Turntables, Arms & Cartridges

Some treble issues detract from the overall performance With nearly 50 years’ experience under its belt, Audio-Technica has established a reputation for building good value MM and MC phono cartridges. The AT120E is second from the top of Audio-Technica’s MM range, sitting just below the AT440MLA (£159) which has inspired its body shape and alloy tube cantilever. Where they differ is in the stylus, with the AT440MLA using Audio-Technica’s square MicroLine design, compared to the AT120E’s more conventional elliptical profile. The AT120E has a functional fit and finish illustrated by the lack of branding on its nose.

An entry level moving coil with many strong sonic qualities As the largest producer of phonograph cartridges in the world, Ortofon (which is Greek for ‘correct sound’) produces a wealth of models and ranges to suit every type of listener, from scratch DJ to discerning audiophile. The Vivo range represents Ortofon’s entry-level, low output moving-coil models, with the Vivo Red (£220) priced just below the Vivo Blue on test here. The extra outlay accounts for improved profiling of the Blue’s nude elliptical stylus which, according to Ortofon’s website, affords a wider frequency range and better tracking ability. The conservative looking casework is made from Lexan DMX, a rigid polycarbonate-based resin which houses coils made from 7N oxygen-free copper wire.

One of Germany’s heavyweight turntable makers lightens up, giving its stylish new baby an Italian-sounding name. So is the Barzetti more than just a fashion item? Perhaps, like me, you were brought up and nurtured on the idea that all the best turntables had a suspended subchassis, so that the platter was always bouncing freely on a set of springs. But if you always hated the way a suspended platter wobbles slightly as you put the record on, and the cartridge recoils from your touch, you’ll be receptive to the concept of Gunther Frohnhoefer, Acoustic Signature’s founder and designer. ‘When I was younger,’ he says, ‘I had contact with subchassis players, like the Thorens.

For its appropriately named Classic series of turntables VPI Industries of New Jersey has gone back to basics – and should score a hit with today’s vinyl enthusiasts Is it because retro is cool? Perhaps it’s the appeal of its almost plug ’n’ play simplicity… Whatever the reason (and I suspect it’s a combination of many factors, not least the ability for vinyl enthusiasts all over the world to communicate in internet forums) it’s a fact that lovers of the black stuff seem mostly to love this big, bold and brutish turntable, one that’s undeniably a throwback to the good old days when proper turntables were: well, big, bold and brutish. If you look back to our Nov ’09 issue, where we reviewed VPI Industries’ venerable Aries Scout turntable (updated to MkII status with improved tonearm and 35mm-thick acrylic platter), you will surely agree that it looks sleek and modern – very much a deck of the 21st century, one with its motor separated from the main chassis to minimise breakthrough of deleterious vibrations to platter and tonearm. The latest Classic series of turntables, however, of which this Classic 1 is the entry model, couldn’t be more different. THIRTY YEARS ON Thirty years have passed since founder Harry Weisfeld launched his first record player (the company started in 1978 by making record cleaning machines, and there are now three current versions) and consequently the Classics are being marketed to celebrate this anniversary of turntable production.

You’ve got to take your hat off to Avid Hi-Fi. Its top-of-the-range Acutus deck, first introduced 12 years ago and enhanced with the launch of the Reference outboard power supply in 2006, is certainly one beast of a turntable. Resplendent in black and silver chrome that’s polished to a mirror finish, it makes for an imposing sight atop any audiophile’s equipment rack. Want to make the ultimate statement? The deck is also available to order finished in polished 24K gold plate, though for this you’ll have to add an extra 35% to the price.

Moving-coil cartridges have been around for more than a half-century, but they didn’t displace the moving magnet as ‘the audiophile’s choice’ until the 1970s. Before that, MMs ruled for two simple reasons: higher output and better tracking ability. For decades, Shure, Goldring, ADC and other moving magnetics were default purchases. They put few demands on phono stages, allowing the industry to standardise 47kohm inputs, and MMs (allegedly) took better care of LPs.