Lab: Paul Miller

One thought dominated my recent rediscovery of the old Decca (now London) cartridges: there was much to be said for record labels also manufacturing playback equipment. As had Decca, EMI, RCA, and a few others in the past, Mobile Fidelity, aka MoFi, has continued to demonstrate this synergy through its portfolio of turntables [HFN Jul '19 and Jan '20], phono stages [HFN Mar '20] and three MM cartridges. The UltraGold is the first MoFi MC, and at £1499, it raises the brand's price point.

Maybe one grows less ornery with age, or perhaps there was a nice guy inside of me waiting to crawl out from my crotchety self. It's just that, only a few years ago, the frustrating elements of AVID's Sigsum integrated amplifier would have had me cursing Editor PM for asking me to review it. So, there's minimalism here, and there's contrariness, and that's just the lack of a remote control. In a product a fiver short of £15,000.

The LP sleeve-sized turntable, first seen in 1979 in the form of the Technics SL-10 [HFN Apr '19], proved such a success that within a year or so most of the major Japanese manufacturers had added one to their range. In a fast-changing world where digital tuners, remote-controlled amps and full-logic cassette decks were beginning to make traditional turntables look out of date, this new look helped maintain sales.

Arguably more so than any other UK loudspeaker manufacturer, Monitor Audio seems keen to offer something for everyone. Across its four ranges named after precious metals and an alloy (Platinum, Gold, Silver and Bronze), it sells 16 different standmount/bookshelf and floorstanding models, stretching in price from £285 (the Bronze 50 6G) to £14,995 (the Platinum PL500 II). There are other lines too, including the budget Monitor series, compact Mass and Radius, and in-wall 'architectural' speakers. The Silver 50 7G auditioned here, a compact two-way priced at £575, hails from Monitor Audio's mid-range, although it's a mid-range that's considerably more crowded than most.