This month we review and test releases from: Frank La Rocca/Richard Sparks, Vijay Iyer, Linda May Han Oh and Tyshawn Sorey, Thomas Strønen, Exponential Ensemble, and Reverso
From the pen of the designer behind the turn-of-the-millennium Anagram upsampler tech comes not one but two complete series of high-end digital/analogue components
Since launching in 2009, CH Precision, based in Préverenges in Switzerland, has carved itself a niche in hi-fi’s high-end. Moreover, although a product inventory spanning just two ranges, the 10 Series and 1 Series,
might suggest some form of boutique minimalism, its design approach shows plenty of modern, technically innovative thinking. How so? The L1 preamplifier and M1.1 power amp on test here both offer user-tuning of their performance via
a custom smartphone app…
Off-the-shelf chipsets are firmly off the menu for Italy’s Aqua as the brand evolves its unique take on the NOS ‘ladder DAC’ concept... now with a FET/tube output stage
This DAC, to reveal its full name, is the La Scala MkIII Optologic, the third generation of a design from the Milan-based company whose name has nothing to do with water, but instead stands for ‘Acoustic Quality’. Said to be ‘more than a simple upgrade of our La Scala DAC’, this latest version sells for £7850 in grey Nextel powder-coated aluminium casework with either a black or silver finished aluminium fascia.
Serbian brand Soulines brings its holistic design philosophy to bear on a new deck and captive unipivot arm that claims ‘affordable high-end’ performance. It’s no idle boast...
Eastern Europe is no stranger to high-quality boutique hi-fi brands [HFN Apr ’24, Jun ’24 and Feb ’25] with ‘analogue’ audio a particular favourite. Igor Gligorov’s company, Soulines, is based in Serbia and has graced these pages before, but UK distribution has now been re-established thanks to Sound Fowndations. The timing is spot on, as Soulines has recently released a new turntable, the tt9, loosely described as ‘entry level’ and selling for £3990 with partnering KiVi M3 tonearm.
First came the three-box Lina headphone amp/DAC, followed by the Lina and Lina 2.0 DACs, the latter tickled-up again with the addition of volume and a full-width chassis
On recent form, the £13,500 dCS Lina DAC X could almost be considered ‘conventional’. Following on the heels of the Lina headphone amp system [HFN Nov ’22], and the massive – and massively pricey – multibox Varèse player [HFN Feb ’25], complete with separate mono DACs and the option of an SACD/CD transport add-on, the Lina DAC X looks dangerously like any number of models from rival companies, from its proportions to the inclusion of a front-panel rotary volume.
High-end performance meets ease of use? This new active sibling of the Confidence 20 standmount leverages DSP and amplification from Dynaudio’s pro studio loudspeakers
Dynaudio’s collection of passive loudspeakers is substantial. You begin with the Emit series and move through its Evoke line, various Contour models [HFN May ’25], and the Heritage and Special Forty one-offs, before you get to the flagship Confidence range [HFN Jan ’25]. On the other hand, active options are more limited, with – until recently – just the three-strong Focus series appealing to cable-cutters. Now, though, the Danish brand has added the Confidence 20A, priced £17,000.
The Utah-based brand digs deep to take on the challenge of palpable infra-bass with its largest active subwoofer to date. We close all the hatches and dive, dive, dive...
The last subwoofer we auditioned from Wilson Audio raised eyebrows simply because of its name. ‘LōKē’ was no doubt meant as an homage to the Norse God, and therefore related to the American marque’s earlier Thor’s Hammer unit, but the phrase ‘low-key’ doesn’t exactly call to mind hi-fi excitement. We’re back on firmer ground with the maker’s new Submerge, the name conjuring images of deep, infrasonic bass.
‘Embracing the future/celebrating the past’, says Quad as it launches its first integrated, styled after the 22 control unit from 1959 and equipped with digital tech from today
Many moons ago I learned about the lack of sense in making predictions, as they usually prove wrong. Despite this I’m happy to posit that we are entering two ‘Golden Ages’. The first appears to be that of superb integrated amps appearing in a flood, including the Marantz Model 10 [HFN Jun ’25], D’Agostino’s Pendulum [HFN Jul ’25] and the Musical Fidelity Nu-Vista 600.2 [HFN Aug ’25]. But they are all high-end units. By contrast, the Quad 3 has a list price of only £1249, and it blew me away.
The 1980s saw the pursuit of low-distortion amplifiers reach its peak. The big brands all had skin in the game but Technics was vying to be market leader with its ‘New Class A’
Consumer Electronics products are traditionally marketed on the basis of progress and technological improvement, and the hi-fi scene is no exception. Amplifiers were already a mature technology in the early 1980s, following big advances in low noise circuitry, robust complementary power transistors, DC coupling and high-speed operation. With these fundamentals in place the larger manufacturers turned their attention to exotic power supplies, remote controls and system integration, equalisers and frequency spectrum displays, special inputs for CD players and, of course, ever more output power to entice customers to upgrade.
This month we review and test releases from: Joseph Fort/King’s College Choir; Pilc Moutin Hoenig; Trygve Seim & Frode Haltli; Alice Zawadzki, Fred Thomas, Misha Mullov-Abbado; Ruth Wilhelmine Meyer.