Lab: Paul Miller

Review: David Price,  |  Dec 01, 2017  |  0 comments
hfnoutstanding.pngBased on the popular Inspiration series, the new Revelation range offers upscaled performance for gimmick-averse audiophiles. Its new pre/power is a formidable package

High-end hi-fi offers many flavours of weird and wonderful design, technology and functionality. In a sense, that’s what it’s there for, in order to differentiate itself from more prosaic, modestly priced products. Yet it’s all too easy to get lost in ‘surprise and delight’ features, wild styling or wilfully alternative engineering – and lose the plot.

Review: Ken Kessler,  |  Dec 01, 2017  |  0 comments
hfnedchoice.pngDS Audio’s flagship optical cartridge is one of the most expensive we’ve tested – but the £20k price tag includes a dedicated PSU/equaliser. KK rediscovers his LP collection...

Optical pick-ups were a dream in the 1960s and 1970s, but they were hamstrung by the light technology of the era. Weight, heat, power source – all mitigated against it. DS Audio, however, has the benefit of returning to the concept in the age of the LED, and its parent company is a global giant making optical sensors. Your £20k for the DS Audio Master 1 package, then, gets you cutting-edge design and manufacture rather than something a boffin cooked up in a garage. It also pays for the latest power supply-cum-phono stage, the cartridge not delivering a signal suitable for a conventional MM or MC phono input.

Review: Ken Kessler,  |  Dec 01, 2017  |  0 comments
hfncommended.pngSomething for the high-end user with a sense of fun – Metaxas' Marquis 'Memento Mori' headphone amp marries form with function and the result is rather jolly. Er, Roger.

Headphones now rule – period – and as a vivid illustration of the current profusion of cans, I was staggered to see, at a store in Tokyo, a selection of something like 1500 headphones, and with plenty of high-end brands notable by their absence.

Review: Tim Jarman,  |  Nov 01, 2017  |  0 comments
hfnvintage.pngWith components sourced from Dutch giant Philips, does this slick-looking CD player from 1986 still represent the 'last word' in 14-bit sound? We take it to the test bench

The step change in technology that came with the introduction of CD was too great for all but the largest hi-fi manufacturers to handle alone. As a result, those that lacked the resources to design and produce their own machines had instead to buy completed assemblies from either Philips or one of the larger Japanese brands.

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