Loudspeakers

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Review: Ken Kessler, Lab: Paul Miller  |  Feb 02, 2023
hfnoutstandingIt's V for Victory as Wilson's Alexia loudspeaker is more than simply 'tickled-up' with a host of detailed revisions

Ah, the sweet spot! Positioned in the exact middle of a seven-model range of Wilson Audio floorstanders, between the Sasha DAW [HFN Mar '19] and Alexx V [HFN Jan '22], the new Alexia V – by accident or design – now occupies that most coveted of spaces. One of hi-fi's inexplicable phenomena, a 'sweet spot' seems to exist in pretty much every hi-fi model range, from turntables to amps to speakers, when a stand-out in performance relative to size and cost just happens. Yes, the new Alexia V is that special.

Review: Ken Kessler, Lab: Paul Miller  |  Feb 01, 2022
hfnoutstandingNot 'version 5' – the 'V' here refers to Wilson's cabinet material. In fact, the Alexx V is a 'v2' and it's a masterpiece

True to form, Wilson Audio allowed five years to pass before revising its Alexx floorstander [HFN Nov '16], avoiding that old high-end crisis of perceived obsolescence. As I always say, what was fine last Tuesday is still fine today, but Wilson tends to upgrade its models with major leaps, not tiny steps, and so it is with the Alexx V (£139,000).

Hi-Fi News Staff  |  Jan 30, 2015
The Duette 2 is a thorough revamp of the 2006 original, with its aesthetics enhanced by design cues that first appeared in the larger Wilson models – the optional stand, too, is a visual treat. Like the original, the Duette 2 uses the separate Novel crossover, its outboard status increasing the internal volume of the speaker so it still has ample space for an 8in woofer. Mounted inside the newly-designed stand, the crossover is mechanically isolated in its own dedicated enclosure. Upgrading the tweeter has involved the inclusion of a rear wave chamber, which is said to attenuate spurious energy ‘generated at the rear of the driver that would otherwise leak out of the acoustically translucent dome’.
Review: Ken Kessler, Lab: Paul Miller  |  Oct 13, 2022
hfnoutstandingNot all Wilson Audio's loudspeakers are man-sized floorstanders and its most compact models have been crying out for a partnering, flexible active subwoofer. Meet LōKē...

Wilson Audio's product naming strategy has always raised eyebrows, but the new LōKē reinforces its love for puns. This £9500 powered subwoofer's moniker either shows that it's the baby sister to Wilson's gigantic Thor's Hammer, or it's a play on 'Low Key'. Or maybe not. Whatever the rationale, its pronunciation is helped by diacritical marks to ensure we do not rhyme its name with 'woke'…

Review: Ken Kessler, Lab: Paul Miller  |  Dec 31, 2020
hfnoutstandingFive years on and Wilson Audio's Sabrina earns its 'X' – an overhaul that raises the bar for compact floorstanders

Five years – that's how long ago the Sabrina was launched and five years seems about right before making a new version of any model as good as the original was – and remains [HFN Aug '15]. Rightly, the upgrade is comprehensive, not a mere facelift, which is reassuring if you're wondering why a £15k per pair model is now priced at £21,500-£23,000. As for the price span, it covers three standard or three deluxe 'WilsonGloss' paint finishes, which can be co-ordinated with five grille colours. Our review sample is pictured here in the 'upgraded' gloss Ivory.

Review: José Victor Henriques, Lab: Keith Howard  |  May 10, 2019
hfnoutstandingLaunched to celebrate the life's work of Wilson Audio's founder, this new Sasha is no mere mk3

The Sasha DAW is a tribute product launched by Daryl Wilson to honour his recently deceased father and Wilson Audio's founder, David Andrew Wilson, whose initials denote the latest form of this iconic loudspeaker. In practice, the Sasha DAW has the same form factor and three-way, four drive configuration as the Sasha Series-2 [HFN Jun '14].

Review: Ken Kessler, Review and Lab: Paul Miller  |  Oct 09, 2023
hfnoutstandingWith technology drawn from its flagship Chronosonic XVX, and already implemented in the Alexx V and Alexia V, the Sasha V is now the most affordable of this new series

Those of an historical bent will know that Wilson Audio's Sasha V isn't merely the fourth-generation Sasha, nor is it simply 'Sasha DAW 2.0'. This two-box floorstander is to the original WATT Puppy [HFN Nov '90] what the current Porsche 911 is to the 911 of 1964: a carefully-developed, decades-long evolution of a brilliant initial concept.

Ken Kessler & Keith Howard  |  Jan 16, 2010
Since the early 1980s, Wilson Audio has produced speakers as physically small as the Duette and the original WATT, not just behemoths such as the Alexandria. It has been my good fortune to have heard almost every model, either at shows, at the Wilson listening room in Provo, Utah or in friends’ homes. And there’s a reason why I have used the smaller Wilsons as my primary reference for 25 years or so: they allow me to listen into the recording. Unlike most, though, I don’t necessarily believe that the progression from smallest model to largest should incite an automatic desire to follow that ascent.
Martin Colloms, Ken Kessler  |  Jun 22, 2021  |  First Published: Jan 01, 1995
hfnvintageWilson Audio's Tiny Tot and matching Puppy subwoofer reach maturity with the new System V versions. Martin Colloms and Ken Kessler listen

During the preliminaries for this review I suffered a major blow at around 3am one morning [writes Martin Colloms]. I was woken up by a thundering roar from the listening room that sounded like a door being smashed down by men with sledgehammers and which wrote off a number of drivers in the speakers.

Review: Ken Kessler, Lab: Keith Howard  |  Nov 01, 2018
hfnoutstanding.pngWith the minuscule TuneTot, Wilson Audio returns to the speaker format that established the brand's appeal beyond the massive WAMM: the small true monitor

There is an inescapable poignancy permeating Wilson Audio's latest speaker, the TuneTot. According to Daryl Wilson, now responsible for design with the passing of his father this year, 'The TuneTot was the last product in development that Dad listened to in the R&D department and he loved it. There is a pair of TuneTots in my parents' bedroom and my Mom listens to them every day'.

Review: David Price, Lab: Keith Howard  |  Oct 01, 2018
hfnvintage.pngIt was an audacious design from a company with no prior reputation for making serious loudspeakers, yet it soon became a landmark product. How does it shape up today?

There's no such thing as the perfect loudspeaker, nor is there ever likely to be one. Most manufacturers don't even try – theirs is a volume business where the trick is to produce a good-sounding product at an affordable price. There's nothing wrong with this, as perfection can often be the enemy of the good. Yet sometimes hi-fi companies do reach for the stars, and attempt to come up with an innovative, no-holds-barred design.

Review: Andrew Everard, Lab: Paul Miller  |  Jan 05, 2023
hfnoutstandingThe smallest of the five-strong standmount/floorstanding Peaks series from YG Acoustics promises to move mountains

Depending on your age, there's the potential for confusion in the naming of YG Acoustics' latest loudspeakers. The Peaks series is inspired by the Rocky Mountains looming over YG's base a few miles outside Denver, and most of our readers will be from generations with 'life experience', and upon hearing the title 'peak' will likely associate it with products of aspirational quality. In the argot of London teenagers, however, 'peak' is now taken to indicate unexpected bad luck. In truth, the recent collaboration between Cambridge Acoustic Sciences and YG's mid-US manufacturing base has been nothing but fortuitous.

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