Loudspeakers

With uprated tweeter, internal wiring, crossover and terminals, the Diamond edition Parker Trio is a jewel in Marten’s crown

Marten Parker Trio is not, of course, the name of a new jazz act. Marten is the Swedish loudspeaker manufacturer, established as a family business by Leif Mårten Olofsson in 1998, and Parker Trio one of its floorstanding options. Yet the jazz angle still applies, as the company's other speaker ranges are Coltrane, Mingus, and Oscar. Perhaps Olofsson, who heads up the company as its chief designer, has Monk or Davis in mind for the future...

Germany’s T+A has long been a champion of ‘line source’ floorstanders and its S 530 is the entry model to the concept

‘Theory and Application’ (T+A) is well-known for hi-fi separates ranging from its CALA and Caruso ‘lifestyle’ models to the DACs, amps and ‘multisource’ receivers of its premium R and HV series, all featured regularly in Hi-Fi News. Less well-known are its loudspeakers, despite T+A starting out in 1978 as a speaker manufacturer. Hoping to refresh our memory and provide scope for a full high-end T+A system, is a new three-strong Solitaire S range, of which the S 530 is the middle model.

‘Big sounds’ are promised from this Nordic brand’s slender Signature speaker range that includes floorstanding, standmount and AV-ready on-wall models. Is the Sig 5 a star?

If you have a preconceived notion of System Audio, chances are it’s been formed by its Silverback range of active, wireless loudspeakers. Occupying the top tier in the Danish manufacturer’s catalogue, models including the Silverback 60.2 and Silverback 40.2 [HFN May ’21 and Aug ’21] combine DSP-based crossovers, DACs and integrated amplification, with cable-free transmission via the WiSA standard. Add in the app control and room EQ and there is, to put it bluntly, a lot going on in the Silverbacks – something which can’t be said of System Audio’s new Signature series.

Crafted on the shores of Lake Zurich for nearly 40 years, Piega speakers are famous for their innovative ‘ribbon’ driver designs. Its Coax series is now launched in ‘Gen2’ guise...

Instantly recognisable, Switzerland’s Piega has produced its ‘ribbon’ loudspeakers for nearly four decades. Building on the company founded by Leo Greiner (the other founder, Kurt Scheuch, brought technical chops to the table), it’s a manufacturer that takes pride in its family ownership. Greiner’s sons Alex and Manuel still manage the business from Horgen on the shores of Lake Zurich, where production is situated.

The Danish brand’s flagship floorstander mixes upgraded in-house drivers with a sculpted ‘Directivity Control’ baffle

With more than 45 years of speaker-making under its belt, Dynaudio has a remarkably diverse range of product lines. There are no fewer than ten series, in fact, each featuring a stack of the company’s in-house technologies. And so it is with the Confidence 60, the £36,500 flagship of a range comprising one standmount and three floorstanders, and where ‘Everything is new, from the cabinet to the drive units’.

The baby of Vivid’s five-strong Kaya range weighs just 6kg but employs the same custom tweeter and core technologies that define the flagship, floorstanding Giya G1

Were it not for the enclosure design, it might be tempting to think of the Kaya S12, the smallest speaker from South Africa’s Vivid Audio, as just another standmount. But as those eye-catching looks suggest, there’s something special going on here, and the price – £6000 a pair in a choice of striking finishes, with more available to order – certainly sets expectations high.

The only standmount in Canton’s eight-strong Reference series includes the same driver and crossover tech found in its flagship Reference 1 floorstander. A chip off the block?

Although it’s relatively easy to build a large ‘cost no object’ loudspeaker worthy of a brand’s flagship, things get a little trickier when the requirement is for a compact model. Quite apart from the budget constraints – customers believe there should be a direct relationship between size and price – there’s the small matter of ‘you can’t argue with physics’ when it comes to delivering a big, room-filling sound from a smallscale enclosure.