Review: Tim Jarman

Review: Tim Jarman, Lab: Paul Miller  |  Nov 21, 2019  |  0 comments
hfnvintageThis slimline design was fashioned with Yuppies in mind yet packed tried-and-tested tech from premium Sony products. How does it shape up today? It's time to find out

When it comes to CD players, Ferguson has a claim to fame, for its CD 01 [HFN Jan '19] of 1984 was the first machine to appear from a British household name. The player's Sony origins also meant it stood out from the crowd. At the time, manufacturers wishing to gain a foothold in the rapidly growing market for CD players, but who lacked the R&D resources to build machines of their own, usually went to Philips for the hardware. Sony's players were considered to be top of the market, the Japanese company's carefully cultivated image only helping to justify their premium prices.

Review: Tim Jarman, Lab: Paul Miller  |  Oct 29, 2019  |  0 comments
hfnvintageA classic belt-drive turntable from a brand that time forgot, but is this fully-automatic, British-built mid '70s deck still worth seeking out? It's time to put it to the test...

Birmingham Sound Reproducers, or BSR, is a name that's scarcely mentioned in hi-fi circles today. Once the world's largest producer of turntables, the story of this company serves as a reminder of what a tough place the audio market can be.

Review: Tim Jarman, Lab: Paul Miller  |  Sep 23, 2019  |  0 comments
hfnvintageWhile first to market with a portable player, Sony soon found itself overtaken by rivals. Its answer was a now-iconic machine, driven by a belt. But how does it sound today?

Sony's original D-50 'Compact Disc Compact Player', released in late 1984, was the first practical portable to reach consumers. Named to commemorate the company's 50th anniversary, the player's ¥50,000 price tag ensured that it dominated the market. However, the fact that it cost ¥100,000 to manufacture meant that this came at some expense to Sony.

Review: Tim Jarman, Lab: Paul Miller  |  Aug 22, 2019  |  0 comments
hfnvintageSophisticated styling, touch controls and the promise of all the benefits of direct-drive using a sub-platter driven by a belt. Can this late '70s record player really deliver?

Think of CD players and Philips will be one of the first names to come to mind. This is not necessarily the case when it comes to turntables, even though the company has produced a multitude of models over the years. Its turntable motors could be found in the early Linn LP12 and many other similar designs, yet to most British listeners a complete Philips turntable, like the AF 877 seen here, is something of a novelty.

Review: Tim Jarman, Lab: Paul Miller  |  Jun 28, 2019  |  0 comments
hfnvintageParallel tracking, optical position sensing and all in a slick package no larger than an LP sleeve. It dazzled in its day, but how does this '70s direct-drive deck sound now?

There is an argument which says that to recover maximum information from any recording the playback system should be as similar as possible to the arrangement with which it was made. For example, a tape deck identical to the one used in the studio should replay the original master tapes with the highest achievable accuracy.

Review: Tim Jarman, Lab: Paul Miller  |  May 16, 2019  |  0 comments
hfnvintageGlitsy looks and a lack of niceties such as time display, but this version of the Philips CD300 CD player was first to market where it became king of the 14-bit machines

The CD-73 is surely one of the best loved and best remembered of the first generation of CD players. With its eye-catching looks, it stood out among a sea of bland black boxes. Usually it would have been difficult for a company of Marantz's standing to come up with a fully engineered model so quickly, but having recently secured the backing of Philips, it was able to release not one but two class-leading CD players for the opening 1983 season.

Review: Tim Jarman, Lab: Paul Miller  |  Mar 29, 2019  |  0 comments
hfnvintageNow a forgotten hero, this CD player's claim to fame was that it was the first to be sold by a British household name. But does its sound make it more than just a curio?

Ferguson isn't a name often seen in the pages of HFN, but from the early 1950s to the late 1980s it was a dominant player in the UK consumer electronics marketplace. Part of the Thorn group, the brand was never positioned as a specialist hi-fi manufacturer but its audio division was prolific.

Review: Tim Jarman, Lab: Paul Miller  |  Aug 01, 2018  |  0 comments
hfnvintage.pngLaunched in 1980, these slimline separates proved just the tonic for those seeking sophisticated sonics wrapped in eye-catching casework. How do they sound today?

Who buys top quality hi-fi equipment? First there is the audiophile, who is willing to devote considerable resources in the pursuit of components that deliver what he or she regards as the best sound quality for a given budget. There was once also a largely non-technical group who had equally high musical expectations. Wealthy and design conscious, they wanted complete systems that not only sounded good but looked good too, and included all the latest technological refinements.

Review: Tim Jarman, Lab: Paul Miller  |  Mar 01, 2018  |  0 comments
hfnvintage.pngThe British contender for the late '70s budget amp crown won the hearts and wallets of many a budding audiophile thanks to some canny tech. How does it sound today?

In the early days of hi-fi, the budget amplifier was usually considered an object of disdain, to be quickly upgraded as soon as funds allowed. More capable designs such as the NAD 3020 changed this view and by the late '70s improvements in component technology had made it possible to produce really good amplifiers that still could be sold for reasonable prices.

Review: Tim Jarman, Lab: Paul Miller  |  Feb 01, 2018  |  0 comments
hfnvintage.pngIt wasn't a budget buy, but this late '70s integrated from the masters of the MOSFET spearheaded fresh thinking on amplifier design. But how does it sound today?

The advantages of using separate pre and power amplifiers over an integrated is a discussion that can still occupy audiophiles for hours. What was almost a necessity in the valve era became less technically significant once transistors were established, a quality solid-state preamp circuit being undemanding in terms of space and power.

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