Loudspeakers

The ultimate expression of Paradigm's Persona speaker range is an active/passive hybrid, with room EQ too...

Canadian company Paradigm makes no bones about where its Persona range is pitched: it describes it as 'The Evolution of Luxury', as you might hope of a lineup topping out with the 9H speakers at £34,000 a pair. In fact the Persona 9H is currently Paradigm's absolute top model, being the priciest, and technically most complex, design in the company's flagship range. Like the other Persona models it comes in a choice of five standard colours: Harmony White, Vanta Black, Carbon Black gloss, plus metallic Aria Blue or Sonic Silver.

A sophisticated design making use of some interesting technologies As befits the product carrying the largest price tag here, the Paradigm Studio 60, now in version 5 guise, looks the classiest of the bunch. A four-driver, two-and-a-half-way design, it is visually most notable for the side and back panels of its enclosure being transformed into a single, continuous curve, the inherent stiffness of which bodes well for low levels of cabinet talk. Also distinctive is its 25mm gold anodised aluminium dome tweeter whose diecast mounting protrudes from the top of the cabinet to reduce diffraction effects and is compliantly decoupled from the baffle to isolate it from vibration. The 140mm bass-midrange driver, with its satin anodised aluminium cone and large phase plug, is decoupled too, as are the twin 140mm bass drivers with mineral-filled polypropylene cones.

No mere trickledown, the R7t floorstander inherits a full flood of technology from its flagship stablemate

Shoppers are always on the hunt for a bargain, so anything labelled 'half-price' attracts attention. Okay, that usually applies more to supermarket biscuits than floorstanding loudspeakers, but with Perlisten's R7t selling for £8100 – pretty much half that of the American company's flagship S7t [HFN Apr '22], while looking strikingly similar – it immediately appears a potential bargain. On the other hand, there must be changes behind the scenes for the price tag to have dropped so much, so the question becomes, will it sound only 'half as good'?

New kid on the block, Perlisten Audio, is creating a stir straight out of the gates. We test the flagship floorstander

There's a perception that the US, the home of muscle cars, foot-long hot dogs and canyons a mile deep, is also the home of monster-sized loudspeakers. And not, it must be said, without good reason – there are various American manufacturers that frequently put the floor into 'floorstander', building models that require considerable carpet space and suit large listening rooms. So it wasn't much of a surprise to discover Perlisten Audio, a new brand from Verona, Wisconsin, kicking things off with the S7t, an almost 1.3m-tall seven-driver tower weighing in at 55kg.

Perlisten’s flagship gets the ‘LE’ treatment with lashings of carbon-fibre, plus updated crossover and bass drivers

Talk about bursting onto the scene. Five years ago, few had heard of Perlisten even though the Wisconsin company had existed from 2016, ostensibly operating in stealth mode. Today it is an established name in hi-fi circles, abetted by two complete loudspeaker series featuring some ambitious technology. The four-way £19,000 S7t floorstander [HFN Apr ’22] had served as Perlisten’s flagship speaker until this £30,000 Limited Edition arrived two years later, boasting numerous detail enhancements. It’s at least 25kg heavier too, at 84kg per tower.

Crafted on the shores of Lake Zurich for nearly 40 years, Piega speakers are famous for their innovative ‘ribbon’ driver designs. Its Coax series is now launched in ‘Gen2’ guise...

Instantly recognisable, Switzerland’s Piega has produced its ‘ribbon’ loudspeakers for nearly four decades. Building on the company founded by Leo Greiner (the other founder, Kurt Scheuch, brought technical chops to the table), it’s a manufacturer that takes pride in its family ownership. Greiner’s sons Alex and Manuel still manage the business from Horgen on the shores of Lake Zurich, where production is situated.

Since 2004, PMC’s entry level DB1+ has been one of my reference speakers. Put another way: since reviewing it for the November 2007 issue of Hi-Fi News that year, I’ve regarded the DB1+ as one of the best speakers available for under £1000 per pair. How far under? Enough to allow that figure to include decent stands and cables. Part of this love goes back to my unshakeable admiration for transmission line speakers, since I first heard IMFs.