Integrated Amplifiers

Bang & Olufsen's first move into the world of serious hi-fi came in 1967 with the introduction of the Beolab 5000 amplifier and Beomaster 5000 tuner [HFN Dec '12]. These defined the European state of the art at the time and were as successful as their high prices allowed. The company then distilled these two units into the Beomaster 3000, which offered similar qualities at a more accessible price. It lacked the sheer power and versatility of the Beolab 5000 but sold strongly throughout a long production run.

You shouldn't even need to see the £1099 price tag of Emotiva's BasX TA2 to understand it's one of the American manufacturer's entry-level products: the clue is in the name. Yet this integrated amplifier is about more than just covering off the 'basics', not least as it's positioned as a step up from the £669 BasX TA1 [HFN Nov '22].

While some manufacturers' product lines can become confusing as models tackling various price points and functionality are launched, relaunched and discontinued, Audiolab has, by contrast, a laser-like focus. It caters very much to the wallet-conscious audiophile, across a clearly delineated stable of amps and players/streamers, which kicks off with its 6000 series and progresses through 7000 and 8300 to the newly launched, flagship 9000 series. This currently comprises two models, auditioned here, but will be joined later this year by another.

While there is a drive to bring (hi-fi) manufacturing back home to Blighty, some brands never left. One such stalwart is Edwards Audio, a sub-brand of the longstanding Talk Electronics range of full-width components. The Edwards Audio IA1 integrated amplifier on these pages is handmade in the UK – yes, designed, engineered and assembled here – and yet costs just £430. Still not convinced? Well, you can have a simpler version of the same amp, shorn of remote control, for £60 less, and you can even buy both versions in red, white or blue – but not all three at once – as part of a range of six acrylic colours in which Edwards Audio offers its full stable of products.

The Denon duo in the limelight here are an obvious refresh of the previous generation DCD-1600NE disc player and PMA-1600NE amp, introduced in 2017, rather than entirely new designs. Partly that's because both the £1299 DCD-1700NE and £1699 PMA-1700NE look very similar, if not identical, to their predecessors. The solid construction, metal front fascia that curves to ensure the Denon logo catches the light, the weighty volume knob in the middle of the amp, the old-school tone controls… it's all very par for the course, as is the choice between black or silver colourways.

Mini hi-fi, very much 'a thing' in the 1980s, is still breathing today thanks to Heinz Lichtenegger's Pro-Ject brand. 'Small is better', according to Pro-Ject's head honcho, stating that modern music lovers want great sound without bulky hi-fi gear. Surprisingly, the MaiA DS3 integrated amplifier tested here is one of the larger of Pro-Ject's 'Boxes', being part of its DS line which, together with the RS line, trades some compactness for improved electronics. The company's budget E and more accomplished S series are the home of truly diminutive devices.

The Boulder story begins in 1984, with the release of the 500 Power Amplifier. A professional audio company back then, Boulder's stereo model was destined for music studios and broadcast suites, but founder Jeff Nelson soon realised the hardware had domestic potential too, resulting in the 500AE 'audiophile edition'. Today, nearly 40 years and an expanded product portfolio later, the Colorado-based manufacturer remains a darling of the high-end hi-fi scene, albeit one whose designs still have a 'pro audio' air about them.