Loudspeakers

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Keith Howard  |  Dec 16, 2011
A handsome design with some likeable characteristics If you ask me, the bow-fronted Aviano 8 succeeds in looking modern while retaining a certain British reserve. Certainly it’s a notable contrast to the rather garish Teufel, and not just in the looks department. A four-driver two-and-a-half-way, the Aviano 8 has three 6. 5in drivers featuring M-S’s dished CPC (Continuous Profile Cone) aluminium diaphragms and a 25mm aluminium dome tweeter, nestled behind a protective grille.
Ed Selley  |  Oct 29, 2011
Some very sophisticated technology doesn't quite come together as a cohesive whole In loudspeaker cabinet construction, curves are good. Curved panels are stiffer than equivalent flat ones – but more difficult to make than the V-groove and wrap box construction that so many speakers today employ. In creating what is the most expensive model in this month’s group, Mordaunt-Short clearly devoted a good deal of its budget to abandoning the traditional rectangular wooden cabinet in favour of a curvaceous enclosure moulded from a well damped polymer resin. Deeper at the bottom than at the top, in profile it looks positively Falstaffian.
Review: James Parker, Lab: Keith Howard  |  Jul 01, 2018
hfncommended.pngAnd then there were three: Neat's little Iota range is all grown up with the arrival of the Xplorer model

One of the best sounds at Bristol's Sound & Vision Show [HFN Apr '18] came not from a gazillion-pound set-up, but the latest arrivals from Neat Acoustics, driven by modest amplification, in a small room that just made you want to stay and listen some more. The Iota Xplorers are the new model in a range that began with the tiny original Iotas some seven years ago, and while they draw on the same principles, the newcomers are very decidedly grown-up despite standing just 780mm tall on their polished conical spikes.

Ken Kessler and Keith Howard  |  Dec 24, 2009
If you’re torn between the sheer impact of speakers in boxes and openness possible from panels, then your (hi-fi) life has inevitably been a series of compromises. If you own pairs of each, you probably swing between them, never quite satisfied – like owning solid-state and valve amps. You know your Quad 57s lack the bass of, say, big B&Ws or Tannoys. Conversely, you can’t get the openness of the Quads or Maggies out of your head.
Review: Mark Craven, Lab: Paul Miller  |  Aug 16, 2021
hfnoutstandingTop passive floorstander in Paradigm's new Founder series is keenly, but not ambitiously priced. A high-end bargain?

My first, AV-focused, experiences of Paradigm were misleading. In times gone by the UK distribution of this 40-year-old Canadian company favoured a curious mix of its entry-level, compact loudspeakers and its far-from-entry-level subwoofers (including the 106kg Signature SUB 2, whose hexagonal cabinet featured six 10in woofers and a claimed 4.5kW of amplification). More recently, however, first with the Persona B standmount [HFN Oct '20] and now with its £5400 Founder 100F floorstander, I've discovered its grown-up side. And I like it a lot.

Review: Andrew Everard, Lab: Keith Howard  |  Feb 06, 2020
hfnoutstandingThe ultimate expression of Paradigm's Persona speaker range is an active/passive hybrid, with room EQ too...

Canadian company Paradigm makes no bones about where its Persona range is pitched: it describes it as 'The Evolution of Luxury', as you might hope of a lineup topping out with the 9H speakers at £34,000 a pair. In fact the Persona 9H is currently Paradigm's absolute top model, being the priciest, and technically most complex, design in the company's flagship range. Like the other Persona models it comes in a choice of five standard colours: Harmony White, Vanta Black, Carbon Black gloss, plus metallic Aria Blue or Sonic Silver.

Review: Mark Craven, Lab: Paul Miller  |  Nov 19, 2020
hfnoutstandingThe baby model in Paradigm's flagship loudspeaker range wants to prove good things can come in small packages

With its Persona series, Paradigm has taken the concept of a 'flagship' products to heart. This loudspeaker collection, launched in 2016, is not merely the Canadian manufacturer's most expensive, but one intended to represent 'the technological abilities of Paradigm engineering'. So what does that entail? Advanced driver and cabinet designs, a new-look aesthetic, and custom finish options across a range that drops from the £34,000-per-pair passive/active Persona 9H [HFN Dec '19], to the Persona B auditioned here.

Keith Howard  |  Dec 16, 2011
A sophisticated design making use of some interesting technologies As befits the product carrying the largest price tag here, the Paradigm Studio 60, now in version 5 guise, looks the classiest of the bunch. A four-driver, two-and-a-half-way design, it is visually most notable for the side and back panels of its enclosure being transformed into a single, continuous curve, the inherent stiffness of which bodes well for low levels of cabinet talk. Also distinctive is its 25mm gold anodised aluminium dome tweeter whose diecast mounting protrudes from the top of the cabinet to reduce diffraction effects and is compliantly decoupled from the baffle to isolate it from vibration. The 140mm bass-midrange driver, with its satin anodised aluminium cone and large phase plug, is decoupled too, as are the twin 140mm bass drivers with mineral-filled polypropylene cones.
Hi-Fi News Staff  |  Oct 16, 2014
Peak Consult is a Danish boutique high-end loudspeaker manufacturer which can arguably be regarded as a Danish equivalent of Sonus faber. The engineering focus, lush aesthetics and fastidious attention to detail are certainly at one with the philosophies of the Italian speaker brand, and price points, from the entry-level Princess V to the six-figure Peak Consult Dragon, are up there too. The Princess V is a compact yet extremely hefty speaker with superb woodwork and an all-Danish driver array. The tweeter is a custom Scan-Speak model with a 1in silk dome and the main driver a bespoke 5in AudioTechnology unit.
Keith Howard  |  Aug 24, 2009
Tallest and slimmest of the speakers here, Pioneer’s S-81 is also one of the boldest, both aesthetically and technically. Its curvaceous cabinet looks a million dollars in the supplied black lacquer finish (it is also available in ash veneer) and the narrow front baffle incorporates no fewer than five drive units, although the coaxial 130mm midrange driver and 25mm titanium dome tweeter share the same chassis. Pioneer has a long history of enabling and advocating high sampling rates and researching the effect of ultrasonic frequencies, and so – uniquely here – the S-81 incorporates a transformerless ribbon supertweeter with a response which is said to reach out to 100kHz. Twin 130mm woofers (effective diameter about 108mm) handle the bass in conjunction with a single forward-firing port.
Ken Kessler and Keith Howard  |  Sep 25, 2009
Since 2004, PMC’s entry level DB1+ has been one of my reference speakers. Put another way: since reviewing it for the November 2007 issue of Hi-Fi News that year, I’ve regarded the DB1+ as one of the best speakers available for under £1000 per pair. How far under? Enough to allow that figure to include decent stands and cables. Part of this love goes back to my unshakeable admiration for transmission line speakers, since I first heard IMFs.
Review: Andrew Everard, Lab: Paul Miller  |  Sep 02, 2021
hfnoutstandingLaunched three years ago but only now released for review, PMC's flagship fenestria is a towering statement

The PMC fact fenestria – the British brand's flagship 'domestic' speaker (note lower case f) – was launched at a packed press conference at Munich's High End Show. That's the 2018 High End Show, and it's taken over three years for it to arrive for review – in which time the price has risen from the inaugural £45,000 to the £54,995 for the pair you see here. In the intervening period there's actually only been one Munich show – that in 2019, at which the company launched its smaller 'fact signature' models: the 2020 show fell victim to the pandemic, as did this year's at least twice, being rescheduled from May to September, then cancelled completely.

Ed Selley  |  Nov 20, 2011
The PB1i is the latest PMC speaker to get the Signature treatment One key difference is a revised crossover network featuring custom-made chokes and tuning by PMC founder and designer Peter Thomas. The driver complement remains twin PMC-designed 170mm bass drivers with cast magnesium chassis, and a SEAS/PMC co-developed 27mm soft dome tweeter. In between these is PMC’s legendary 75mm dome midrange unit, isolated in its own enclosure. The speaker also gets a brushed aluminium serial number plate, a certificate signed by Peter, and an array of nickel finished driver bolts.
Hi-Fi News Staff  |  Jan 27, 2015
Although the bass and midrange drive units on the twenty. 26 may appear similar to those of the PMC fact 12 [HFN Nov ’13], they are completely new and only found on this loudspeaker so far. The tweeter is the one unit carried over from the existing models and it’s the well proven Solonex 27mm soft-dome unit, developed by SEAS in conjunction with PMC. Its output is rolled off below 3.
Review: Mark Craven, Lab: Paul Miller  |  Nov 09, 2020
hfncommendedAn unchanged exterior hides PMC's crossover and driver upgrades made to its premium three-way floorstander

In The Who's 'Won't Get Fooled Again', Roger Daltrey memorably sings 'Meet the new boss – same as the old boss'. It's a phrase that sprang to my mind when confronted by PMC's twenty5.26i, as this floorstanding speaker is, outwardly, identical to its twenty5.26 predecessor launched in 2016, with cabinet dimensions matching to the millimetre. Yet PMC describes its new twenty5i series as a 'substantial re-engineering', improving performance without moving away from the signature sound of its forbear.

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