Loudspeakers

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Review: Mark Craven, Lab: Paul Miller  |  Feb 04, 2025  |  First Published: Mar 01, 2025
hfnoutstandingGermany’s T+A has long been a champion of ‘line source’ floorstanders and its S 530 is the entry model to the concept

‘Theory and Application’ (T+A) is well-known for hi-fi separates ranging from its CALA and Caruso ‘lifestyle’ models to the DACs, amps and ‘multisource’ receivers of its premium R and HV series, all featured regularly in Hi-Fi News. Less well-known are its loudspeakers, despite T+A starting out in 1978 as a speaker manufacturer. Hoping to refresh our memory and provide scope for a full high-end T+A system, is a new three-strong Solitaire S range, of which the S 530 is the middle model.

Andy Whittle and Keith Howard  |  Apr 24, 2009
The latest range from Tannoy is the new Revolution Signature series, a comprehensive line of speakers that can be configured to make up a full AV system, minus an active sub. Alternatively the front pairs alone can be used separately in a high-quality two-channel system. Under scrutiny here is the DC6 T, an elegant three-way floorstander, employing twin six-inch woofers with edgewound coils. A pair will cost you £1000 in either of the light oak or espresso finishes available.
Keith Howard  |  Nov 25, 2009
Not having had a Tannoy sub for review before, I was surprised to learn that the new, inexpensive TS range – of which this is the top model – is the first from this famous marque to include high-level inputs, which allow connection to the speaker terminals of a power amplifier. Of course, line-level inputs are also provided for direct connection to processors or multichannel disc players. What this means is that Tannoy’s latest trouser flappers – the 801 with an 8in driver, 1001 with a 10in driver and, you guessed it, 1201 with a 12in driver – are easier to dovetail into a wide variety of audio systems. In a home theatre context you will generally use the LFE output from the AV amplifier or processor, whereas in a conventional music replay system, where line-level outputs downstream of the volume control are often not available, the speaker-level inputs will be a boon.
Review: Tim Jarman, Lab: Paul Miller  |  Feb 17, 2021
hfnvintageBass-heavy behemoth or technical tour de force? We hear a range-topping speaker first launched in 1975 that promised 'true waveform fidelity'. How will it shape up?

Although the Japanese dominated much of the hi-fi scene during the 1970s, there was one important area where their reach was more limited. That was the loudspeaker market. Yes, the companies' catalogues may have been full of glittering arrays of tempting models, but dealers outside of Japan seldom had that many in stock for interested buyers either to see or hear.

Review: Tim Jarman, Lab: Paul Miller  |  Oct 28, 2024
hfnvintageLargest of a trio of bookshelf speakers featuring diecast alloy cabinets and horn-loaded tweeters, Technics’ SB-F3 was a true high-tech compact. How does it fare today?

The smallest speaker in Technics' three-strong F series has already featured in our Vintage Review section . It was a popular product and sold in decent numbers for something that could have easily been mistaken for a mere novelty. Less well remembered were the larger members of the same family, the SB-F2 and SB-F3. Neither of these was exactly 'large', but the SB-F3 was certainly too big to be considered a miniature model like the SB-F1. It was, instead, in the class of conventional compact loudspeakers intended for shelf or stand placement, a sector where the number of competing models was far greater.

Keith Howard  |  Dec 16, 2011
These floorstanders from direct retail giants Teufel are strong value for money It’s not so long ago that I asked, rhetorically, in these pages how JBL could sell a four-driver, three-way floorstander (the Studio 190) for a mere £480 a pair [HFN May ’11]. Well, JBL eat your heart out: the Teufel Ultima 40 is also a four-driver, three-way floorstander and it sells for just £349 a pair, plus a delivery charge of £20. During the review period, in fact, it was on special offer for even less: a barely credible £299 at one point. How does Teufel do it? A significant part of the answer is that it sells direct to the customer, cutting out the middleman.
Paul Miller  |  Nov 20, 2011
Limited to a mere 30 pairs, is this the world's ultimate loudspeaker? This flagship design will be limited to 30 pairs. It stands 1. 7m tall and weighs a staggering 305kg. There are five main drive units: a 15in subwoofer with a sandwich cone made by Audio Technology of Denmark.
Keith Howard  |  Mar 25, 2009
Thiel Audio Products Company of Lexington, Kentucky may have a lower profile here in the UK than in its native US, but its reputation precedes it. Designer Jim Thiel holds fast to certain, long established design principles in his loudspeakers such as eschewing high-rate filters to ensure phase linearity through crossover. He also prefers the costlier underhung voice coil geometry (voice coil much shorter than the magnet gap) for the marque’s proprietary drivers, in preference to the more commonly used overhung geometry, because of its inherently superior performance. Thiel is innovative too, examples being its cast aluminium, surface-mounting PowerPoint 1.
Trevor Attewell  |  Mar 26, 2019  |  First Published: Dec 01, 1976
With a pair of Quad ELS electrostatics as his benchmark, Trevor Attewell compares multi-driver loudspeakers from Leak, Lentek and Chartwell

Here we audition three models ranging in price from £250-£300 and all from British manufacturers. But which will top our trio when it comes to musical performance?

Review: Mark Craven, Lab: Paul Miller  |  Jun 23, 2023
hfncommendedWhile not exactly an apex bovine of the wide-open prairies, the diminutive 'monitor' of Totem's new Bison series can still stampede with the best of the musical herd

Canada's Totem Acoustic is fond of a pun or two, promising a 'prairie-like', wide-open soundstage from its newest Bison loudspeaker range. You can't help feel, however, that while the name might fit the lineup's Bison Tower and Bison Twin Tower floorstanders, it's a bit of a mismatch for the Bison Monitor. Priced £2495, and available in White Oak, Satin White and Black Ash colourways, this two-way standmount/bookshelf model hardly possesses a muscular, bovine build. On the contrary, it's practically petite.

Review: Mark Craven, Lab: Paul Miller  |  Oct 22, 2021
hfncommendedFrench brand celebrates its Ruby Anniversary with a rose-gold tinted treble and two fabulous cabinet finishes

There's a definite feeling you're getting your money's worth when you encounter Triangle's Antal 40th Anniversary loudspeaker. This French floorstander, reasonably tall at 113cm and surprisingly deep at 35cm, arrives in an oversized box and, once excavated, greets you with 40th Anniversary branding on the front baffle and its quartet of drivers with eye-catching rose-gold anodised aluminium trims. I wouldn't say it looks a million dollars – there are too many right angles for that – but it certainly looks like it should cost more than the £3000 ticket (less still via some online retailers).

Review: Jamie Biesemans, Lab: Paul Miller  |  Feb 23, 2023
hfnoutstandingAnniversary celebrations continue with this four-strong Magellan series and trickle-down from the 'Grand Concert'

Historically, the city of Soissons in the north of France played a major role in the First World War. But for the last 40-plus years, to hi-fi buffs it's been better known as the home base of Triangle, one of France's major loudspeaker brands. It's a company that decidedly loves to celebrate birthdays, as after launching limited Anniversary models of the Antal [HFN Sep '21] and Comète last year, it has yet another festive offering – this time a complete range encompassing four loudspeakers and two dedicated stands. Strictly speaking, Triangle was founded in 1980, which makes it nearly 43 years old. Yet with the last few years being what they were, the brand has had to wait patiently before unpacking all its anniversary cadeaux.

Richard Stevenson and Keith Howard  |  Jul 25, 2009
I’m a sucker for a bit of extreme hi-fi, so how could I resist the UK’s first review of what is billed as the world’s most powerful domestic subwoofer. Velodyne’s DD-1812 Signature Edition is a 176kg beast with two 1250W Class D amps driving twin drivers in a true two-way configuration. Low frequency duties are split between a 12in carbon-laminate driver at the top and a whopping great 18in version for the really deep-down stuff south of approximately 35Hz. The name 1812 is a rather dull reference to the driver dimensions and not Tchaikovsky’s masterpiece of that year, which would have been so much more appealing given the piece’s famous low frequency thunder.
Andy Whittle and Keith Howard  |  Aug 24, 2009
Vienna Acoustics was established in 1989 by Peter Gansterer in, believe it or not, Vienna. The city has some of the finest concert halls in the world, and may be considered as the birth-place of Classical (or Western Art) music. Peter lived in Vienna whilst studying acoustics… So no prizes for guessing how this ends up: a fine range of speakers named after classical composers, most of whom worked in Vienna. At the top of the Grand series is the Mahler, followed by the Beethoven Concert Grand, the Beethoven Baby Grand, the Mozart Grand and, finally, the Bach Grand.
Review: David Price, Review and Lab: Keith Howard  |  Jan 01, 2018
hfnoutstanding.pngIt may not look as outrageous as the iconic B&W Nautilus, but this is its younger, and arguably superior offspring

When B&W introduced the Nautilus in 1993 it created what is surely the most iconic loudspeaker any of us will ever see. Its 'snail on steroids' look projected it on to countless magazine pages around the world and gave B&W the kind of PR boost company CEOs dream of. Only it wasn't a PR man that contrived the Nautilus, it was B&W's then senior design engineer Laurence Dickie. And though it looked like something created by H R Giger for the set of Alien, the Nautilus was actually an exemplar of the Bauhaus diktat that form follows function. It looked that way because it needed to be that way.

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