Lab: Paul Miller

Sean Kim, the Marketing/Sales Executive Director at HiFi Rose, has stated that the brand wants to ‘liven up the hi-fi market and have it embrace new technology faster’. That’s quite an ambition, and, to be fair, the South Korean company has already proven itself to be a successful disruptor – a case in point being the buzz generated by its ‘steampunk’ RA180 amplifier [HFN Jul ’22], and its network streamers sporting massive, customisable touchscreens [HFN Jun ’21 and Mar ’22].

In the vinyl heyday of the 1970s and 1980s, differences between UK-designed turntables, and those arriving from Japan, were stark. The suspended subchassis belt-drive decks, popular among British audiophiles, showcased increasing refinement of a ‘traditional’ technology. Japanese corporations, on the other hand, were making use of large research departments and development budgets to produce decks that could correct for off-centre records, direct-drive motors with almost unmeasurable wow and flutter, and control systems with huge torque that would revolutionise DJ-ing.

When a manufacturer announces a new model, it’s tempting to compare it to what’s come before, looking for where upgrades have been made. And, yes, the MS-1 from China’s Matrix Audio does carry on technology and design features from the company’s earlier network players, including the Element X2 and X2 Pure [HFN Oct ’22 and Dec ’23] and entry-level X-Sabre 3[HFN Apr ’22]. That said, you only need lay eyes on the MS-1, with its full-width chassis, large, colourful front-panel display and £9600 price tag, to realise it’s also something different.

Headquartered in Kanagawa, Japan, Soulnote has created a trio of product ranges in just ten years. Its mid-range Series 2 comprises a phono stage, DAC and the A-2 integrated

Soulnote’s A-2, available for £6300 in silver or black, is an integrated amplifier with an air of the ‘old skool’ about it. No network or digital connectivity, just analogue all the way, and only line-level too, as the Japanese manufacturer prefers to keep its phono stages separate. There’s no form of system control (ie, 12V triggers), and the user experience is very much plug-in-and-play, aided by an elegant remote and even simpler front-panel display.