Review: James Parker

Given Cambridge Audio's track record in digital audio, it is perhaps a little surprising it's taken the company so long to enter the network systems arena. It was an early developer of add-on DACs in 1994 [see HFN Jun '21] and has been making streaming components for a good while, even going to the lengths of developing its own network audio hardware. The Cambridge catalogue currently caters for 'computer audio' enthusiasts with the entry-level £169 DacMagic 100 right up to the £4499 Edge NQ network preamp.

Take a quick look at the £4995 McIntosh MCD85, and you'd probably think it was another in the seemingly endless line of amplifier variations emerging from the Binghamton factory in upstate New York. In fact, the first sign that this isn't actually a power amp is the weight. Thanks to their hefty transformers and solidity of build, the company's powerhouses tend to be back-achingly heavy, and arrive on pallets – the new MA1200 integrated amp, for example, weighs in at a shade under 49kg, and the MC901 monoblock is getting on for twice that. By contrast, the MCD85 is a manageable 12.5kg boxed, and a positively featherweight 9.3kg in the buff.

In common with a lot of HFN readers, I have a bit of a 'thing' about overly complex digital devices. I'm not referring to input flexibility – many of us will have systems in which different flavours of digital connection are accommodated, from USB links from a computer to good old S/PDIF from a CD player or the like. No, what I really find obstructive is devices bristling with digital-domain options, from filters to dither to PLL bandwidth and the like, all of which often look like an exercise in 'because we can' – a facilities arms-race – rather than being of any real-world assistance to the user.

CD players, along with integrated amps, have long been such a mainstay of the Arcam product catalogue that it comes as something of a surprise that the CDS50 we have here, selling for £699, is now the sole silver disc spinner in its lineup. This, after all, was the company responsible, in 1986, for the first CD player both designed and manufactured in the UK, just four years after the format hit the shops and at a time when Linn and Naim were both sticking to their 'no good will come of this' guns.