Loudspeakers

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Review: Mark Craven, Lab: Paul Miller  |  Sep 14, 2020
hfnoutstandingA foundation range for two decades, MA's Bronze series goes for gold with the standmount 100

Is it brave to label a loudspeaker series 'Bronze', with the implication that its models are worse than second-best? Monitor Audio doesn't seem to think so, and has been using its precious metal hierarchy long enough for its Bronze lineup to now be relaunched in sixth-generation guise, five years after a previous update [HFN Feb '16]. The promise, as always, is of speakers that hit the price/performance sweet-spot via trickle-down driver tech, while looking good, too. Silver, Gold and Platinum are ranged above, and below you'll find the Monitor series, presumably because Copper felt like a step too far...

Review: Mark Craven, Lab: Paul Miller  |  Jul 16, 2021
hfncommendedThis slim floorstander has million-dollar looks but a wallet-friendly price, and aims to sound bigger than it seems

Monitor Audio's close-to-entry-level Bronze series wants to offer something for everyone – the full range runs to eight models, including various multichannel options – but it's perhaps the Bronze 200 floorstander that many potential buyers will investigate first. A slim two-and-half-way tower speaker priced £569, with attractive finish options (white, walnut, urban grey and black), plus driver technologies borrowed from pricier models, it appears at face value to offer performance potential and that hi-fi holy grail: value for money.

Review: James Parker, Lab: Keith Howard  |  Oct 21, 2019
hfnoutstandingThis may be the baby of the latest Gold range, but it has the company's usual impeccable design, fit and finish, and a big sound that belies its compact dimensions

The hierarchy of the Monitor Audio loudspeaker range – starting with Bronze, and progressing through Silver and Gold to the flagship Platinum series – is well-established, and so too is the company's rolling programme of updating the products line by line. In recent times this has run alongside a series of acquisitions – the company scooped up electronics manufacturer Roksan in 2016, and more recently added Blok, the maker of the STAX range of hi-fi stands and AV racks, to its stable.

Review: Jamie Biesemans, Lab: Paul Miller  |  Apr 23, 2025  |  First Published: Oct 01, 2024
hfnoutstanding

Described as ‘contemporary classics’, the six-strong, sixth generation Gold series spans, you guessed it, six models!

After the renewal of the Silver in 2021 and the Platinum range at the tail end of 2022, it was only logical the intermediate Gold line would reappear, now in 6th generation (6G) guise. The Gold 300 6G is the smaller floorstanding model in the new range, and in many households will be the sensible choice. The three-way design and two 150mm woofers promise performance, while its living room friendly footprint makes choosing between the £4000 Gold 300 6G and the Gold 100 6G standmount (£3000 plus £550 for the ST-2 stands) just that bit more difficult. Its design chops, both when it comes to looks and acoustics, made it an obvious candidate for the EISA members to pin an EISA Award on its lapel this summer.

John Bamford and Keith Howard  |  Oct 02, 2011
Monitor Audio pushed the boat out with its prestigious PL300 floorstanders in 2007, the first speakers in its then new Platinum range to employ an in-house designed ribbon tweeter. Later came the more affordable PL200s with a slightly smaller footprint, £5000 three-ways whose sharp clarity and fi nesse impressed me greatly when we reviewed them in Dec ’09. Below the company’s flagship Platinum range comes the Gold series: substantially more affordable speakers with less elaborately constructed enclosures and drive units. The Gold GS models, in the market since 2006, have been replaced this year by an entirely new Gold line-up now called GX.
Review: Andrew Everard, Lab: Paul Miller  |  Jul 13, 2023
hfnoutstandingThey started out as a Concept, and have become a reality combining a skeletal form and novel engineering solutions – but do they sound as other-worldly as they look?

As safe bets go, that you've never seen anything quite like the £70k Monitor Audio Hyphn speaker is pretty much a dead cert. Yet look closer and there's actually a lot of 'form following function' going on here in those two columns with a gap between them, linked by a central belt. And while to unsympathetic eyes they may look like two huge clothes pegs, it won't take long for audiophiles to understand the thinking behind the configuration, however unusual the speakers look by comparison with traditional 'box, domes and cones' designs.

Ed Selley  |  Nov 24, 2010
If the Platinum Series was designed to enhance Monitor Audio’s ‘street cred’ among audio purists in the 21st century, it certainly hit the mark, the compact PL100 standmount and fl oorstanding PL300 having garnered numerous awards and accolades around the world. In photographs the ’200 might look identical to the PL300 but sit them side by side and immediately you’ll notice that it is unquestionably better suited to cramped living spaces, being 155mm slimmer, 85mm shallower and standing 115mm shorter at 998mm (39in) in height. The ribbon tweeter employed is formed of a material that Monitor Audio calls C-CAM: Ceramic- Coated Aluminium/Magnesium, the company claiming an output approaching as high as 100kHz. The ribbon was developed to work in a two-way speaker so it had to be able to operate from 2.
Review: Mark Craven, Lab: Paul Miller  |  Jan 18, 2022
hfnoutstandingMA's smallest fistful of Silver features a host of '7th generation' technology to punch above its weight

Arguably more so than any other UK loudspeaker manufacturer, Monitor Audio seems keen to offer something for everyone. Across its four ranges named after precious metals and an alloy (Platinum, Gold, Silver and Bronze), it sells 16 different standmount/bookshelf and floorstanding models, stretching in price from £285 (the Bronze 50 6G) to £14,995 (the Platinum PL500 II). There are other lines too, including the budget Monitor series, compact Mass and Radius, and in-wall 'architectural' speakers. The Silver 50 7G auditioned here, a compact two-way priced at £575, hails from Monitor Audio's mid-range, although it's a mid-range that's considerably more crowded than most.

Review: Mark Craven, Lab: Paul Miller  |  Nov 08, 2021
hfnoutstandingHot off the production line, this flagship of MA's 7th-gen Silver range marks a significant uplift in performance

By now, there's surely not an audiophile alive who doesn't know that Monitor Audio's Platinum loudspeaker series is its pinnacle, and that as you move down through Gold, Silver and Bronze the prices become friendlier and the technology trickles. Silver – a range that's been rolling for over 20 years – represents the sweet spot in this hierarchy, and, says the UK company, is its most popular series. Judging from the performance, build quality and elegant design of the £1725 Silver 500 7G, I can't imagine this popularity waning.

Review: Mark Craven, Lab: Paul Miller  |  May 30, 2025  |  First Published: Nov 01, 2024
hfnoutstandingInspired by its long-running Studio series, born in the 1980s, this modern-day D’Appolito standmount also illustrates Monitor Audio’s long-term use of metal-coned drivers

As anyone who tried to buy tickets for Oasis’s 2025 reunion tour will have discovered, nostalgia is big business. The hi-fi industry knows it too, and in recent years has been scouring the 1970s for speaker and amplifier designs to either leverage into new models or directly resurrect. Monitor Audio, however, has now jumped a decade ahead, launching a new speaker ‘inspired by the 1980s’. Seeing as Hollywood has been tapping into that decade with revisits to the Beverly Hills Cop, Top Gun and Ghostbusters franchises, the British manufacturer might be onto something.

Keith Howard  |  Dec 16, 2011
A handsome design with some likeable characteristics If you ask me, the bow-fronted Aviano 8 succeeds in looking modern while retaining a certain British reserve. Certainly it’s a notable contrast to the rather garish Teufel, and not just in the looks department. A four-driver two-and-a-half-way, the Aviano 8 has three 6. 5in drivers featuring M-S’s dished CPC (Continuous Profile Cone) aluminium diaphragms and a 25mm aluminium dome tweeter, nestled behind a protective grille.
Ed Selley  |  Oct 29, 2011
Some very sophisticated technology doesn't quite come together as a cohesive whole In loudspeaker cabinet construction, curves are good. Curved panels are stiffer than equivalent flat ones – but more difficult to make than the V-groove and wrap box construction that so many speakers today employ. In creating what is the most expensive model in this month’s group, Mordaunt-Short clearly devoted a good deal of its budget to abandoning the traditional rectangular wooden cabinet in favour of a curvaceous enclosure moulded from a well damped polymer resin. Deeper at the bottom than at the top, in profile it looks positively Falstaffian.
Review: James Parker, Lab: Keith Howard  |  Jul 01, 2018
hfncommended.pngAnd then there were three: Neat's little Iota range is all grown up with the arrival of the Xplorer model

One of the best sounds at Bristol's Sound & Vision Show [HFN Apr '18] came not from a gazillion-pound set-up, but the latest arrivals from Neat Acoustics, driven by modest amplification, in a small room that just made you want to stay and listen some more. The Iota Xplorers are the new model in a range that began with the tiny original Iotas some seven years ago, and while they draw on the same principles, the newcomers are very decidedly grown-up despite standing just 780mm tall on their polished conical spikes.

Ken Kessler and Keith Howard  |  Dec 24, 2009
If you’re torn between the sheer impact of speakers in boxes and openness possible from panels, then your (hi-fi) life has inevitably been a series of compromises. If you own pairs of each, you probably swing between them, never quite satisfied – like owning solid-state and valve amps. You know your Quad 57s lack the bass of, say, big B&Ws or Tannoys. Conversely, you can’t get the openness of the Quads or Maggies out of your head.
Review: Mark Craven, Lab: Paul Miller  |  Aug 16, 2021
hfnoutstandingTop passive floorstander in Paradigm's new Founder series is keenly, but not ambitiously priced. A high-end bargain?

My first, AV-focused, experiences of Paradigm were misleading. In times gone by the UK distribution of this 40-year-old Canadian company favoured a curious mix of its entry-level, compact loudspeakers and its far-from-entry-level subwoofers (including the 106kg Signature SUB 2, whose hexagonal cabinet featured six 10in woofers and a claimed 4.5kW of amplification). More recently, however, first with the Persona B standmount [HFN Oct '20] and now with its £5400 Founder 100F floorstander, I've discovered its grown-up side. And I like it a lot.

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