Integrated Amplifiers

Who'd have believed that the world would be awash with affordable valve amps in the 2020s? Certainly not those who recall the desperation of trying to source fresh tubes during the era when solid-state ruled and valves were yet to make a comeback. But now the choice is so vast that you can look beyond nursing vintage Leaks or Quads, with the risks that entails. Arguably the doyen of affordable valve amps is Icon Audio, its latest the absurdly cost-effective integrated Stereo (ST) 40 MkIV 6L6, starting at £2200.

Nowadays there's a wealth of all-in-one units available but AVM was one of the brands to spot the trend early on. That partly explains why, even in an industry that loves extensive model ranges, the company has an impressively large product offering – including five streaming receiver solutions. And there's little concession to price in this range, so the top-of-the-line £14,950 Ovation CS 8.3 model boasts ample power reserves, a full range of streaming capabilities and a slot-loading CD player.

The general consensus is that film sequels are rarely as good as the original, the likes of The Godfather Part II being an honourable exception. In consumer electronics, on the other hand, any follow-up simply has to better its predecessor to justify its existence. This is the aim of Emotiva with its BasX TA1 integrated amplifier, a refresh of the earlier BasX TA-100 [HFN Apr '19]. Yet unlike many Hollywood studios, it's been careful not to erase fond memories of the original in favour of a full franchise reboot. There's an awful lot about the TA1 that is identical to its predecessor.

Although UK readers might not recognise the EarMen moniker, it's certainly not a newcomer to the world of hi-fi. Its back story is quite convoluted, for although EarMen is based in Chicago, it's funded by the owner of Serbia's Auris Audio, Milomir Trosic, and most products are produced in the same Serbian factory. Auris is aimed at the premium market, with products including the Euterpe and the Nirvana – both headphone amplifiers lavishly adorned in wood and even leather – plus a neat line of luxurious-looking tube amps and even some turntables on offer.

The instantly recognisable Trio/Kenwood KA-2002 is one of those products that is sure to have touched the lives of many readers of Hi-Fi News. A popular first move upmarket from record players and radiograms towards 'proper' hi-fi, this inexpensive amplifier was a frequent choice for enthusiasts taking their initial steps towards serious listening.

What should an audiophile demand from an integrated amplifier with a price tag approaching £15k? There's an expectation it should be beautifully built and finished and, more than likely, hail from a respected marque with a long pedigree. There must be a sense of owning something special and exclusive. The performance, meanwhile, will need to be at or near the top of what's possible at the price, and with no shortage of power. As for the new £14,995 McIntosh MA9500, and without wishing to give everything away in my opening paragraph, it looks to tick all these boxes!

Is it unkind to suggest some Italian brand names do not carry convincingly into English? Who keeps a straight face with a cooker called 'SMEG'? As for Synthesis – which also has the appropriately named Roma range – choosing to dub its Metropolis integrated amplifiers 'NYC', because New York is a Metropolis, actually makes sense, I suppose.