Loudspeakers

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Review: Mark Craven  |  Apr 06, 2023
hfnoutstandingThe third iteration of B&W's 703 floorstander is the first to feature the brand's iconic 'tweeter-on-top' module

Although a major player in the domestic hi-fi market, B&W's loudspeaker catalogue appears relatively streamlined – beginning with the entry-level 600 series and crowned by the flagship 800 series, and with these latest 700s sandwiched in-between. This lineup, which we're told is aimed both at 'performance-orientated' audiophiles and 'non-specialist' buyers, surely marks B&W's sweet spot. And that's certainly an apt description for the 703 S3s auditioned here.

Review: Mark Craven, Lab: Paul Miller  |  Oct 23, 2024
hfnoutstandingFirst debuted in 2017, B&W's 705 standmount has been through three major iterations with both 2020's Series 2 and the current Series 3 being offered in 'Signature' guise

Loudspeaker brand B&W launched its first Signature model in 1991, in the shape of the (founder) John Bowers Silver Signature, and has intermittently released further Signature editions in the 30-plus years since. Well, I say intermittently - while only four more Signature speakers came in the next two decades, the 700 S3 Signature range, which also includes the 702 S3 Signature floorstander , comes hot on

Review: Mark Craven, Lab: Paul Miller  |  Apr 10, 2026  |  First Published: May 01, 2026
hfnoutstandingLatest addition to B&W’s 700 series, the new 707 S3 Prestige Edition is the brand’s ‘ultimate bookshelf loudspeaker’ with a high-gloss Santos wood finish to match

It was only a decade ago that greys and whites were all the rage in interior design, which consequently led to a surge in minimalist, monochrome speaker finishes. However, just as avocado bathroom suites are apparently mounting a comeback, so too are loudspeakers in dark wood colourways. And Bowers & Wilkins knows this, choosing to dress its new 707 S3 Prestige standmount model in a luxurious-looking Santos Gloss.

Review: Andrew Everard, Lab: Paul Miller  |  Dec 02, 2021
hfnoutstandingA new 800 series, and a return to the original 801 name, but the 801 D4's enhancements are more than skin deep

Some six years since the arrival of the Bowers & Wilkins 800 Series Diamond range, and over 40 years after the launch of the company's original 'no compromise' 801 model [Audio Milestones, HFN Jan '13], here we are with an all-new flagship lineup for the Worthing-based company. The timing's about right: in the rolling programme of upgrades, we've seen the 600 and 700 series replaced since the 800 D3 models broke cover [HFN Dec '15], and the company makes no secret of the fact that work started on these new 800s almost as soon as the last generation was released.

Review: Andrew Everard, Lab: Paul Miller  |  Oct 24, 2023
hfnoutstandingDetailed mechanical and component upgrades to B&W's flagship 801 D4 unmask the speaker's full potential

We've been here before: just over a year and a half ago [HFN Nov '21] we pitched the newly arrived 801 D4 loudspeaker from Bowers & Wilkins against the 800 D3, its previous flagship, and played 'spot the differences' between two designs half a dozen years apart. At the time, we also commented on the changes at the company since the D3 models were launched in 2015, not least the acquisition of the Worthing-based manufacturer by Silicon Valley start-up Eva Automation, then by Sound United, the parent brand of Denon, Marantz and others.

Review: Jamie Biesemans, Lab: Paul Miller  |  Jun 01, 2023
hfnoutstandingThis downsized, but perfectly-proportioned, facsimile of B&W's 801 D4 flagship is smaller in all but sound...

It's all good and well lusting after a flagship like the B&W 801 D4 [HFN Nov '21], but not everyone has the means or opportunity. Cue the 803 D4, which is a modestly downsized version costing (nearly) half the price. Intriguingly, it also utilises the same technology and similarly designed drivers as the 801 D4, including the trademark turbine head.

Review: Nick Tate, Lab: Keith Howard  |  May 01, 2018
hfncommended.pngWith a legacy stretching back about 28 years, the 805 may still be the pint-pot of B&W’s 800-series but this latest D3 standmount can still pack a musical punch

One of the world’s largest, if not the largest, loudspeaker brands, B&W dominates the global high-end market. From the launch of the iconic 801 Series 80 nearly 40 years ago, the 800-series has been periodically improved along with advances in engineering and materials.

Review: Mark Craven, Lab: Paul Miller  |  Mar 08, 2022
hfnoutstandingThe 'baby' of B&W's latest 800 series may be a compact standmount but it packs a good deal of the D4 DNA into its 'reverse wrap' enclosure. There's a walnut finish too...

There are standmount speakers, and then there is Bowers & Wilkins' 805 D4. Priced £6250, blessed with a suite of proprietary cabinet and driver technologies, and finished in a gorgeous blend of aluminium, leather and wood veneer or gloss paint, it's very much a premium proposition. Indeed, the idea here is that buyers either outpriced or out-sized by the floorstanding speakers in B&W's latest 800 Diamond range can still enjoy more than a taste of the hi-fi high-life.

Review: Jamie Biesemans, Lab: Paul Miller  |  Mar 18, 2024
hfnoutstandingB&W's premium 800 D4 range is bookended by Signature versions of the flagship 801 D4 floorstander and the 805 D4 standmount. But is the polish more than skin deep?

Only two years after launching the D4 generation of its flagship 800 series [HFN Nov '21], Bowers & Wilkins has announced Signature editions of both the range-topping 801 D4 floorstander [HFN Sep '23] and its partnering 805 D4 standmount. At £10,000 a pair the 805 D4 Signature increases the stakes for this compact model, as the 'standard' 805 D4 [HFN Feb '22] retails for a full £3000 less.

Ed Selley  |  Nov 24, 2010
As soon as B&W introduced diamond tweeters to some of its 800 series speakers in 2005, people began asking for a diamond tweeter to be fi tted to the smallest model in the range, the 805. Well, the wait is over – the offi cial 805 Diamond is here – though its price has more than doubled over the old 805S. The good news is that this isn’t a mere swap job: B&W has taken the opportunity to re-engineer the 805 thoroughly. For instance, the input terminals are more than chrome plated, with metal ‘nuts’ replacing the previous plastic items.
Hi-Fi News Staff  |  Oct 16, 2014
Here, B&W has launched a floorstander that extends the CM Series upwards and fits into the price slot vacated by the old 804S. Like the 804, the CM10 uses a separate [but new] tweeter module. A standard 50µm-thick dome with most of the centre removed forms a stiffening ring and on the front of this is stuck a full dome only 35µm thick. This gives a higher first breakup frequency, said to be 38kHz, yet with a similar moving mass, compared to the standard 50µm dome.
Review: Tim Jarman, Lab: Paul Miller  |  Jul 26, 2021
hfnvintageA covetable compact or a mere nearfield monitor for the acutely design-conscious? We hear how this miniature bookshelf loudspeaker from 1983 shapes up today

In the frantically fast-paced hi-fi market of the '70s and '80s, it is pleasing to find a product that remained in its manufacturer's catalogue virtually unaltered for years. If something looks good, sounds good and sells profitably why change it? Some products remain available simply because the company making them lacks the resources to do anything different. But that could not be said of Danish brand B&O, which was then at the height of its powers.

Keith Howard  |  Aug 24, 2009
I admit to double-checking the price of the CM9 because it appears to offer such a lot of hardware for the money. As well as being one of the largest speakers here, it has four drivers including B&W’s highly regarded FST midrange unit whose woven Kevlar cone, rather than having a conventional roll surround, is swaged at the edge and rests on a ring of foamed plastic which operates in compression. This novel arrangement improves the dissipation of cone vibrations but limits the available cone excursion, making the FST unit unsuitable for reproducing bass frequencies. So here the CM9 hands over to twin 165mm bass drivers (effective diameter about 132mm) which are reflex loaded via B&W’s familiar dimpled Flowport.
Review: Mark Craven, Lab: Paul Miller  |  Aug 07, 2024
hfnoutstandingGerman marque’s flagship B series floorstander offers smart bass-tuning potential. Is this the speaker for every room?

Although the largest and most expensive member of Burmester’s B series loudspeakers (which are ranged below its BA and BC models), the £22,700 B38 doesn’t – when viewed front on at least – look quite like the all-singing, all-dancing range-topper you might expect. Yes, it’s marginally taller than the step-down B28 (£17,600), at 1165mm versus 1144mm, but it’s also slimmer, its 210mm width shaving off 13mm. And then there are the drivers, with the B28 having four cascading down its front baffle, while the B38 features just two…

Review: Andrew Everard, Lab: Paul Miller  |  Sep 12, 2025  |  First Published: Sep 01, 2025
hfnoutstandingThe C series is one of four speaker ranges from Audio Group Denmark’s Børresen Acoustics. We start with the standmount

'Where meticulous engineering meets creative artistry', says Audio Group Denmark of its Børresen loudspeakers. This is a not unfamiliar claim, but there’s no denying that the tall-yet-slender C1 looks suitably distinctive. Available in black or white piano lacquer finishes at £15,000 a pair, they stand just under 43cm tall, or a little over 112cm with the supplied stands, while the enclosure itself is a mere 20.4cm wide.

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