Review: Tim Jarman

Review: Tim Jarman, Lab: Paul Miller  |  Nov 24, 2020  |  0 comments
hfnvintageThe sweet spot in a three-strong series of late '80s amps, this high current integrated promised to handle low impedance speakers without breaking a sweat. We listen...

Most hi-fi enthusiasts know how many watts their amplifier can produce, but does that figure tell the whole story? In the early '80s, Harman Kardon's HCC (High Current Capability) range of integrated amplifiers gave listeners another number to think about, which was how much current an amplifier was able to source.

Review: Tim Jarman, Lab: Paul Miller  |  Oct 23, 2020  |  0 comments
hfnvintageWhile a near dead-ringer for the amp it replaced, this '60s integrated saw Leak leverage new technology to boost performance and widen its appeal. How does it sound today?

It's not unusual for a successful hi-fi product to be updated with mild revisions during its lifetime. Often the changes are minimal: a tidied-up fascia to match a new model added elsewhere in the range, or an extra function or minor circuit redesign. This was certainly not the case with the Leak Stereo 30 Plus amplifier of 1969, which replaced the Stereo 30 [HFN Oct '10] first seen in 1963. Side by side the two looked much the same, but inside the 30 Plus was all new in order to take advantage of improved technology.

Review: Tim Jarman, Lab: Paul Miller  |  Sep 25, 2020  |  0 comments
hfnvintageDesigned to be worthy of the company's flagship Beolab 5000 system, this late '60s turntable was the last conventional deck to top the B&O range. How does it sound?

The argument for building a system using components from different manufacturers because 'no company is good at everything' is a good one – up to a point. Conversely, the Japanese heavyweights such as Sony, Technics and JVC were once able to put together a fairly convincing complete package, as could Philips (on a good day!).

Review: Tim Jarman, Lab: Paul Miller  |  Aug 25, 2020  |  0 comments
hfnvintageWhile its looks belie its flagship status, this '80s CD player was designed with just one aim in mind: bring credibility to Philips' cutting-edge tech. How does it sound today?

The Philips CD960 of 1987 was part of a range that included the FA860 amplifier [HFN Feb '20]. As one of the company's occasional flirtations with the top end of hi-fi, this series was intended to demonstrate that the Dutch brand could offer components capable of state-of-the-art performance, as well as provide a boost in status to the more affordable models in the range.

Review: Tim Jarman, Lab: Paul Miller  |  Jul 10, 2020  |  0 comments
hfnvintageA mid '80s deck designed to boost vinyl replay at a time when the convenience of CD was making all the news. Did it succeed, and how does it compare today?

The products we usually seek to feature in our Vintage Review pages are those that were among the first to introduce a new format, function, level of performance or design theme. However, this month our subject is the Technics SL-J33 turntable of 1986, one of the last in a series that had a footprint the size of an LP sleeve, which began with the SL-10 [HFN Apr '19].

Review: Tim Jarman, Lab: Paul Miller  |  May 12, 2020  |  0 comments
hfnvintageIt was a deck designed to keep vinyl replay relevant in a market attracted to the convenience of CD. Did it succeed and, more importantly, how does it sound today?

One challenge faced by those designing hi-fi in the high-tech 1980s was how to re-package the LP in a way that would ensure it remained of interest to consumers in a future that was clearly going digital. Released in late 1979, the Technics SL-10 turntable [HFN Apr '19], with its parallel tracking, optical position sensing and slick packaging was one of the first components to address this issue seriously.

Review: Tim Jarman, Lab: Paul Miller  |  Apr 27, 2020  |  0 comments
hfnvintageMarketed by Philips yet made by Marantz, is this purposeful-looking integrated packed with premium components an unsung hero of hi-fi's past? It's time to find out...

Philips should have been a dominant player in the hi-fi arena, yet many of its products somehow missed the mark. Despite these repeated failures, every now and again the sleeping giant would wake from its slumbers and produce something miraculous – Compact Disc, Motional Feedback speakers – only to disappear until inspiration struck again.

Review: Tim Jarman, Lab: Paul Miller  |  Mar 09, 2020  |  0 comments
hfnvintageBased on Sony's second-gen 16-bit/2x oversampled chipset, the DP-850 established a toehold in the CD scene for the Trio-Kenwood Corp. How does it shape up today?

While not a name often associated with early CD players, Kenwood was not lacking in ambition with its first entry into the field. Rather than test the market with a quiet offering buried deep in the backwaters of its catalogue, in 1983 the company added the L-03DP CD player to its range of top-line components.

Review: Tim Jarman, Lab: Paul Miller  |  Feb 07, 2020  |  0 comments
hfnvintageCombining cool cosmetics with touch-sensitive control, this late '70s receiver was a watershed when it came to the way we interact with our kit. How does it sound today?

Released in 1977, B&O's Beomaster 2400 receiver brought touch-sensitive operation and full remote control to a world that expected nothing more from its hi-fi components than knobs and buttons. Its impact was immense, and soon the company's factory was unable to make receivers fast enough to satisfy demand. What's more, the unit's basic form and function lived on through a series of models that remained in production until 1992. And even by then, the design still looked fresh and modern.

Review: Tim Jarman, Lab: Paul Miller  |  Nov 21, 2019  |  0 comments
hfnvintageThis slimline design was fashioned with Yuppies in mind yet packed tried-and-tested tech from premium Sony products. How does it shape up today? It's time to find out

When it comes to CD players, Ferguson has a claim to fame, for its CD 01 [HFN Jan '19] of 1984 was the first machine to appear from a British household name. The player's Sony origins also meant it stood out from the crowd. At the time, manufacturers wishing to gain a foothold in the rapidly growing market for CD players, but who lacked the R&D resources to build machines of their own, usually went to Philips for the hardware. Sony's players were considered to be top of the market, the Japanese company's carefully cultivated image only helping to justify their premium prices.

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