Turntables, Arms & Cartridges

Roksan's iconic vinyl spinner remains one of the most forward-thinking decks on the market and the latest version now comes with a raft of considered upgrades Back in the early 1980s if you were serious about vinyl replay and had the money, the obvious contenders to splash your cash on were Linn’s LP12, followed by rivals such as Michell’s space-age GyroDec or the left-field Pink Triangle. Despite drastically different looks, all three decks were essentially attempts to take the late Edgar Villchur’s ground-breaking three-point sprung suspension design to the next level. Then, in 1985, Roksan came onto the scene with the Xerxes, which promptly turned this perceived wisdom on its head. As Tufan Hashemi, Roksan Audio’s Managing Director, explained: ‘We argued that using a suspended or floating surface to support a record could not allow it to be accurately read, as the record itself would be floating.

From Southern Germany comes a seriously heavyweight deck that's built on solid foundations. But will the Thunder's roar light up the skies or rain on the parade? Thanks to pioneering automotive inventors such as Rudolf Diesel and Karl Benz, German engineering has a long established reputation for ‘quality and innovation’. These qualities could also be used to describe the nation’s hi-fi industry where brands such as ELAC and T+A have been proudly flying Germany’s audiophile flag for decades, paving the way for relative newcomers like Acoustic Signature, with its ranges of turntables which are regular players in the superdeck league. The new Thunder boasts a number of features in common with the ‘milestone’ Ascona (costing £10k more).

Cosmetically identical, the latest revisions to the OC9 are all internal. For those wanting a taste of luxury at a sensible price there has long been Audio-Technica’s AT-OC9. First introduced in 1987 it has always been regarded a bargain of sorts, boasting robust construction, excellent tracking ability and a polished and pure sound. Certainly it was less romantic and mellifluous sounding than many cost-noobject MCs, but it was highly detailed and refined while possessing terrifically tight bass and vivid imaging.

Ortofon's flagship moving magnet design offers superior spacial performance No strangers to the pages of HFN, Denmark’s Ortofon company remains one of the world’s foremost manufacturers of cartridges both for hi-fi and DJ use. Its best moving-magnets currently are the 2Ms, a four-strong series with interchangeable styli topped by this 2M Black, sporting a Nude Shibata stylus. It might appear that they all use the same body shell, with distinctive angular contours and internal generators with neodymium magnets, however the two best – the £280 2M Bronze with a Nude Fine Line stylus and this 2M Black model – are formed from a more rigid Noryl plastic/glass compound as well as employing better ‘engines’ featuring split pole pins with silver-plated copper wire. The 5mm-deep tapped fixing holes in the top of the body allow rigid bonding to an arm’s headshell.

The latest improvements to a long-standing classic are subtle but extremely effective After launching the turntable range 20 years ago with the Model 30/2, SME founder Alastair Robertson-Aikman followed it with a lighter version called the Model 20 – thinner in upper chassis and subchassis plates, with a smaller, thinner platter and other reductions in mass. In 2006 SME released the 20 in a widened version that would accept a 12in arm. It was a huge success, so the Model 30/12 appeared to equal acclaim [HFN Mar ’09]. In the interim, the external power supply had been upgraded, and was made common to all models, while 2010 saw the introduction of a new black platter mat material.

Clearaudio's most affordable moving coil design yet Clearaudio has a range of MM cartridges in its portfolio with price tickets to suit all pockets, but its moving-coils are decidedly high-end. So this new Concept MC is pitched at enthusiasts wanting a delicious moving-coil instead, and one that won’t break the bank. Its body is of aluminium magnesium alloy with a ceramic surface layer; it features a boron cantilever and Micro Line Contact stylus profile, with oxygen-free copper (OFC) coil windings in its generator. The angular body shape with centre line at the front makes it easy to align, threaded holes meaning that you don’t have to fiddle with screws and nuts.

A cost-effective Swiss offering that gets to the heart of the music With a background in developing delicate instrumentation (including Swiss time pieces), turning his hand to styli and cartridges seemed an obvious step for music-loving Ernst Benz, who founded Benz Micro and subsequently released a number of high-end MC cartridges from the 1980s onwards. In 1994 Ernst retired, selling Benz Micro to his friend and long time product collaborator Albert Lukaschek who still runs the company today. The Swiss pedigree is obvious from the packaging and accompanying accessories alone, which include a circular bubble level and stainless miniature screwdriver. The Micro ACE is the third model up in Benz’s MC-only product line, priced alongside a low output version distinguished by its red casework, and the cheapest to feature a solid boron cantilever and line contact stylus, rather than conical or elliptical profiles.