Loudspeakers

Forty years young, Dynaudio’s Contour series is raised to a new level in this ‘Black Edition’ standmount, featuring improvements to every component. Welcome to the dark side!

True to form, Dynaudio showed a slew of products at last year’s High End Show in Munich [HFN Jul ’24] – including a new loudspeaker styled by Tokyo’s Keiji Ashizawa Design studio, plus a turntable built by Thorens. Also shown was this Contour 20 Black Edition standmount, now finally in production. This is a range of one – an elegant two-way with no floorstanding partner – but it serves a useful purpose, offering Dynaudio fans an option to bridge the £4500 Contour 20i and the premium £9600 Confidence 20. Okay, at nearly £6000 a pair, it’s not exactly midway in price, but does represent a tempting step up.

Inspired by its long-running Studio series, born in the 1980s, this modern-day D’Appolito standmount also illustrates Monitor Audio’s long-term use of metal-coned drivers

As anyone who tried to buy tickets for Oasis’s 2025 reunion tour will have discovered, nostalgia is big business. The hi-fi industry knows it too, and in recent years has been scouring the 1970s for speaker and amplifier designs to either leverage into new models or directly resurrect. Monitor Audio, however, has now jumped a decade ahead, launching a new speaker ‘inspired by the 1980s’. Seeing as Hollywood has been tapping into that decade with revisits to the Beverly Hills Cop, Top Gun and Ghostbusters franchises, the British manufacturer might be onto something.

Innovative as ever, the go-to-speaker designer Karl-Heinz Fink solves the solution of where to best site a small speaker. For the diminutive ES-7N the answer is... anywhere!

The rebirth of classic UK brand Epos got off to a flying start when eminent loudspeaker designer Karl-Heinz Fink bought the brand from Creek Audio in 2020. As his first move he created a new iteration of the ES-14, one of Epos’s most beloved products, but this wasn’t a nostalgia project despite some Back To The Future-themed marketing. Instead, Fink took the basic principles of the original model and designed a new speaker utilising modern technologies. That was a clever move, for while the resulting ES-14N [HFN Jul ’23] might not be as true to the original as some would like – it’s undoubtedly better.

Offered in sealed (SB) and ported (PB) variants, SVS’s new Ultra subs claim refinements to driver, amplifier, power supply and DSP, and include a new auto EQ room correction

Although SVS sells a variety of loudspeakers, from its desktop-friendly Prime Wireless Pro powered monitors to the recently launched Ultra Evolution series [HFN Jul '24], it's best known as a subwoofer manufacturer. This is, after all, how the Youngstown, Ohio-based company first got started in 1998, and in the intervening years it's evolved a catalogue of subwoofers that's now crowned by the new 17-Ultra R|Evolution models.

Described as ‘contemporary classics’, the six-strong, sixth generation Gold series spans, you guessed it, six models!

After the renewal of the Silver in 2021 and the Platinum range at the tail end of 2022, it was only logical the intermediate Gold line would reappear, now in 6th generation (6G) guise. The Gold 300 6G is the smaller floorstanding model in the new range, and in many households will be the sensible choice. The three-way design and two 150mm woofers promise performance, while its living room friendly footprint makes choosing between the £4000 Gold 300 6G and the Gold 100 6G standmount (£3000 plus £550 for the ST-2 stands) just that bit more difficult. Its design chops, both when it comes to looks and acoustics, made it an obvious candidate for the EISA members to pin an EISA Award on its lapel this summer.

Flagship of the new KORE-derived Epikore range, DALI’s big floorstander boasts impressive tech and in-room presence

With not just so many ranges in its catalogue, but also many models in those ranges, it’s hardly surprising that Danish speaker company DALI is no stranger to the concept of trickle-down technology. After all, once the development cost of a new component, or an entire loudspeaker, has been spent, why not spread the love by finding ways of carrying over that thinking to other products?

Now in its ninth iteration over nearly 35 years in production, the Q series gets a ‘MAT makeover’ headed by the Q11 tower

KEF launched its Q series Meta loudspeakers toward the end of 2024 with plenty of fanfare, but to any hi-fi enthusiast with half an eye on this brand, the announcement came as no surprise. We’d already seen how the introduction of the ‘revolutionary’ Meta Absorption Material Technology (MAT) on KEF’s LS50 Meta [HFN Jun ’21] was followed by Meta updates of its Blade [HFN May ’22], Reference [HFN Jun ’23] and then R series [HFN Jan ’24]. At the same time, KEF’s bottom-of-the-rung Q range was last updated in 2017. So, with hindsight, the Q series Meta, topped by the £1999 Q11 Meta floorstander seen here, is about as expected as anything gets in hi-fi.