Lab: Paul Miller

French audio marque Devialet has been on quite a journey. Its first product, in 2010, was the D-Premier [HFN Apr ’10], an innovative integrated amplifier showcasing the ADH (Analogue/Digital Hybrid) topology of designer/company founder Pierre-Emmanuel Calmel and colleague Mathias Moronvalle. Eye-catchingly designed, thrillingly innovative and a sonic marvel, Devialet’s amplifier was a shot in the arm for the hi-fi industry.

A half century on from its launch, Technics’ latest SL-1300 turntable is still a direct-drive design featuring an S-shaped tonearm, but the tech has evolved beyond compare!

Is Technics trying to recreate its phonographic glory days of the 1970s? Back then, its catalogues were filled with 10-15 different models, while the arrival of the new £2799 SL-1300G turntable takes the current tally to seven across DJ, Grand Class, Premium Class and Reference Class ranges, plus the odd limited edition. So, the modern day Technics brand is inching closer!

Just as the American audio manufacturer Perlisten sells a varied range of loudspeakers [HFN Apr/Jun/Aug ’22 and [HFN May ’25], it also features an equally expansive line of active subwoofers. They don’t quite come in all shapes and sizes – the shapes never vary beyond flavours of cuboid – but there’s a broad sweep of price and specification to match different room sizes. Towards the top of the lineup is the £5500 D15s, reviewed here.

Standmount? Or floorstander? It’s a question faced by many hi-fi enthusiasts. On one hand there’s the potential for a tight, clean sound from a smaller enclosure, albeit with the need for a stand to bring the speaker up to listening height and stabilise it. Meanwhile, the argument for floorstanding speaker designs involves the possibility of a bigger, more forceful presentation, often taking up no more floorspace than that smaller speaker on its stand. Then again, which design is more aesthetically pleasing is very much a matter of taste...