Is this the largest cartridge manufacturer we've never heard of? Stepping out of the OEM shadows to unveil its own-brand MCs, Skyanalog looks set to be a major disruptor
Two things struck me when PM said we'd be reviewing a cartridge from a new manufacturer. The first thought, from my glass-half-empty side, was: do we really need another? But the second was: this must be proof that the vinyl revival is substantial enough to warrant it. When told that the company was planning a 25th anniversary model, my curiosity about Skyanalog was truly piqued. 'New' it most certainly isn't.
From SL-1200GR to 'GR2, Technics' adherence to the theory of 'marginal gains' ensures its most popular direct-drive deck remains at least one step ahead of the competition
Following the debut of its first direct-drive models over 50 years ago [see PM's boxout, p75], many versions of Technics' iconic SL-1200 model have appeared, all able to trace their technical and industrial design back to the original. Neither have enthusiasts been short of choice - when the legendary spinner returned in 2016, after a six-year hiatus, the brand introduced four SL-1200 tiers. The 'GR' or 'Grand Class' occupied a middle position, with the apex SL-1200R version and heavier 'G/GAE' models catering to hardcore audiophiles, and the more affordable 'MK7/ M7' units aimed at budding DJs.
Launched in 1954, the Garrard 301 'transcription motor' saw seven editions until production ceased in 1964. Sixty years later comes another, in an 'Advanced' plinth!
I can sense your confusion. However, before you start wondering why our 'Vintage Review' has moved closer to the front of the magazine than usual, let me explain. Yes, you are looking at a turntable based around a Garrard 301, but this is a rather special one - a Garrard 301 produced in limited numbers and made strictly to order. In the plinth shown here and complete with SME Series V-12 tonearm, it will set you back £51,645, or £43,945 with an SME M2-12R. What, you might reasonably ask, is going on?
Designed to take advantage of Pro-Ject's 'balanced' phono preamps, this flag-waving moving-coil marks a departure from the brand's Ortofon-derived moving-magnets
As a major turntable manufacturer, Pro-Ject has a longstanding relationship with cartridge builders. This makes sense, as the brand likes to deliver decks ready to play, which requires an MM or MC. Previously, the Austrian company has bundled cartridges from Ortofon with its turntables in Europe, while Sumiko models are favoured in the US, but has lately been launching its own designs, including tweaked Ortofon models such as the Pick it 2M Silver and Pick it S2 C. The Pick it MC9 on test here is something else, though.
SME’s rollout of MK2 models – all benefitting from lessons learnt in the development of its flagship Model 60 turntable – has reached the Model 15, tested here with 309 arm
SME’s development of its formidable flagship Model 60 turntable, released a couple of years ago [HFN Jul ’22], continues to influence designs lower down the UK manufacturer’s range. All are being upgraded to MK2 status, the latest being the Model 15. On test here, retailing for £12,067 with pre-fitted SME 309 tonearm, this deck is also the most affordable in SME’s lineup with a proper suspended subchassis.
AVID Hi-Fi has announced its first new turntable since 2018. Priced £10,000, the Acutus Dark Iron replaces the previous Acutus Dark Limited Edition to become the new entry model in the manufacturer’s top-line series, and debuts a new AC motor system – with DSP-generated adjustable speed control – that’s coupled to the deck’s cast aluminium sprung-suspension chassis.
What could match a Lumley Stratosphere turntable better than Lumley’s LM2 speakers and PS2/M250 pre/power amps, says Peter J Comeau
It was back in the March 1996 issue of Hi-Fi News that I took my first look at the £6250 Stratosphere ST1 – a turntable that proved out of this world in sound quality as well as name. Now John Jeffries of Reference International (the name behind both the Strat and Lumley) has delivered a complete system including the £4500 LM2 loudspeakers.
Clearaudio’s entry-level deck for over a decade, the Concept is refreshed with ‘TSC’ (Tacho Speed Control) and speed selection, plus a selection of arms and cartridges
Thanks to the continued resurgence of the vinyl format, enthusiasts can now choose from a good number of plug-and-play turntable packages. Even better, the quality of these complete solutions – once considered a first step on the vinyl ladder for those wanting ease of use, or for whom the dark arts of turntable setup were a terrifying mystery – has been creeping ever higher.
The Ethos MC has waved the flag for UK pick-up brand Goldring for over five years, and now the design has been given the ‘SE treatment’ with silver wiring and more...
Everyone loves a special edition because, unlike a limited edition, it’s usually the forerunner of trickledown into the standard range. The hi-fi industry is a fertile ground for such bounty and the latest manufacturer to come up with a tempting morsel is Goldring, its new Ethos SE moving-coil taking its place at the top of the range, priced at £1299. Historically, while this is a big ticket for Goldring it is still rather more affordable than many a premium pick-up from the artisan suppliers based outside of the UK.
Every product range has its sweet spot and the combination of EAT’s C-Dur deck with C-Note tonearm and optional Jo No5 moving-coil pick-up makes it the ‘plum’ choice
Just below the mid-price point of European Audio Team’s (EAT) nine-model range, the C-Dur belt-drive deck looks likely to identify a new price/
performance benchmark. We have been flooded with decks at the £10,000-£12,000 mark to designate entry to the
scary high-end, and companies such as MoFi, Thorens and Pro-Ject have numerous models from £500-£3000, but something was needed in between from, say, £3000 and £5000. At £3500 with arm, EAT’s C-Dur – German for C major – fits the bill.
Artisanship and innovation meet in this precision-engineered turntable/arm combo that brings 21st century know-how to bear on a pre-Millennium turntable technology
Maybe you can teach an old dog new tricks. After decades of being dismissive of idler- or rim-drive turntables, if not downright hostile towards them, I have had my ears opened by Reed's Muse 1C. A previous owner of a Thorens TD 124 [HFN Jun '59] and a Garrard 401 [HFN Dec '65], I never considered them to be as rumble-free nor as quiet as direct-drive or belt-drive turntables. The Lithuanian-designed and built Muse 1C, at £9998 without arm, the least expensive model in a range of three, has changed all that.
Having launched its first direct-drive deck over a half century ago, and its last over a decade ago to celebrate 100 years, Denon is back with another, sleeker turntable
If I was to give a vinyl enthusiast a choice of high-quality turntables made by Technics, Yamaha, Denon or the team behind Micro Seiki, and then stated that two of the options were direct-drive, I'll wager they would think I was about to take them on a vintage shopping spree. However, it's 2024 and, remarkably, the above selection comprises a range of models that can be bought new today.
Few brands can match Luxman when it comes to blending traditional engineering values with timeless elegance, and the new PD-191A flagship is an exemplar of the art
There is a coterie of Japanese brands whose products never fail to delight. Along with Air Tight, Denon, SAEC, Stax and a smattering of other high-end producers, Luxman has provided gem after gem, from valve amps of undeniable desirability to great turntables. Luxman's latest flagship deck, the PD-191A, honours the brand's traditional mix of beguiling sound, superior build quality and stunning looks.
Automatic arm, quartz-locked motor and a chassis that was a challenge to design... How will this one-time, top-tier direct-drive turntable from 1979 shape up today?
Every keen LP listener should try to experience the joys of a quality direct-drive turntable in their system at least once. Everyone knows the popular favourites, but in the past all the big Japanese names made one or two decks that should still fit the bill.
Conceived to replace the Master 1, but with all the 'third generation' technology unveiled in the Grand Master, the Master 3 is described as a 'semi-flagship' pick-up...
To borrow a phrase from the Buffalo Springfield (though it defined a far graver situation than a change of cantilever), 'there's something happening here – what it is ain't exactly clear'. DS Audio has released yet another cartridge in the Master series, the Master 3 (£8330 without PSU/equaliser) and I fear it's going to be an even bigger disruptor than the Grand Master EX [HFN Oct '23].
Is this the largest cartridge manufacturer we've never heard of? Stepping out of the OEM shadows to unveil its own-brand MCs, Skyanalog looks set to be a major disruptor
What could match a Lumley Stratosphere turntable better than Lumley’s LM2 speakers and PS2/M250 pre/power amps, says Peter J Comeau
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