Turntables, Arms & Cartridges

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Ken Kessler  |  Apr 19, 2021  |  First Published: Dec 01, 1999
hfnvintageKen Kessler hears SME's new and more affordable turntable and arm

Everyone loves surprises. And, hey, who wouldn't be tickled pink at the thought of a new treat from SME? While the antithesis of fertile, SME never fails to issue a new wonder every time Alastair Robertson-Aikman feels the need to stretch his abilities. We are, after all, talking about a company with a design team, a philosophy and machining capabilities second to none in the world of precision engineering for audio purposes; maybe there's a watchmaker or two in Switzerland who could 'worry' SME.

Steve Harris and Paul Miller  |  Jun 08, 2011
One of Germany’s heavyweight turntable makers lightens up, giving its stylish new baby an Italian-sounding name. So is the Barzetti more than just a fashion item? Perhaps, like me, you were brought up and nurtured on the idea that all the best turntables had a suspended subchassis, so that the platter was always bouncing freely on a set of springs. But if you always hated the way a suspended platter wobbles slightly as you put the record on, and the cartridge recoils from your touch, you’ll be receptive to the concept of Gunther Frohnhoefer, Acoustic Signature’s founder and designer. ‘When I was younger,’ he says, ‘I had contact with subchassis players, like the Thorens.
Andrew Simpson and Paul Miller  |  Nov 30, 2011
From Southern Germany comes a seriously heavyweight deck that's built on solid foundations. But will the Thunder's roar light up the skies or rain on the parade? Thanks to pioneering automotive inventors such as Rudolf Diesel and Karl Benz, German engineering has a long established reputation for ‘quality and innovation’. These qualities could also be used to describe the nation’s hi-fi industry where brands such as ELAC and T+A have been proudly flying Germany’s audiophile flag for decades, paving the way for relative newcomers like Acoustic Signature, with its ranges of turntables which are regular players in the superdeck league. The new Thunder boasts a number of features in common with the ‘milestone’ Ascona (costing £10k more).
Hi-Fi News Staff  |  Oct 21, 2014
Acoustic Solid is now back in the UK, and one of the first decks distributor BD Audio has chosen to bring to our attention is the Wood MPX. While its higher echelon turntables are largely constructed of metal and circular in appearance with additional arm and motor mounting pods, the Wood series are more conventional and plinth-based; five variants are available. The Wood MPX boasts a 70mm-thick plywood (rather than MDF) plinth. Its high mass, 60mm platter is driven by a freestanding synchronous AC motor via a rubber belt (notwithstanding the company’s description of it as a ‘string drive’ design).
Review: Adam Smith, Lab: Paul Miller  |  May 26, 2020
hfncommendedNestling in the foothills of the Swabian Jura, southern Germany, the tiny municipality of Altdorf is home to some very big turntables from the boutique Acoustic Solid brand

Weighing 22kg, with a good deal of this mass being platter, the Wood Round MPX is the latest turntable from German company Acoustic Solid and fits neatly into its seven-strong 'Classic Line', sitting above the Classic Wood but below the Wood Referenz. The deck's appearance, with its three pillars, echoes the company's top 'Aluminium Line' models and also differentiates it from the rectangular decks that make up the rest of the Classic Line.

Steve Harris & Paul Miller  |  Jan 15, 2010
Strange as it may seem now, in the early 1990s there was a period when you could go for months without seeing a vinyl-playing product reviewed in Hi-Fi News. Here in the UK, at that time, there just weren’t any new turntables to review. In Germany, though, things were different. Every time we visited the High End Show, which was then held every year in Frankfurt, we would see more turntables than you could shake a tonearm wand at, not just new turntable models, but enthusiastic new turntable manufacturers.
Hi-Fi News Staff  |  Nov 16, 2011
Cosmetically identical, the latest revisions to the OC9 are all internal. For those wanting a taste of luxury at a sensible price there has long been Audio-Technica’s AT-OC9. First introduced in 1987 it has always been regarded a bargain of sorts, boasting robust construction, excellent tracking ability and a polished and pure sound. Certainly it was less romantic and mellifluous sounding than many cost-noobject MCs, but it was highly detailed and refined while possessing terrifically tight bass and vivid imaging.
Ed Selley  |  Sep 06, 2011
Some treble issues detract from the overall performance With nearly 50 years’ experience under its belt, Audio-Technica has established a reputation for building good value MM and MC phono cartridges. The AT120E is second from the top of Audio-Technica’s MM range, sitting just below the AT440MLA (£159) which has inspired its body shape and alloy tube cantilever. Where they differ is in the stylus, with the AT440MLA using Audio-Technica’s square MicroLine design, compared to the AT120E’s more conventional elliptical profile. The AT120E has a functional fit and finish illustrated by the lack of branding on its nose.
Review: Adam Smith, Lab: Paul Miller  |  Jun 15, 2023
hfnoutstandingSixty years since Hideo Matsushita founded Audio-Technica in a Tokyo suburb the brand continues its love affair with vinyl with the launch of a new ART series moving-coil

Celebrations have come thick and fast over the last couple of years, and to SME's 60th [HFN Jul '22], Clearaudio's 40th [HFN Nov '22] and Nagra's 70th [HFN Aug '22] we can add Audio-Technica's 'Diamond'. Naturally, the company has not missed the opportunity to mark the occasion by releasing a celebratory cartridge or two. There's the new £8900 flagship AT-MC2022 and the slightly more affordable AT-ART20 at £2749 that we have here.

Review: Adam Smith, Lab: Paul Miller  |  Oct 31, 2019
hfnoutstandingIn production for over three decades, A-T's iconic 'OC9 moving-coil has evolved into a broad series to service the vinyl revival. We test the 'prince' of the new generation

None of us needs reminding that the enthusiasm for vinyl continues apace. Yet while manufacturers of turntables and tonearms were quick to serve this revitalised market, makers of pick-ups have taken a little while longer to catch up.

John Bamford & Paul Miller  |  Sep 06, 2010
You’ve got to take your hat off to Avid Hi-Fi. Its top-of-the-range Acutus deck, first introduced 12 years ago and enhanced with the launch of the Reference outboard power supply in 2006, is certainly one beast of a turntable. Resplendent in black and silver chrome that’s polished to a mirror finish, it makes for an imposing sight atop any audiophile’s equipment rack. Want to make the ultimate statement? The deck is also available to order finished in polished 24K gold plate, though for this you’ll have to add an extra 35% to the price.
Review: Ken Kessler, Lab: Paul Miller  |  May 13, 2021
hfnoutstandingAVID's trio of MCs are distinguished, principally, by choice of cantilever. The mid-range model uses boron in place of ruby, saving a whopping £2000. Is this the sweet-spot?

Here we go again: a moving-coil cartridge that costs more than I paid for a near-mint, limited-edition Series 2 Mazda MX-5. With the rare hardtop. That said, I am sure AVID priced the Boron at £4000 for good reason, but let's skip over the entirely moot concept of 'value for money' and deal, instead, with sound quality. So the AVID Boron is the middle model in a three-cartridge lineup, and thus sells for a substantial £2000 less than the flagship Reference Ruby [HFN Nov '20].

John Bamford & Paul Miller  |  Jan 04, 2009
It was a brave move going into business making record players in the mid 1990s when LPs were already relegated to niche status. As Avid’s founder and chief designer Conrad Mas is wont to point out: ‘My friends and family thought I was bonkers. ’ Conrad’s bravery, coupled with his belief that there was still a market for high-end record players that were immaculately finished and built to last, has proved well founded. From humble beginnings Avid has grown to become an internationally recognised brand name among vinyl enthusiasts.
Review: Ken Kessler, Lab: Paul Miller  |  Jun 02, 2022
hfncommendedThe foundation of AVID's MC pick-up range, beneath the Ruby and Boron, is the Ionic (not the 'Alloy'!), and featuring more than a little artisan wizardry in its construction

No rest for the wicked, I feared, as PM assigned me another AVID MC cartridge. But I worried needlessly, thinking I might be reduced to comparing cantilevers once more. Not so. The dynamic was different here because the time had arrived to deal with the entry-level model in the Brit brand's range. Both stylus and cantilever differ from those in its siblings, the £6000 Reference Ruby [HFN Nov '20] and £4000 Boron [HFN Apr '21], so the £2000 Ionic blazes its own trail despite all three sharing the same magnet, coils and body design.

Review: Ken Kessler, Lab: Paul Miller  |  Dec 11, 2020
hfnoutstandingSynonymous with top-end turntables for two decades, AVID has extended its 'Very Interesting Design' portfolio to include MC pick-ups. Here's its open-bodied flagship

Irrespective of having installed what must be thousands of cartridges in my life, AVID's Reference Ruby moving-coil brought me out in a cold sweat. The top model in a trio that also includes the £4000 Boron and the £2000 Ionic, its £6000 sticker price, allied to a completely exposed cantilever, reminded me of the first cartridge I ever destroyed. The irony was not lost on me: that honour goes to the Dynavector 23R, the first-ever cartridge with a ruby cantilever. But unlike AVID's ruby rod, it was also one of the shortest at just 2.3mm.

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