Step back to the 1980s and this specialist British 'cottage industry' integrated amplifier was a force to be reckoned with. But how will it shape up today? Time to find out...
Everyone old enough to remember, talks about the 1970s as the golden age of British hi-fi. That's certainly true in one respect, because what was a niche – often do-it-yourself hobby – went completely mainstream, to the point where the third most expensive consumer item, after a house and a car, was a stereo.
Following a flow of revolutionary, hugely desirable but astronomically-priced 'optical' cartridges, DS Audio introduces the DS-E1 – could 'E' stand for 'Everyman'?
This is the second review this month that's been tough for me to write if, in this instance, for entirely positive reasons. You see, the DS Audio DS-E1 is actually too good, and the asking price of £2295 is the reason. I do not want to inflict any hardship upon DS Audio, which offers three models above this, but, like an entry-level Rolex, Leica CL camera or Porsche Cayman, it begs the question: why pay more?
Very much hi-fi on the grand scale, this Italian-made pre/power amplifier combination is a sweet-sounding heavyweight with more than sufficient output to match its size
For a while, the amplifier combo you see here was almost literally the elephant in the editor's listening room. Delivered for review just at the end of 2018, its sheer mass – 28kg for the £12,500 Strumento No1 mk2 preamp alone, plus a further 95kg for the No4 mk2 power amp, which sells for £16,250 – defied almost all efforts to move it into PM's lab for test work before I could listen. It finally inspired our esteemed editor to relent and buy himself a trolley – and so, at last, the review literally began to roll...
This do-it-all unit, designed as the hub of a digital music system, combines ripper/server, streamer, player, DAC and more. Is this a total solution, or is it trying too hard?
Here's a simple suggestion for anyone thinking of moving from 'physical media' to computer-stored music, or at least adding a collection of files to their system: buy the most complex piece of equipment you can find. Yes, that may seem like some kind of lunacy for the beginner in ripping, serving and streaming, but then the £5099 Novafidelity X45Pro, the flagship of its manufacturer's range, will do everything you could ever think of in the world of digital audio – and then some.
Affordable German turntables are looking set to repeat their dominance of the market they owned 50 years ago. Can Dual's top-of-the-range CS 600 raise the stakes?
A tough review for me to write, at least objectively: I'm rooting for the CS 600 to be something special because my first turntable was a Dual and I recall it with fondness. I want the CS 600 to be a champ like the all-conquering '505 was back in the days of the NAD 3020-based systems. But this new deck costs £1199 in black, or another £200 in gloss black or white (as reviewed), and the competition for turntables with tonearms is fierce around this price point.
Promising more power, better sound and greater flexibility, will this latest incarnation of a longstanding 'audiophile favourite' tube integrated meet the challenge?
The first Stereo 40 tube integrated amp arrived in the year 2000, and according to Icon Audio's founder and chief designer David Shaw, 'is the heart of what we do'. It's the metaphorical ham sandwich of the valve amplifier world – the staple diet of audiophiles wanting a simple, affordable, user-friendly integrated that offers classic tube sound and some interesting features too. This new £2200 Stereo 40 MkIV sits bang-smack in the middle of the range and, as claimed, is uncommonly versatile.
This month we review and test releases from: Los Angeles Philharmonic/Gustavo Dudamel, Archi Di Santa Cecilia/Luigi Piovano, Merje Kägu Ensemble, Cuarteto Casals and Christian Balvig 6-Tet
With the option of a high-quality headphone stage, the new entry-level dCS network DAC marks a walk on the wild side for the Huntingdon company. Can it succeed?
By way of celebrating its 30th anniversary, dCS launched the limited edition Vivaldi One streaming DAC/SACD player [HFN Feb '18]. It was a present to itself, and some of the company's most well-heeled customers. Now, however, dCS's gaze has turned from past to future as it debuts its new £11,999 Bartók streaming DAC/headphone amplifier. The non-headphone version represents a saving of £2000.
Parallel tracking, optical position sensing and all in a slick package no larger than an LP sleeve. It dazzled in its day, but how does this '70s direct-drive deck sound now?
There is an argument which says that to recover maximum information from any recording the playback system should be as similar as possible to the arrangement with which it was made. For example, a tape deck identical to the one used in the studio should replay the original master tapes with the highest achievable accuracy.
This month we review and test releases from: Thomas Søndergård/BBC Now, Johan Versk, Lars Danielsson & Paolo Fresu, Sir Roland Hanna and Emma Johnson & Friends