The celebrated brand has given its miniature integrated amp a comprehensive update to mark its fifth anniversary. So is it still a winner in an increasingly crowded market?
We live in uncertain – and expensive – times: the average price of a flat in Greater London is currently north of half a million, which is why there's a major property building boom underway, with almost any space or building being turned over to housing. And with prices so high, it's also no surprise that space is at a premium. Even with London salaries typically higher than those outside the capital, the average income, run through the usual multipliers, doesn't get you a mortgage able to buy anything palatial.
This month we review and test releases from: ORF Vienna Radio Symphony Orchestra/Martin Gellner, Frederik Munk Larsen, Paul Lewis, Orchestre Philharmonique du Luxembourg/Gustavo Gimeno, and Andreas Ottensamer/Yuja Wang.
TechDAS' Air Force III gets the Premium treatment, with upgrades throughout the design, a heavier platter and revised 'Air Condenser' – does it punch above its weight?
Positioned in the 'lower half' of the burgeoning TechDAS catalogue, the original Air Force III [HFN Sep '16] delivered more compact dimensions, the capability to handle up to four tonearms and a substantial saving over the One [HFN Jun '13] and Two [HFN Apr '15] turntables. Even with its new, performance-gap-closing fitments in Premium guise, the price is two quid shy of £29,000 – roughly a tenth the estimated cost of the forthcoming Air Force Zero flagship and £17,000 less than the Two Premium. A bargain, then?
As a major partner in the BluOS project, it makes sense for NAD to have its own all-in-one network player, and it's aiming very high with this fully-loaded, fine-sounding system
No-one could ever accuse NAD of lacking ambition. Alongside its acclaimed core range, on which the company has built its reputation over the past four decades, it also has its Masters series of high-end components, several of which have been reviewed favourably in these pages in the past, including the EISA Award-winning M32 integrated amp – sorry, 'DirectDigital DAC/Amplifier' – [HFN Jul '18].
Step back to the 1980s and this specialist British 'cottage industry' integrated amplifier was a force to be reckoned with. But how will it shape up today? Time to find out...
Everyone old enough to remember, talks about the 1970s as the golden age of British hi-fi. That's certainly true in one respect, because what was a niche – often do-it-yourself hobby – went completely mainstream, to the point where the third most expensive consumer item, after a house and a car, was a stereo.
Following a flow of revolutionary, hugely desirable but astronomically-priced 'optical' cartridges, DS Audio introduces the DS-E1 – could 'E' stand for 'Everyman'?
This is the second review this month that's been tough for me to write if, in this instance, for entirely positive reasons. You see, the DS Audio DS-E1 is actually too good, and the asking price of £2295 is the reason. I do not want to inflict any hardship upon DS Audio, which offers three models above this, but, like an entry-level Rolex, Leica CL camera or Porsche Cayman, it begs the question: why pay more?
Very much hi-fi on the grand scale, this Italian-made pre/power amplifier combination is a sweet-sounding heavyweight with more than sufficient output to match its size
For a while, the amplifier combo you see here was almost literally the elephant in the editor's listening room. Delivered for review just at the end of 2018, its sheer mass – 28kg for the £12,500 Strumento No1 mk2 preamp alone, plus a further 95kg for the No4 mk2 power amp, which sells for £16,250 – defied almost all efforts to move it into PM's lab for test work before I could listen. It finally inspired our esteemed editor to relent and buy himself a trolley – and so, at last, the review literally began to roll...
This do-it-all unit, designed as the hub of a digital music system, combines ripper/server, streamer, player, DAC and more. Is this a total solution, or is it trying too hard?
Here's a simple suggestion for anyone thinking of moving from 'physical media' to computer-stored music, or at least adding a collection of files to their system: buy the most complex piece of equipment you can find. Yes, that may seem like some kind of lunacy for the beginner in ripping, serving and streaming, but then the £5099 Novafidelity X45Pro, the flagship of its manufacturer's range, will do everything you could ever think of in the world of digital audio – and then some.
Affordable German turntables are looking set to repeat their dominance of the market they owned 50 years ago. Can Dual's top-of-the-range CS 600 raise the stakes?
A tough review for me to write, at least objectively: I'm rooting for the CS 600 to be something special because my first turntable was a Dual and I recall it with fondness. I want the CS 600 to be a champ like the all-conquering '505 was back in the days of the NAD 3020-based systems. But this new deck costs £1199 in black, or another £200 in gloss black or white (as reviewed), and the competition for turntables with tonearms is fierce around this price point.
Promising more power, better sound and greater flexibility, will this latest incarnation of a longstanding 'audiophile favourite' tube integrated meet the challenge?
The first Stereo 40 tube integrated amp arrived in the year 2000, and according to Icon Audio's founder and chief designer David Shaw, 'is the heart of what we do'. It's the metaphorical ham sandwich of the valve amplifier world – the staple diet of audiophiles wanting a simple, affordable, user-friendly integrated that offers classic tube sound and some interesting features too. This new £2200 Stereo 40 MkIV sits bang-smack in the middle of the range and, as claimed, is uncommonly versatile.