A new 800 series, and a return to the original 801 name, but the 801 D4's enhancements are more than skin deep
Some six years since the arrival of the Bowers & Wilkins 800 Series Diamond range, and over 40 years after the launch of the company's original 'no compromise' 801 model [Audio Milestones, HFN Jan '13], here we are with an all-new flagship lineup for the Worthing-based company. The timing's about right: in the rolling programme of upgrades, we've seen the 600 and 700 series replaced since the 800 D3 models broke cover [HFN Dec '15], and the company makes no secret of the fact that work started on these new 800s almost as soon as the last generation was released.
While one Austrian/Czech brand may account for over 50% of 'hi-fi' turntables sold, this hasn't stopped other brands from offering alternative vinyl-friendly packages
With enthusiasm for vinyl showing no sign of diminishing, many companies are now launching record players in a bid to reel in buyers. For the most part this process sees them approach an existing turntable manufacturer and select anything between core components on which to base their own design, to a complete 'turnkey' unit, requiring only the application of branding and a name.
Since its birth, devotees of the LS3/5A have craved more bass – does the answer lie in Rogers' active AB3a sub?
Delayed because of the pandemic, Rogers' AB3a subwoofer is one year off being able to claim it's the 25th anniversary celebration of its passive predecessor, 1995's AB1. Yes, the gap between them has been that long. The postponement doesn't, however, diminish the delight LS3/5A users will show for the arrival of a dedicated active subwoofer for one of the most celebrated small monitors in the history of hi-fi. It's here, and it's a honey.
NAD's M33 BluOS streaming amplifier was the first to utilise Purifi's groundbreaking Eigentakt Class D modules. Now they are in a stripped-back 'purist' power amp...
We sometimes hear a hi-fi component described as 'a wolf in sheep's clothing', but the idiom seems particularly apt for NAD's C 298. From the outside, there's little to distinguish this £1700 power amp from market rivals – indeed, its general demeanour is so nondescript it would likely struggle to standout from flashier competition. But NAD, a company that's no stranger to high-tech design style elsewhere in its stable, has opted to keep the chassis simple and make the amp's story about what's going on inside.
Arguably the most durable model in the Kudos catalogue, the C20 has witnessed a graceful 12-year evolution
As is so often the case, last time I was at a hi-fi show – c'mon, you remember shows – I was amused by the reaction of a visitor. Having listened to a fully active system using Naim electronics and a pair of Kudos Titan speakers, 'Hmmm,' he said to no-one in particular, and with deadpan seriousness, 'Not bad for a stand company…'. Well, stands may have been the beginnings of Kudos, but it's come a long way since then.
It may have been based on a machine from Dutch giant Philips but this was the first CD player from a specialist high-end British manufacturer. How will it sound today?
Compact Disc enjoyed a halo of glamour in its early years that the more established formats had lost. Talk of laser beams and digital electronics, those holographic rainbows on the disc surface – not to mention all the smart new hardware – brought an interest in top quality listening to a whole new demographic.
Originally inspired by Class D maven Bruno Putzys, the innovative Mola-Mola brand returns with a fully integrated version of its separate amp, DAC and phono technologies
Never judge a book by its cover… or an amplifier by its industrial design. Take the Kula integrated amplifier from Groningen-based Mola-Mola – at first glance you may raise an eyebrow at this relatively compact, if solidly-built and undeniably stylish, integrated amplifier's £9900 price-tag. Then, complete with optional onboard DAC (£5999) and £1799 MM/MC phono stage, it adds up to just under £17,700 – well, that should raise the other brow into an expression of some shock.
Built as a 'box within a box', and promising a slicker all-round performance, Auralic's G2.1 series now extends to the fully-fledged Altair streaming DAC/preamplifier
We've commented previously on the similarity – at least in styling – between many of the products in the Auralic range, and here's another head-scratcher in the form of the Altair G2.1. It's only a little more than the Aries G2.1 'Wireless Streaming Transporter' [HFN Feb '21] – £4599 plays £4199 – yet this model, designated a 'Digital Audio Streamer', is a much more comprehensive product. It comes complete with onboard DAC, a preamp that allows it to drive a power amp or a pair of active speakers directly, and there are even analogue inputs – a line level and MM phono – to reinforce that role as a complete system hub.
Hot off the production line, this flagship of MA's 7th-gen Silver range marks a significant uplift in performance
By now, there's surely not an audiophile alive who doesn't know that Monitor Audio's Platinum loudspeaker series is its pinnacle, and that as you move down through Gold, Silver and Bronze the prices become friendlier and the technology trickles. Silver – a range that's been rolling for over 20 years – represents the sweet spot in this hierarchy, and, says the UK company, is its most popular series. Judging from the performance, build quality and elegant design of the £1725 Silver 500 7G, I can't imagine this popularity waning.
With the DS 003, DS Audio delivers its 3rd generation technology in a system one-tenth the price of its flagship Grand Master. Can it hope to offer a taste of its authority?
Attesting to what I firmly believe is a 'hi-fi truth' – that differing technologies have innate sonic traits, eg, valve vs transistor – is this latest DS Audio 'optical' cartridge, the £4995 DS 003 with matching energiser. It replaces the £5050 DS 002 [HFN Jun '17], so there's even a slight price reduction.