variants, the rare limited editions. And yet the bread-and-butter models that carried sales reps up and down the land and took many of us to school as children are largely forgotten. They were workhorses, used until the end of their lives and then replaced.

I can sense your confusion. However, before you start wondering why our 'Vintage Review' has moved closer to the front of the magazine than usual, let me explain. Yes, you are looking at a turntable based around a Garrard 301, but this is a rather special one - a Garrard 301 produced in limited numbers and made strictly to order. In the plinth shown here and complete with SME Series V-12 tonearm, it will set you back £51,645, or £43,945 with an SME M2-12R. What, you might reasonably ask, is going on?

Thanks to the continued resurgence of the vinyl format, enthusiasts can now choose from a good number of plug-and-play turntable packages. Even better, the quality of these complete solutions – once considered a first step on the vinyl ladder for those wanting ease of use, or for whom the dark arts of turntable setup were a terrifying mystery – has been creeping ever higher.

For a 50-year-old company that released its first loudspeaker barely two years ago, PS Audio has not been resting on its laurels. Coming swiftly on the heels of the flagship £30,000 aspen FR30 [HFN Jun '22] are a raft of junior siblings. First up was the £20,000 FR20 [HFN Apr '23] and now we have the baby floorstander of the range, the £10,000 FR10. As an aside, I don't think we'd be letting the cat out of the bag by revealing a fourth model is in the pipeline – the two-way, ABR-loaded FR5 standmount. If it isn't priced at £5000, I'll eat my hat.