Integrated Amplifiers

Size matters – or does it? Most hi-fi manufacturers stick rigidly to the traditional 'full width' separates model, but not all. The former often maintain that the market simply isn't ready for the latter, arguing that many key countries demand 'proper size' boxes. Yet over the years we've seen brands like Cyrus make high-quality, half-width hi-fi their stock in trade. So which is it to be? The answer, reckons Exposure, is to offer both.

While it could never hope to match the seemingly annual product replacement cycle of some mass-market brands – and nor, I suspect, would it care to – Naim still maintains a continuous programme of product development that goes on 'behind the scenes' of some of its more attention-grabbing launches. So while all the big news from Salisbury has concerned network-capable audio, as Naim rolls out its 'Future Platform' from the latest Uniti products to new ND-series network players [HFN Apr '19] and second-generation Mu-so models, in the background the company has been working on its core integrated amplifiers, the Nait series.

Agood hi-fi system should invoke 'passion' in the listener – be that an urge to crank-up the volume, to play an air guitar or wave an imaginary baton. French brand YBA knows this only too well, bestowing this particular moniker on its penultimate lineup of models. Coming in below its Statement units, but above Design, Heritage and Genesis, the six-strong Passion range also includes the PRE550/AMP650 pre/power amplifiers [HFN May '18].

They're clearly fans of the old buckled swash at Hegel: having evoked Master And Commander in announcing its £9000 H590 flagship amplifier [HFN Oct '18], the Norwegian company says it's calling the new H390 'Robin Hood'. Why? Well, it's all a matter of re-distribution of wealth, apparently, for the £4900 debutant takes much of the ability of its big brother, and makes it available to those of us of humbler means.

We live in uncertain – and expensive – times: the average price of a flat in Greater London is currently north of half a million, which is why there's a major property building boom underway, with almost any space or building being turned over to housing. And with prices so high, it's also no surprise that space is at a premium. Even with London salaries typically higher than those outside the capital, the average income, run through the usual multipliers, doesn't get you a mortgage able to buy anything palatial.

The first Stereo 40 tube integrated amp arrived in the year 2000, and according to Icon Audio's founder and chief designer David Shaw, 'is the heart of what we do'. It's the metaphorical ham sandwich of the valve amplifier world – the staple diet of audiophiles wanting a simple, affordable, user-friendly integrated that offers classic tube sound and some interesting features too. This new £2200 Stereo 40 MkIV sits bang-smack in the middle of the range and, as claimed, is uncommonly versatile.

Of late, I have been banging on, to the dismay of many, about how high-end audio has priced itself beyond any regard for reality. That said, context is everything. So, if I tell you a burger can cost £18 in a London restaurant and that Copland's CTA408 integrated tube amp is actually a bit of a bargain at £6398, please accept that I'm painfully aware the latter sum is a fortune to many, but the former is highway robbery. Eighteen quid for a burger!