Top passive floorstander in Paradigm's new Founder series is keenly, but not ambitiously priced. A high-end bargain?
My first, AV-focused, experiences of Paradigm were misleading. In times gone by the UK distribution of this 40-year-old Canadian company favoured a curious mix of its entry-level, compact loudspeakers and its far-from-entry-level subwoofers (including the 106kg Signature SUB 2, whose hexagonal cabinet featured six 10in woofers and a claimed 4.5kW of amplification). More recently, however, first with the Persona B standmount [HFN Oct '20] and now with its £5400 Founder 100F floorstander, I've discovered its grown-up side. And I like it a lot.
The flagship of Paradigm's Founder range has power and precision to delight – and it's a whole lot of fun, too!
At first glance, you may think 'we've been here before' as these Paradigm Founder 120H speakers, yours for a couple of pence short of £8600, look very much like the 100F model [HFN Jul '21]. Yet there's more than enough going on with this flagship design from the Canadian manufacturer to set it apart from the next model down, and justify the £3200 price differential over the £5400 Founder 100F.
The ultimate expression of Paradigm's Persona speaker range is an active/passive hybrid, with room EQ too...
Canadian company Paradigm makes no bones about where its Persona range is pitched: it describes it as 'The Evolution of Luxury', as you might hope of a lineup topping out with the 9H speakers at £34,000 a pair. In fact the Persona 9H is currently Paradigm's absolute top model, being the priciest, and technically most complex, design in the company's flagship range. Like the other Persona models it comes in a choice of five standard colours: Harmony White, Vanta Black, Carbon Black gloss, plus metallic Aria Blue or Sonic Silver.
The baby model in Paradigm's flagship loudspeaker range wants to prove good things can come in small packages
With its Persona series, Paradigm has taken the concept of a 'flagship' products to heart. This loudspeaker collection, launched in 2016, is not merely the Canadian manufacturer's most expensive, but one intended to represent 'the technological abilities of Paradigm engineering'. So what does that entail? Advanced driver and cabinet designs, a new-look aesthetic, and custom finish options across a range that drops from the £34,000-per-pair passive/active Persona 9H [HFN Dec '19], to the Persona B auditioned here.
A sophisticated design making use of some interesting technologies
As befits the product carrying the largest price tag here, the Paradigm Studio 60, now in version 5 guise, looks the classiest of the bunch. A four-driver, two-and-a-half-way design, it is visually most notable for the side and back panels of its enclosure being transformed into a single, continuous curve, the inherent stiffness of which bodes well for low levels of cabinet talk. Also distinctive is its 25mm gold anodised aluminium dome tweeter whose diecast mounting protrudes from the top of the cabinet to reduce diffraction effects and is compliantly decoupled from the baffle to isolate it from vibration.
The 140mm bass-midrange driver, with its satin anodised aluminium cone and large phase plug, is decoupled too, as are the twin 140mm bass drivers with mineral-filled polypropylene cones.
Peak Consult is a Danish boutique high-end loudspeaker manufacturer which can arguably be regarded as a Danish equivalent of Sonus faber. The engineering focus, lush aesthetics and fastidious attention to detail are certainly at one with the philosophies of the Italian speaker brand, and price points, from the entry-level Princess V to the six-figure Peak Consult Dragon, are up there too.
The Princess V is a compact yet extremely hefty speaker with superb woodwork and an all-Danish driver array. The tweeter is a custom Scan-Speak model with a 1in silk dome and the main driver a bespoke 5in AudioTechnology unit.
No mere trickledown, the R7t floorstander inherits a full flood of technology from its flagship stablemate
Shoppers are always on the hunt for a bargain, so anything labelled 'half-price' attracts attention. Okay, that usually applies more to supermarket biscuits than floorstanding loudspeakers, but with Perlisten's R7t selling for £8100 – pretty much half that of the American company's flagship S7t [HFN Apr '22], while looking strikingly similar – it immediately appears a potential bargain. On the other hand, there must be changes behind the scenes for the price tag to have dropped so much, so the question becomes, will it sound only 'half as good'?
Derived from Perlisten's S7t flagship, and featuring the same DPC array, the S5t is simply more 'user-friendly'
Few loudspeaker brands come racing from the gate, but Perlisten, from Wisconsin, US, has gone from unheard of to a serious challenger in very short order. First up, in 2022, was the EISA Award-winning S7t floorstander [HFN Apr '22], which introduced the company as a high-end marque, and this was quickly followed by its second-tier R series [HFN Aug '22]. Now we get the S5t, essentially a slimmed down version of the S7t, with all the appeal that this entails.
New kid on the block, Perlisten Audio, is creating a stir straight out of the gates. We test the flagship floorstander
There's a perception that the US, the home of muscle cars, foot-long hot dogs and canyons a mile deep, is also the home of monster-sized loudspeakers. And not, it must be said, without good reason – there are various American manufacturers that frequently put the floor into 'floorstander', building models that require considerable carpet space and suit large listening rooms. So it wasn't much of a surprise to discover Perlisten Audio, a new brand from Verona, Wisconsin, kicking things off with the S7t, an almost 1.3m-tall seven-driver tower weighing in at 55kg.
Having wowed us with its flagship S7t floorstanders, Perlisten is looking to do more of the same with its DPC driver tech pressed into a more modest, room-friendly cabinet
Perlisten Audio, a newly arrived loudspeaker manufacturer from Wisconsin, US, has already made an impressive entrance with its flagship model, the seven-driver S7t floorstander [HFN Apr '22]. Yet as that speaker boasts a £16,000 price tag – and a 59kg cabinet – many newcomers to the brand will look elsewhere in the range to see how far their budget can stretch. The £7200 S4b auditioned here isn't exactly 'affordable' but does come with a more manageable bookshelf build, plus the promise of a high-end performance similar to that of its towering stablemate, by virtue of shared technologies.
Smallest of a four-strong range of innovative MFB (Motional Feedback) loudspeakers, Philips’ AH585 was in production from 1972-82. How does it fare today?
The Philips Motional Feedback (MFB) loudspeaker has been mentioned a number of times in these pages over recent years. The company achieved considerable success with both its first- and second-generation models, including the 22RH544, but in the UK at least, the third generation is less commonly encountered. The AH585 seen here is the smallest of three consumer speakers, the others being the similar but larger AH586 and the three-way AH587.
Tallest and slimmest of the speakers here, Pioneer’s S-81 is also one of the boldest, both aesthetically and technically. Its curvaceous cabinet looks a million dollars in the supplied black lacquer finish (it is also available in ash veneer) and the narrow front baffle incorporates no fewer than five drive units, although the coaxial 130mm midrange driver and 25mm titanium dome tweeter share the same chassis.
Pioneer has a long history of enabling and advocating high sampling rates and researching the effect of ultrasonic frequencies, and so – uniquely here – the S-81 incorporates a transformerless ribbon supertweeter with a response which is said to reach out to 100kHz. Twin 130mm woofers (effective diameter about 108mm) handle the bass in conjunction with a single forward-firing port.
Since 2004, PMC’s entry level DB1+ has been one of my reference speakers. Put another way: since reviewing it for the November 2007 issue of Hi-Fi News that year, I’ve regarded the DB1+ as one of the best speakers available for under £1000 per pair. How far under? Enough to allow that figure to include decent stands and cables.
Part of this love goes back to my unshakeable admiration for transmission line speakers, since I first heard IMFs.
Launched three years ago but only now released for review, PMC's flagship fenestria is a towering statement
The PMC fact fenestria – the British brand's flagship 'domestic' speaker (note lower case f) – was launched at a packed press conference at Munich's High End Show. That's the 2018 High End Show, and it's taken over three years for it to arrive for review – in which time the price has risen from the inaugural £45,000 to the £54,995 for the pair you see here. In the intervening period there's actually only been one Munich show – that in 2019, at which the company launched its smaller 'fact signature' models: the 2020 show fell victim to the pandemic, as did this year's at least twice, being rescheduled from May to September, then cancelled completely.
The PB1i is the latest PMC speaker to get the Signature treatment
One key difference is a revised crossover network featuring custom-made chokes and tuning by PMC founder and designer Peter Thomas. The driver complement remains twin PMC-designed 170mm bass drivers with cast magnesium chassis, and a SEAS/PMC co-developed 27mm soft dome tweeter. In between these is PMC’s legendary 75mm dome midrange unit, isolated in its own enclosure. The speaker also gets a brushed aluminium serial number plate, a certificate signed by Peter, and an array of nickel finished driver bolts.