Loudspeakers

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Review: Mark Craven, Lab: Paul Miller  |  Feb 03, 2026  |  First Published: Feb 01, 2026
hfncommendedNew to the UK is this Lithuanian speaker brand with an artisanal approach. We hear its mid-level floorstander

If you thought bespoke cabinet details and custom colourways were the preserve of the very high-end loudspeaker market, maybe it’s time to think again. AudioSolutions, hailing from Vilnius in Lithuania, offers an extensive customisation programme for its mid-level Figaro series – so extensive, in fact, that there are apparently over 500,000 possible configurations for the M2 floorstander auditioned here. Despite that, pricing begins at £9750. Not pocket change, of course, but hardly outrageous either..

John Atkinson  |  May 24, 2025  |  First Published: Nov 01, 2024
hfnvintageJohn Atkinson clears space for a towering full-range electrostatic speaker from the Netherlands as Audiostatic’s Monolith II lands on UK shores

Blame Stanley Kubrick. Until 2001 burst onto our cinema screens, the lay conception of outer space had settled down as a mixture of flying saucers and little green men. Why green? Why little? But this was irretrievably displaced by an alien ex machina presence that set the style for, yes, the shape of electrostatic loudspeakers to come.

Review: Andrew Everard, Lab: Paul Miller  |  Mar 06, 2023
hfnoutstandingFor over 40 years and two generations, this family-run speaker specialist has epitomised the best of Danish design

Everything about the Audiovector R 8 Arreté is impressive, from the size and scale of the speaker – it stands 144cm tall and weighs over 72kg – to the seemingly fiendish complexity of the design, which appears to have drivers firing and venting in all directions. The piano-lacquered Italian Burl Walnut veneer, seen here, is gorgeous too, and offered alongside Italian Grey, black and white finish options.

Steve Harris and Keith Howard  |  Apr 24, 2009
With the grille on, you’d guess that this was another classic British two-way speaker, though perhaps unusually well-finished. Beneath the black cloth, though, you will find just a single metal-cone driver. So is this a classic British one-way? That drive unit is the Jordan JX92, the work of a notable designer who has spent quite a big part of his long working life perfecting full-range units. Ted Jordan first heard a GEC 8in metal cone while working in the company’s radio lab in the very early 1950s.
Martin Colloms  |  Aug 21, 2023  |  First Published: Aug 01, 2003
hfnvintageAfter years of development, the US company has come of age with a design that's a landmark in speaker engineering, says Martin Colloms

It was a thought-provoking discussion with Avalon president Neil Patel on the virtues of absolute tonal accuracy in a speaker, and how to achieve it, that led to an opportunity to evaluate the Eidolon. It was to prove illuminating to discover just how closely his objectives had been realised in this design.

Review: David Price, Lab: Keith Howard  |  Apr 12, 2019
hfnoutstandingClassical horns do not come any more colourful, or compelling, than this 'entry-level' floorstander

Hi-fi can be such a confusing passion, with so many products to explore in the quest for better sound, but enthusiasts often start by upgrading their loudspeakers, as they're where the greatest subjective differences are typically to be found. Most will begin with conventional box speakers, but many then progress to more left-field approaches – the most striking being 'horns'.

Review: Andrew Everard, Review and Lab: Keith Howard  |  Mar 11, 2020
hfnedchoiceDubbed Avantgarde's 'best kept secret' the Duo Primo XD was revealed at the UK Hi-Fi Show Live

Of late we've had some speakers through editor PM's listening room only describable as imposing, but nothing quite prepares one for the sheer visual impact of the Duo Primo XDs from Germany's Avantgarde Acoustics. Standing some 1.8m tall by 67cm wide, and weighing 185kg apiece, installing them is a matter of slotting the boxes together rather in the manner of building a PA stack – an appropriate analogy, as we'll discover – while the price-tag is similarly huge, at £79,500 a pair.

Review: Andrew Everard, Lab: Paul Miller  |  Mar 29, 2022
hfnoutstandingAVID's 'sledgehammer-to-crack-a-nut' two-way features a massive all-alloy cabinet with tuned mass dampers to kill unwanted resonances – and this is the smallest in its range!

The friend who helped me unload these three AVID Hi-Fi boxes – one for each Reference Four speaker, at £20,000 a pair, plus one for the included (and very hefty) stands – thought he'd nailed it. 'What are these for, then?' he asked, 'heavy metal music?'. He wasn't far off the truth for while most speakers do very nicely indeed with variations on the wooden box theme, the Reference Fours use all-alloy cabinets, with panels up to 15mm-thick, sitting on six 'risers' attached to a thick alloy baseplate. Hence why each of these relatively compact speakers, at just under 37cm tall, weighs 25kg.

Review: Andrew Everard, Lab: Paul Miller  |  Dec 22, 2022
hfnoutstandingThe largest standmount in AVID's all-alloy Reference range is bigger and heavier than most floorstanders...

Standmount speakers – it's easy to see why they're popular. They're relatively compact and light enough to position with ease, whether on bookshelves or stands. They aim to offer a compelling sound in smaller spaces, are affordable, often due to mass-production overseas, and can be driven with ease by relatively modest amplification. Trouble is, the AVID Reference Three, while undeniably a standmount speaker, flies in the face of all the above.

Review: David Price, Lab: Keith Howard  |  Dec 01, 2018
hfnoutstanding.pngNow classier looking and sounding, it's out with the old and in with the new for B&W's latest budget floorstander

'Things can only get better' is a mantra beloved of marketing men and women, and why not? There's an implicit notion that technological progress means everything is automatically moving forward – and those who disagree must be some kind of latter-day Luddite. They're pushing at an open door, because when people treat themselves to something shiny and new, most have already bought into the idea that it is superior to what came before.

Review: Andrew Everard, Lab: Paul Miller  |  Feb 22, 2021
hfncommendedThe flagship of B&W's Anniversary Edition takes the range to a new price level, and promises performance to match

The special editions have been coming thick and fast this year, and this is the second recent 'tuned' range from Worthing-based Bowers & Wilkins, following hot on the heels of the 700 Series Signature models. We've reviewed the 702 Signature floorstander [HFN Sep '20], and the formula for the 600 Series Anniversary lineup is a familiar one: new finishes, and some mild performance tuning.

Review: Jamie Biesemans, Lab: Paul Miller  |  Jan 11, 2024
hfnoutstandingSeries 3 sees the eighth generation of B&W's evergreen 600 series, headed here by the 603 S3 floorstander

Bowers & Wilkins might be one of the largest loudspeaker manufacturers around, but surprisingly it doesn't have a very broad offering, fielding considerably fewer models than, say, KEF or Focal. Leaving CI products aside (and the iconic but no longer revolutionary Nautilus), there are only three main loudspeaker families coming out of Worthing, and as the 800 D4 series [HFN Nov '21, Feb '22, May & Sep '23] and 700 S3 series [HFN Mar '23] represent the most recent major updates, it was inevitable that the nearly 30-year-old 600 series would follow suit.

Review: David Price, Lab: Keith Howard  |  Dec 01, 2017
hfnoutstanding.pngB&W’s comprehensive 800 D3 series has not only caused a stir without, but also within – all hail the new 700 series

Every loudspeaker brand has a house sound, and for many years B&W’s has been influenced by its Kevlar bass and/or midrange cones. It was the best way to get what the designers wanted – a controlled ‘stiff’ driver action that didn’t offer an overly romanticised view of the music.

Jamie Biesemans, Lab: Paul Miller  |  Aug 30, 2024
The ‘ultimate version’ of B&W’s 700 series flagship gets the Signature treatment, including two bespoke colour options

It’s only about two years ago that Bowers & Wilkins introduced the S3 generation of its 700 series. A major overhaul of the venerable British brand’s popular midrange offering, its attention-grabbing improvements included a notably curvier front baffle with protruding drivers (housed in ‘pods’) and an elongated tube for the ‘Tweeter-on-Top’. This was all quite familiar for anyone who saw the earlier revamped 800 D4 series, so B&W isn’t being untruthful when it claims to deploy trickle-down technology.

Review: Andrew Everard, Lab: Paul Miller  |  Oct 22, 2020
hfnoutstandingAn enhanced crossover and Datuk Gloss ebony-coloured veneer sees the 702 S2 offered in a 'Signature' guise

You'd be forgiven for a double-take when gazing upon the latest offerings from Bowers & Wilkins, the £4499 702 Signature speakers. One of two new Signature models from the Worthing-based company – the other is the £2699 705 Signature standmount – there's little to set this slender floorstander apart from the £3399 702 S2 on which it's based [HFN Dec '17], beyond a rather snazzy wood finish to the cabinet, some shinier trim-rings around the drivers, with a matching grille over the tweeter, and a metal 'Signature' plate on the rear panel.

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