With a legacy stretching back about 28 years, the 805 may still be the pint-pot of B&W’s 800-series but this latest D3 standmount can still pack a musical punch
One of the world’s largest, if not the largest, loudspeaker brands, B&W dominates the global high-end market. From the launch of the iconic 801 Series 80 nearly 40 years ago, the 800-series has been periodically improved along with advances in engineering and materials.
The 'baby' of B&W's latest 800 series may be a compact standmount but it packs a good deal of the D4 DNA into its 'reverse wrap' enclosure. There's a walnut finish too...
There are standmount speakers, and then there is Bowers & Wilkins' 805 D4. Priced £6250, blessed with a suite of proprietary cabinet and driver technologies, and finished in a gorgeous blend of aluminium, leather and wood veneer or gloss paint, it's very much a premium proposition. Indeed, the idea here is that buyers either outpriced or out-sized by the floorstanding speakers in B&W's latest 800 Diamond range can still enjoy more than a taste of the hi-fi high-life.
B&W's premium 800 D4 range is bookended by Signature versions of the flagship 801 D4 floorstander and the 805 D4 standmount. But is the polish more than skin deep?
Only two years after launching the D4 generation of its flagship 800 series [HFN Nov '21], Bowers & Wilkins has announced Signature editions of both the range-topping 801 D4 floorstander [HFN Sep '23] and its partnering 805 D4 standmount. At £10,000 a pair the 805 D4 Signature increases the stakes for this compact model, as the 'standard' 805 D4 [HFN Feb '22] retails for a full £3000 less.
As soon as B&W introduced diamond tweeters to some of its 800 series speakers in 2005, people began asking for a diamond tweeter to be fi tted to the smallest model in the range, the 805. Well, the wait is over – the offi cial 805 Diamond is here – though its price has more than doubled over the old 805S.
The good news is that this isn’t a mere swap job: B&W has taken the opportunity to re-engineer the 805 thoroughly. For instance, the input terminals are more than chrome plated, with metal ‘nuts’ replacing the previous plastic items.
Here, B&W has launched a floorstander that extends the CM Series upwards and fits into the price slot vacated by the old 804S.
Like the 804, the CM10 uses a separate [but new] tweeter module. A standard 50µm-thick dome with most of the centre removed forms a stiffening ring and on the front of this is stuck a full dome only 35µm thick. This gives a higher first breakup frequency, said to be 38kHz, yet with a similar moving mass, compared to the standard 50µm dome.
A covetable compact or a mere nearfield monitor for the acutely design-conscious? We hear how this miniature bookshelf loudspeaker from 1983 shapes up today
In the frantically fast-paced hi-fi market of the '70s and '80s, it is pleasing to find a product that remained in its manufacturer's catalogue virtually unaltered for years. If something looks good, sounds good and sells profitably why change it? Some products remain available simply because the company making them lacks the resources to do anything different. But that could not be said of Danish brand B&O, which was then at the height of its powers.
I admit to double-checking the price of the CM9 because it appears to offer such a lot of hardware for the money. As well as being one of the largest speakers here, it has four drivers including B&W’s highly regarded FST midrange unit whose woven Kevlar cone, rather than having a conventional roll surround, is swaged at the edge and rests on a ring of foamed plastic which operates in compression. This novel arrangement improves the dissipation of cone vibrations but limits the available cone excursion, making the FST unit unsuitable for reproducing bass frequencies.
So here the CM9 hands over to twin 165mm bass drivers (effective diameter about 132mm) which are reflex loaded via B&W’s familiar dimpled Flowport.
German marque’s flagship B series floorstander offers smart bass-tuning potential. Is this the speaker for every room?
Although the largest and most expensive member of Burmester’s B series loudspeakers (which are ranged below its BA and BC models), the £22,700 B38 doesn’t – when viewed front on at least – look quite like the all-singing, all-dancing range-topper you might expect. Yes, it’s marginally taller than the step-down B28 (£17,600), at 1165mm versus 1144mm, but it’s also slimmer, its 210mm width shaving off 13mm. And then there are the drivers, with the B28 having four cascading down its front baffle, while the B38 features just two…
Recently acquired by the Canon organisation, Cabasse of France has begun a concerted effort to have its speakers available for sale in the UK through a small network of specialist dealers. Coherent Audio Systems near Tewkesbury, Glos, a dealer that also imports and distributes high-end Oracle and Belles products, was recently appointed its marketing agent.
Readers may recall we enjoyed Cabasse’s £3400 Iroise 3 model earlier this year, which features the company’s spherical-shaped BC13 coaxial driver married to a pair of 210mm woofers in a floorstanding cabinet. The Baltic Evolution comes from Cabasse’s substantially more expensive Artis range, and features the company’s more ambitious TC23 triaxial driver, which is designed to provide a point source with an operating bandwidth from 22kHz down to around 80Hz.
Let’s play a game of audio word association. If I say ‘Cabasse’, what’s your response? If it’s ‘What?’ because you’ve never heard of the French speaker manufacturer then shame on you. Its name may not be on everyone’s lips but Cabasse has been around a long time and even in not-always-Francophile UK the marque has staunch admirers.
If you replied ‘Bizarre’ instead then that is both linguistically and technically nearer the mark.
This big French three way is strong value for money
You’d scarcely credit that the MC40 Minorca is the cheapest speaker here. It’s larger than the ATC, Dynaudio and PSB, it has a piano black finish (a £140 cost option, standard finishes being cherry and purple cherry wood veneers) and, unlike all the others, it’s a three-way rather than a two-way design.
Cabasse’s distinctive BC10 coaxial driver is responsible for that last feature, comprising a soft dome tweeter, with shallow horn loading, surrounded by a convex annular diaphragm that handles the frequency range between 900Hz and 3. 2kHz crossover points.
Availing itself of the latest DSP and Class D amps, the Pearl Pelegrina is a sophisticated 'connected' speaker
There's no escaping it: sitting in front of Cabasse's Pearl Pelegrina, the £22,599 flagship of the French company's Pearl speaker range, the punning phrase 'the eyes have it' kept going through my mind, so great was the sense of these spherical enclosures fixing me with a beady stare. Of course, this look is nothing new for the designers in Brest, out on the tip of Brittany: at the top of its range is the huge La Sphère loudspeaker [HFN Feb '10], its 70cm globe perched atop a helical stand, and driven by a rackful of dedicated crossovers and amplifiers.
Designed by Cambridge Audio's in-house team in London, the refreshed SX-80 is a big speaker on a small budget
When it launched its Edge series in 2018 to mark its 50th Anniversary [HFN Nov '18], Cambridge Audio appeared to be making a concerted effort to reach a little higher. But proof this stalwart of the UK high street hasn't turned its back on wallet-conscious buyers arrived recently in the form of its reworked SX loudspeaker range. With head-turning prices, a modern finish and dimensions that won't upset your interior designer, these are likely to garner considerable interest.
The slimmest of Canton’s new, five-strong Reference floorstanders blends style with established technologies
Calling your speakers ‘Reference’ is quite a bold statement, but then again making grand claims is not exactly unknown in the hi-fi industry! Canton’s Reference speakers – the top-tier of Germany’s largest loudspeaker manufacturer – is the product of a fierce R&D exercise and comes seven years after the previous flagship range, Reference K, was introduced. It’s a comprehensive series to boot, comprising six models of which only one is a standmount (the Reference 9) and all others are floorstanders.
For 50 years and two generations Germany's Canton has been building 'audiophile' loudspeakers. We catch up...
The Reference lineup from Canton marks the apex of its engineering thinking, combining years of experience with new computer modelling software and a freshly built testing laboratory. Given 'free rein', its designers came up with no fewer than nine separate models for the new Reference K series, including six floorstanders, one standmount, a centre channel speaker and a 750W-rated active subwoofer for home theatre applications.