Turntables, Arms & Cartridges

Launched in 2022, the X8 is the new LP spinner that Austria's Pro-Ject is betting on to entice vinyl lovers onto that next step beyond the entry-level and midrange products that are the brand's bread and butter. To justify its higher price point, this sleek-looking deck borrows features from the company's top-tier Xtension turntables, making it Pro-Ject's most affordable 'mass-loaded' model to date. It's also fitted with a rigid 9cc Evolution carbon tonearm, which is an upgrade on the carbon-aluminium arms found on its lower-range offerings, including the X2 B [HFN Sep '22].

When ELAC relaunched its turntable lineup in 2017, earning an EISA Award along the way for the Miracord 90 Anniversary, it wasn't at first clear the German audio brand actually intended a concerted push into this back-from-the-dead product category. After all, there was a lot going on at the company and this turntable was presented as a celebration of ELAC's distinguished history.

Every hi-fi era has its buzzwords, and while variations on the theme of 'digital' and 'high-res' have permeated our collective consciousness over the past few decades, the 2020s have so far proved thick with references to 'trickle-down technology'. Brands have always launched flagship products to showcase technologies that eventually 'trickle-down' to middle and entry-level ranges, but nowadays there's almost an expectation that this osmosis of tech will happen swiftly, and wholesale.

We may have a first here as VPI offers its Avenger turntables in belt-drive, rim-drive and direct-drive guises, the latter £36,500 Avenger Direct bringing the range to a total of four models. The genesis of the Avenger Direct was bittersweet, however, because it was inspired by, and has subsequently 'leap-frogged' over, the long-awaited VPI Vanquish flagship. In the meantime, the launch of the £100,000+ Vanquish remains on hold...

As I stated in a recent column: I'll no longer be making apologies for high-end pricing. So £5500 is needed to acquire the DS Audio ES-001 Eccentricity Detection Stabiliser, a highly specialised device that allows for the correction of off-centre pressings. It is, I believe, the first attempt at resolving this issue since the demise of Nakamichi's TX-1000 and Dragon CT turntables (1982-1993), which tackled the issue mechanically using a sliding two-part platter [see Vintage Review, HFN Aug '16].

How time flies: Clearaudio was born during the height of analogue playback, survived the arrival of digital, stuck to its guns and is now enjoying the fruits of its loyalty to the vinyl cause. Along with a vast array of record decks, Clearaudio has 16 moving-coil cartridges in its catalogue – yes, sixteen. To mark its 40th birthday, the company has added one more to the middle of the group of MCs, those featuring the distinctive 'flower' top plate as seen on the flagship Goldfinger Statement [HFN Jan '15]. The new Jubilee MC, however, is a third of the Goldfinger's cost at £4460.

One burning question is begged by the arrival of Pro-Ject's X2 B turntable and Phono Box S3 B phono stage: why did it take so long for the industry to simplify a balanced vinyl-playing front-end? It's not like balanced operation wasn't adopted by high-end listeners decades ago as superior to single-ended for both line-level sources – DACs and top-flight CD players – and pre-to-power amp connections. MC cartridges are inherently balanced. So why the wait?