We report on a classic with a modern twist as Spendor launches a flagship inspired by its iconic 1970s models
As any hi-fi enthusiast will know, Spendor has an illustrious history, its co-founder Spencer Hughes creating the company's first speaker, the BC1, using knowledge he'd gained while working at the BBC in the '60s. Yet for the past decade the brand has been working hard to reinvent itself, its affordable A and higher-end D series selling into the mainstream speaker market.
There are three two-way standmounts in Spendor's 1970s-inspired Classic range, and the 3/1 is the centre model. Is this entirely UK-built model the sweetspot of the series?
Rather than follow tradition in everything it does, Spendor has wisely divided its loudspeakers into different categories. The company's A-Line and D-Line models aim to reflect changes in consumer tastes by combining fresh in-house design thinking with engineering philosophies it has spent years refining. Alongside these sits the Classic Series which, as the name suggests, sees the brand build upon proven technologies from its earliest days with an eye to keeping the flame of its renowned '70s designs alive.
Better known for its high-value, high-performance subs, SVS is now turning its attention to audiophile speakers
If there was ever a speaker that seemed, on specification alone, to warrant the phrase 'bang for your buck', it's SVS's Prime Pinnacle. For less than £2000 a pair, this US audio brand is offering a three-way floorstander with bespoke midrange unit, an unusual-at-this-price trio of woofers, and the promise of a 'world-class performance'. Even accepting the latter as marketing hyperbole, it's impossible not to view the Prime Pinnacle as potentially superb value for money.
Ohio-based SVS throws all its speaker know-how into a high-value concave cabinet bristling with custom drivers
Between 2017 and 2022, SVS comprehensively overhauled its range of subwoofers, introducing models from the 80kg PB16-Ultra to the compact 3000 Micro. A quiet spell followed as SVS tackled a new project – an all-new flagship loudspeaker series, topped by the model on test here.
This Danish brand, new to the UK, has made a name for itself on the Continent with its passive-to-active speakers
The 1994 Keanu Reeves movie Speed rewrote the Hollywood rulebook when it came to action cinema. System Audio's Legend 40 is not quite as disruptive, being a three-way floorstander with a mid-level price tag, but it too has a focus on speed. 'A System Audio speaker is much faster than a conventional loudspeaker', boasts the Danish brand. Time to buckle up, then…
Most compact SA floorstander is not only offered in fully active 'Silverback' guise, but now supports 'RAM Tweaks'
System building and component matching is the backbone of hi-fi. Sure, it might seem a never-ending process, each change yielding new results and then more experimentation, but it's an enjoyable one. The Legend 40.2 Silverback tested here, an active three-way floorstander with digital crossover, Analog Devices DSP and integrated DAC, bypasses a lot of that journey – and if combined with the optional wireless Stereo Hub (£400 when purchased with the speakers, £700 separately), removes the need for any cabling except a mains lead. Yet Danish manufacturer System Audio (SA) then uses the Silverback's digital architecture to offer its own take on audiophile fine-tuning, via a newly-launched range of DSP upgrades it calls 'RAM Tweaks'.
Danish brand's flagship floorstander really comes on song in fully active 'Silverback' guise, with room bass-tuning to boot
There's more to System Audio's flagship floorstander than meets the eye. Outwardly, the £7000 Legend 60.2 Silverback, available in satin black and satin white, appears to be an archetypal slender, tower loudspeaker. Peer around the back, however, and you'll find a metal plate – the Silverback of its title – with IEC mains inlet, XLR and USB connections, plus a bank of status LEDs below legends including 'Wireless', 'Centre' and 'Subwoofer'. So not only is this an active model, it's one with wireless and multichannel ambitions.
Not all audiophiles have massive listening rooms... System Audio comes to the rescue with an on-wall 'LCR' loudspeaker aimed at both AV and two-channel enthusiasts
If you're looking at System Audio's Legend 7.2 and thinking 'Why would I want to hang a loudspeaker on my wall?' then it's probably not the model for you. And that would be understandable. Many hi-fi enthusiasts have the space and flexibility to accommodate floorstanding or standmount speakers, and no need to pinch real estate from any surface other than their living room floor. For those, an on-wall speaker is a solution to a problem that doesn't exist.
Best known for its 'silverback' speakers, SA also has a range of affordable, compact 'saxo' floorstanders
System Audio's product catalogue, although spanning only three loudspeaker 'families', aims to offer a solution for almost every eventuality. The Danish manufacturer, based in Roskilde, west of Copenhagen, makes on-wall models, including the legend 7.2 [HFN Mar '22], AV-specific centre channel enclosures and subs, plus various standmounts and floorstanders. Many can be bought in active 'Silverback' guise (or upgraded at a later date), their potential then expandable via DSP 'RAM tweaks' and a WiSA-based wireless streaming hub [HFN Aug '21]. There is, to put it mildly, a lot going on.
We’d been hankering to audition this T+A flagship speaker for some time. Would the CWT 2000 SE deliver audio ecstasy to those who demand the wallop of a dynamic speaker yet also quench the thirst of ‘purist’ audiophiles who crave the transparency of an electrostatic panel?
There are three line-array ‘Cylinder Wave Transducers’ in T+A’s Solitaire range. The big daddy, the CWT 2000, has a 920x50mm tweeter panel – the speaker pairs are handed – six front array 150mm midrange drivers, and on each side are two whopping 250mm bass drivers. Within the imposing tower these drivers occupy asymmetric individually sealed chambers, the Solitaires’ baffles slightly raked backwards in order to afford a degree of time alignment.
The latest range from Tannoy is the new Revolution Signature series, a comprehensive line of speakers that can be configured to make up a full AV system, minus an active sub. Alternatively the front pairs alone can be used separately in a high-quality two-channel system.
Under scrutiny here is the DC6 T, an elegant three-way floorstander, employing twin six-inch woofers with edgewound coils. A pair will cost you £1000 in either of the light oak or espresso finishes available.
Not having had a Tannoy sub for review before, I was surprised to learn that the new, inexpensive TS range – of which this is the top model – is the first from this famous marque to include high-level inputs, which allow connection to the speaker terminals of a power amplifier. Of course, line-level inputs are also provided for direct connection to processors or multichannel disc players.
What this means is that Tannoy’s latest trouser flappers – the 801 with an 8in driver, 1001 with a 10in driver and, you guessed it, 1201 with a 12in driver – are easier to dovetail into a wide variety of audio systems. In a home theatre context you will generally use the LFE output from the AV amplifier or processor, whereas in a conventional music replay system, where line-level outputs downstream of the volume control are often not available, the speaker-level inputs will be a boon.
Bass-heavy behemoth or technical tour de force? We hear a range-topping speaker first launched in 1975 that promised 'true waveform fidelity'. How will it shape up?
Although the Japanese dominated much of the hi-fi scene during the 1970s, there was one important area where their reach was more limited. That was the loudspeaker market. Yes, the companies' catalogues may have been full of glittering arrays of tempting models, but dealers outside of Japan seldom had that many in stock for interested buyers either to see or hear.
Largest of a trio of bookshelf speakers featuring diecast alloy cabinets and horn-loaded tweeters, Technics’ SB-F3 was a true high-tech compact. How does it fare today?
The smallest speaker in Technics' three-strong F series has already featured in our Vintage Review section . It was a popular product and sold in decent numbers for something that could have easily been mistaken for a mere novelty. Less well remembered were the larger members of the same family, the SB-F2 and SB-F3. Neither of these was exactly 'large', but the SB-F3 was certainly too big to be considered a miniature model like the SB-F1. It was, instead, in the class of conventional compact loudspeakers intended for shelf or stand placement, a sector where the number of competing models was far greater.
These floorstanders from direct retail giants Teufel are strong value for money
It’s not so long ago that I asked, rhetorically, in these pages how JBL could sell a four-driver, three-way floorstander (the Studio 190) for a mere £480 a pair [HFN May ’11]. Well, JBL eat your heart out: the Teufel Ultima 40 is also a four-driver, three-way floorstander and it sells for just £349 a pair, plus a delivery charge of £20. During the review period, in fact, it was on special offer for even less: a barely credible £299 at one point.
How does Teufel do it? A significant part of the answer is that it sells direct to the customer, cutting out the middleman.