Audiophile Digital

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Ken Kessler  |  Sep 17, 2019
This month, we review: Lulu, Bob Dylan, Flamin' Groovies and Charlie Rich
Ken Kessler  |  Aug 28, 2019
This month, we review: Miles Davis, The Action, Jimi Hendrix and The Hues Corporation
Ken Kessler  |  Jul 25, 2019
This month, we review: The Leiber-Stoller Big Band, Bob Dyla, Henry Mancini and Pink Floyd
Ken Kessler  |  Jun 20, 2019
This month, we review: John Lennon, The Debutantes, Art Garfunkel and Jethro Tull
Ken Kessler  |  May 14, 2019
This month, we review: Simon And Garfunkel, The Eagles, Eddie and the Hot Rods, and The Souther-Hillman-Furay Band,
Ken Kessler  |  Apr 03, 2019
This month, we review: Alexander Spence, Murray Head, Marillion, & Poco
Ken Kessler  |  Mar 06, 2019
This month, we review: Nazareth, Rick Derringer, The Louvin Brothers, & The Percy Phillips Studio Collection
Ken Kessler  |  Dec 01, 2018
This month, we review: The Doors, The Guess Who, Billy Squier and Negro Church Music.
Ken Kessler  |  Nov 01, 2018
This month, we review: Eleanor Mcevoy, The Flying Burrito Bros, Glenn Frey, and Spirit.
Ken Kessler  |  Oct 01, 2018
This month, we review: Supertramp, Gene Clark, Jethro Tull, and The Who.
Ken Kessler  |  Sep 01, 2018
This month, we review: Love, Bob Dylan, Phil Ochs, and Linda Ronstadt
Ken Kessler  |  Dec 10, 2010
If not quite as monumental a milestone in her career as Heart Like A Wheel, this album from 1977 stands almost as proud for its portrayal of Ronstadt as a far more versatile singer than her previous country-rock leanings suggested – a genre she helped to fashion. Here she ranges from straight rock ’n’ roll to ballads to pure C&W, if not quite intimating that a few years later she would become one the first of the rock generation to cover the standards of the 1940s/50s. True to form, this set also emphasises her immaculate, prescient taste: among the tracks she commandeers as her own are Roy Orbison’s ‘Blue Bayou’, the Rolling Stones’ ‘Tumbling Dice’, and a hardly-known Warren Zevon’s ‘Poor Poor Pitiful Me’. Sound Quality: 92% .
Ken Kessler  |  Dec 10, 2010
As has been de rigueur of late, Swiss-born Beat Kaestli has joined Tony Bennett, Rod Stewart, Michael Bublé and others releasing ‘American Songbook’ sessions. Kaestli, though, has resisted the more obvious A-list songs and opted for ‘slightly-less-covered’ masterworks, including ‘My Romance’, ‘Day In Day Out’ and other tunes that are familiar rather than done to death. Backed by a superb quintet and recorded at St Peter’s Episcopal Church, NY, with David Chesky at the controls, it’s a perfect showcase for SACD surround, which seems to be enjoying a renaissance. Kaestli’s emphasis is jazzier than the norm, a refreshing break from Sinatra wannabees.
Ken Kessler  |  Dec 10, 2010
Interesting re-packaging of the US version of Hendrix’s debut, but not absolutely necessary if you bought this 17-track expanded release in 1997. This adds only cooler packaging and a 17-minute DVD of engineer Eddie Kramer and three now-departed figures – Hendrix’s one-time manager, Chas Chandler, and the members of the Experience, Mitch Mitchell and Noel Redding – talking about the recording sessions. But if you don’t own any Hendrix, this is the best place to start: it’s an utterly incendiary album bursting with invention, the blueprint for psychedelia, jazz-rock and so much more. An ear-opener then, a touchstone now for every guitarist since.
Ken Kessler  |  Dec 10, 2010
Like the epic blues LP, Fathers & Sons, which combined young and old, here we find three generations of rock guitarists – Jimmy Page, U2’s The Edge and Jack White – swapping tales, gigging and generally celebrating the electric guitar. Too many moments make this a must-see if you’re a fan of any or all of the performers: historical footage of Page in the early 1960s, The Edge recounting how he and his brother made an electric guitar from scratch, even winding the coils. And to see Page declining to harmonise in a rendition of ‘The Weight’ on the grounds that he ‘can’t sing’ (!) – this is one of the most captivating rock docs in years. Sound Quality: 90% .

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