Loudspeakers

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Ed Selley  |  Nov 20, 2011
The Q3 employs superb engineering to great effect There’s no magical mystery about Magico’s Q3. It simply represents a rootand- branch engineering re-think of the ‘art’ of loudspeaker design, from the bolts that hold the cabinet together to the bespoke ‘Nano-Tec’ drivers and beryllium dome tweeter. But it’s not some daft ‘concept speaker’, where form overrides function. Nor is there anything especially touchy-feely about the huge black slabs of aluminium that clad the outside of the layered cabinet or the 287 steel bolts that bind this composite and its internal alloy matrix together.
Hi-Fi News Staff  |  Jan 27, 2015
The guiding philosophy of Magico’s indefatigable CEO and designer Alon Wolf is along the lines of ‘if you want it done properly. . . ’ This extends not only to the largely bespoke drivers but in particular to those famously inert cabinets, employing copious quantities of alloy, innovative scaffold-like internal bracing and constrained-layer damping.
Hi-Fi News Staff  |  Oct 16, 2014
Magico has wisely decided to ‘trickle down’ its Q series know-how into a new and mildly more affordable series: the S1 and S5 floorstanders. The latter is a good £11k shy of the similarly-proportioned Q3 [HFN Sep ’11] and yet it offers almost exactly the same sensitivity, an even flatter response but a measurably and palpably superior bass extension. The S5’s body comprises three main sections – a thick alloy baffle plus two curved, 0. 5in-thick side extrusions that increase stiffness while minimising internal standing waves.
Review and Lab: Keith Howard  |  Apr 01, 2018
hfnoutstanding.pngA staple at the Hi-Fi Show Live, Magnepan's largest Magneplanar finally gets its first in-depth test

Back in the 1980s, when the UK hi-fi scene began, belatedly, to experience products from places more exotic than Glasgow, Bradford, Huntingdon, Maidstone and Salisbury – ones that didn't say 'Made in Japan' on them – the USA provided a stream of surprises, one of the most memorable being Magneplanar loudspeakers. For most audiophiles, isodynamic drivers were something you found in a left-field Wharfedale headphone of the early 1970s, yet here were full-range panel speakers using essentially the same technology.

Paul Miller and Keith Howard  |  Mar 10, 2011
After a long absence, Magnepan's iconic 'room screen' panel speakers are finally back in the UK Firsts linger long in the memory. That first school, first car, first kiss. . .
Review: David Price, Lab: Keith Howard  |  Mar 21, 2019
hfncommendedWith its unique Manger Sound Transducer full-range driver, this high-end floorstander is as unconventional as it looks

It is refreshing to see that there's still a place for purple prose in press releases. While so many documents describing new products are rather dry, German company Manger does things differently. It talks about its 'technological masterpiece' opening up 'a new horizon' and of 'goose bumps' triggering emotions and 'touching the heart'. Such flowery fluff might sail over the heads of hardened hi-fi hacks, but it's hardly necessary because the £11,429 P2 needs no hype at all. In practice, it's an intriguing, thought-provoking design featuring transducer technology that's far from run-of-the-mill.

Ken Kessler and Keith Howard  |  Apr 24, 2009
Purists will never yield on the topic of full-range electrostatic vs hybrid. The reality is that ESLs need to be huge if they’re to deliver deep bass and high SPLs. So mazel tov to those who can house and afford, say, big Sound Labs. For the rest of us, hybrids are a sane compromise.
Ken Kessler and Keith Howard  |  Nov 25, 2009
Blown away by MartinLogan’s Spire earlier this year [see HFN, Apr ’09], I assumed that it would replace the Summit. Before the ink was dry, the Summit X was announced, and at a higher price point to ensure that the gap would prevent customer confusion. But in order to justify the cost difference, for a speaker not that much larger, its performance would have to be instantly, audibly superior. Luckily for ML, the Summit X may be the best hybrid the company has delivered to date.
Review and Lab: Paul Miller  |  Jul 01, 2021
hfnedchoiceThe speaker with no sweet spot arrives on our shores, offering a sound that's as distinctive as its aesthetics

Few loudspeakers are as instantly recognisable as the 'Radialstrahlers' – directly translated 'radial emitters' – designed and built by German brand MBL. At every international hi-fi show their appearance draws crowds while the all-encompassing sound of those iconic 'melons' keeps visitors rooted to their seats. Am I giving away the punchline? Not really. Few seasoned audiophile travellers will not have heard these incredible music machines, but we have still waited a decade for them to reach these shores and be explored, inside and out, Hi-Fi News-style.

David Berriman and Keith Howard  |  Oct 25, 2009
These new Mission 792s certainly have kerb appeal, or maybe that should be curve appeal. With their contoured sides, wrap-around grilles and sculpted front, no one could accuse them of not standing out from the crowd – even if their looks are sure to divide opinion sharply. The shiny black finish is actually genuine piano lacquer, with seven coats applied to create a truly deep and lustrous gloss. This approach is both labour and time intensive, as each coating must be dried for 24 hours before it is rubbed down by hand and re-sprayed.
Review: Mark Craven, Lab: Paul Miller  |  Sep 14, 2020
hfnoutstandingA foundation range for two decades, MA's Bronze series goes for gold with the standmount 100

Is it brave to label a loudspeaker series 'Bronze', with the implication that its models are worse than second-best? Monitor Audio doesn't seem to think so, and has been using its precious metal hierarchy long enough for its Bronze lineup to now be relaunched in sixth-generation guise, five years after a previous update [HFN Feb '16]. The promise, as always, is of speakers that hit the price/performance sweet-spot via trickle-down driver tech, while looking good, too. Silver, Gold and Platinum are ranged above, and below you'll find the Monitor series, presumably because Copper felt like a step too far...

Review: Mark Craven, Lab: Paul Miller  |  Jul 16, 2021
hfncommendedThis slim floorstander has million-dollar looks but a wallet-friendly price, and aims to sound bigger than it seems

Monitor Audio's close-to-entry-level Bronze series wants to offer something for everyone – the full range runs to eight models, including various multichannel options – but it's perhaps the Bronze 200 floorstander that many potential buyers will investigate first. A slim two-and-half-way tower speaker priced £569, with attractive finish options (white, walnut, urban grey and black), plus driver technologies borrowed from pricier models, it appears at face value to offer performance potential and that hi-fi holy grail: value for money.

Review: James Parker, Lab: Keith Howard  |  Oct 21, 2019
hfnoutstandingThis may be the baby of the latest Gold range, but it has the company's usual impeccable design, fit and finish, and a big sound that belies its compact dimensions

The hierarchy of the Monitor Audio loudspeaker range – starting with Bronze, and progressing through Silver and Gold to the flagship Platinum series – is well-established, and so too is the company's rolling programme of updating the products line by line. In recent times this has run alongside a series of acquisitions – the company scooped up electronics manufacturer Roksan in 2016, and more recently added Blok, the maker of the STAX range of hi-fi stands and AV racks, to its stable.

John Bamford and Keith Howard  |  Oct 02, 2011
Monitor Audio pushed the boat out with its prestigious PL300 floorstanders in 2007, the first speakers in its then new Platinum range to employ an in-house designed ribbon tweeter. Later came the more affordable PL200s with a slightly smaller footprint, £5000 three-ways whose sharp clarity and fi nesse impressed me greatly when we reviewed them in Dec ’09. Below the company’s flagship Platinum range comes the Gold series: substantially more affordable speakers with less elaborately constructed enclosures and drive units. The Gold GS models, in the market since 2006, have been replaced this year by an entirely new Gold line-up now called GX.
Ed Selley  |  Nov 24, 2010
If the Platinum Series was designed to enhance Monitor Audio’s ‘street cred’ among audio purists in the 21st century, it certainly hit the mark, the compact PL100 standmount and fl oorstanding PL300 having garnered numerous awards and accolades around the world. In photographs the ’200 might look identical to the PL300 but sit them side by side and immediately you’ll notice that it is unquestionably better suited to cramped living spaces, being 155mm slimmer, 85mm shallower and standing 115mm shorter at 998mm (39in) in height. The ribbon tweeter employed is formed of a material that Monitor Audio calls C-CAM: Ceramic- Coated Aluminium/Magnesium, the company claiming an output approaching as high as 100kHz. The ribbon was developed to work in a two-way speaker so it had to be able to operate from 2.

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