Phono Preamplifiers

Canor Audio has been around for nearly three decades, but it’s only in the past few years the Slovakian company has stepped fully into the limelight. If you asked how the brand would describe itself, Canor’s founders would likely say ‘tube specialists’. This is fair, considering how much effort it puts into validating and testing valves before pressing them into its many tube products – and those it builds for other major brands, too. But if that might ...

In recent years Dutch firm Mola Mola has spread its wings from the Bruno Putzeys-designed pre/power amplifiers it debuted at CES in 2013 to include partnering separates. The first of these was the innovative Tambaqui DAC [HFN Nov '19], which fleshed out the company's optional digital module into a standalone design, and into the Kula integrated [HFN Oct '21]. These are now joined by the £7299 Lupe phono preamplifier named, in typical Mola Mola fashion, after a fish – 'Lupe' being the Hawaiian name for the broad stingray.

In the quest for a universal phono stage, designers have to accommodate all manner of cartridges, but for most of us they fall into just two categories: moving-coil (MC) and moving-magnet (MM). Even within those types, however, there are plenty of variants such as moving-iron, moving-flux, whatever you call Deccas, both high- and low-output MCs and even low-output MMs. The list is endless, but Soulnote's E-2 phono amplifier handles all of the above configurations plus DS Audio optical cartridges via a built-in energiser and equaliser.

With the notable exception of flatscreen TVs and very high-end hi-fi, generally speaking, technology is enabling smaller product solutions. German brand Lehmannaudio has been leading the charge for bijou components since its founding, and the principle is perfectly illustrated by the Jubilee variant of its evergreen Decade phono stage, released to celebrate the brand's 30 years, and retailing for £3149.

Acelebratory cake is in order. Swiss high-end manufacturer Nagra turned 70 last year, and its birthday present to itself is something of a first for the company. That's for another time, but I'm not giving too much away by saying that, when it arrives, it will make the perfect partner to the item under review here – the £17,000 Classic Phono MM/MC phono stage.

Despite concerns over pressing delays and the availability of raw materials, the lure of vinyl seems to show no signs of abating, which explains why the selection of phono stages available now is greater than ever. The latest company to add to the audiophile wishlist is West Sussex-based Exposure Electronics, with the VXN Phono. This is the first 'source' item in the only-available-in-black VXN range, joining two-way and three-way active crossover units and the VXN Power Supply [HFN Feb '20].

Nothing yet has convinced me that we have seen any period, since hi-fi separates became a 'thing', when there were more phono stages than we have right now. I say this because the ModWright PH 9.0's price of £2900 puts it smack in the middle of an inordinately crowded sector. I'm obviously being naïve here, or just pretending that you can still go into any number of hi-fi shops and ask, 'Can I compare a few phono stages?'.