Turntables, Arms & Cartridges

Back when moving-coil cartridges stalked the earth, Koetsu occupied the top of the heap, and did so for at least a decade. But this purveyor of hand-made cartridges did not go unchallenged and, to its credit, Koetsu opened the door for a plethora of Japanese artisan moving-coils with equally exotic-sounding names. Among the most highly-regarded were the various Kisekis, the name meaning ‘miracle’, which could be regarded as either cynical or optimistic, so great was Koetsu’s dominance.

Vinyl’s renaissance has resulted in some thought-provoking developments, particularly when it comes to turntable manufacturers. Naturally, well-established brands such as Rega and Pro-Ject have seen their output rise dramatically and, unsurprisingly, more than a few new names have appeared on the scene. What is fascinating, however, is to see manufacturers that made turntables in the past return to their vinyl roots once more.

Does the world really need another high-end turntable? That’s the question Brinkmann’s Spyder has to answer, because there’s already a surfeit of fancy vinyl disc spinners sitting pretty in this high value market. This deck needs to be special in some way then, and so it proved. Costing £9795 in basic form, it’s one of two belt-driven decks in the German company’s range of hi-fi separates, sitting alongside the Balance 2 [HFN Jul ’14]. Brinkmann also makes the Bardo and Oasis direct-drive turntables, which themselves are interesting and innovative things.

Think of direct-drive turntables and the chances are that one brand will spring to mind: Technics. What's more, its SL-1200 turntable will be the model most people think of first. This famous deck casts a long shadow over the others in the company's range and yet there were many to choose from. In fact, when the SL-Q303 seen here was launched in the UK in 1982 it was part of a 13-model lineup – a series that went from the professional-spec SP-10 MkII right down to moulded plastic belt-drive budget models such as the SL-B202.

Optical pick-ups were a dream in the 1960s and 1970s, but they were hamstrung by the light technology of the era. Weight, heat, power source – all mitigated against it. DS Audio, however, has the benefit of returning to the concept in the age of the LED, and its parent company is a global giant making optical sensors. Your £20k for the DS Audio Master 1 package, then, gets you cutting-edge design and manufacture rather than something a boffin cooked up in a garage. It also pays for the latest power supply-cum-phono stage, the cartridge not delivering a signal suitable for a conventional MM or MC phono input.