Long-awaited, while the monoblock version of Exposure's 3510 amplifier series looks just like its Stereo and Integrated models, in practice it is a new and highly refined amp
When Exposure launched its 3510 series in 2021, as a replacement for the venerable 3010 range, attention was first given, perhaps unsurprisingly, to the integrated amplifier [HFN Nov '21]. One year later it was joined by a stereo power amp and partnering preamp [HFN Nov '22], and a year after that we witness the arrival of the 3510 Mono, tested here. Such an approach is not unusual for a boutique brand – a fair description of the Sussex-based company – but it's perhaps also indicative of the hidden differences between Exposure's amplifier designs.
Based in Chicago but with manufacturing in Serbia, the EarMen brand is developing its range at pace. The new ST-Amp DAC/headphone unit is a 'back to basics' audiophile hit
After collecting an EISA Award last year for a complete headphone system featuring a stack of four mini-sized separates – the Staccato, Tradutto, CH-Amp and PSU-3 [HFN Oct '22] – EarMen has doubled back with this minimalist ST-Amp. This is a book-sized, do-it-all unit combining a DAC and dedicated headphone amp, aimed at head-fi enthusiasts looking for a quick and effective path to high-quality desktop listening. So while the ST-Amp moniker might suggest it's simply a more affordable alternative to the aforementioned CH-Amp, it's really a different beast altogether.
Taking inspiration from the industrial design and key circuit features of D'Agostino's Momentum series, this second-gen Progression amplifier may upset its own applecart
It struck me, around halfway through the first track, that designer/CEO Dan D'Agostino was emulating the way supercar companies delineate their model ranges. Hey, I needed something to explain why the new Progression S350 Stereo power amplifier at £34,998 costs just over half that of the Momentum S250 MxV's £54,998, and yet it is over two times the size and rated at 100W more per channel: 350W vs 250W. Also, at 454x230x584mm (whd) against a Momentum's 318x133x546mm, the Progression S350 dwarfs the dearer unit. It was like the comedy Twins, with Schwarzenegger standing next to DeVito.
They started out as a Concept, and have become a reality combining a skeletal form and novel engineering solutions – but do they sound as other-worldly as they look?
As safe bets go, that you've never seen anything quite like the £70k Monitor Audio Hyphn speaker is pretty much a dead cert. Yet look closer and there's actually a lot of 'form following function' going on here in those two columns with a gap between them, linked by a central belt. And while to unsympathetic eyes they may look like two huge clothes pegs, it won't take long for audiophiles to understand the thinking behind the configuration, however unusual the speakers look by comparison with traditional 'box, domes and cones' designs.
Based on the Tesla G2 platform used in Auralic's premier G2.1 range, but lacking the box-in-box build and some circuit detailing, the Aries G1.1 remains a top-flight streamer
Yes, the £2699 Aries G1.1 is another one of those similar-looking Auralic components that will blend seamlessly with its brand partners, even if we're never immediately sure what box does what... In this case, we have a network player without onboard digital-to-analogue conversion, designed to be used straight into an external DAC. In this guise, it brings the niceties of Auralic's Lightning Streaming Platform, and its Lightning DS control app, to owners of third-party DACs. This also includes amps or preamps with digital inputs, which can be fed via USB or optical, coax or AES.
It's arguable that the best high-end DACs all feature custom upsampling and conversion architectures – nothing 'off the shelf'! PS Audio has been part of the club for a decade...
All good things come to an end, although in the world of digital hi-fi sometimes that end comes around pretty quickly. Obsolescence isn't as 'built-in' here as it is in the smartphone market, for example, but technological evolutions, be they around chipsets, connection standards or format types, mean 'MK2' iterations of DACs and streaming hardware are a common sight. PS Audio's DirectStream DAC MK2, however, is rather more than a mere second-generation product.
Compact, clever and priced to entice, this quirky little late-'80s machine caught the imagination of those buying into digital for the first time. How does it shape up today?
When Toshiba unveiled its lineup of new CD players in 1986 it was clear the format had come of age. Just three years after the first machines were launched onto the European market they'd gone from being exotic and expensive to something so accessible there was little point in any keen listener not owning one.
Dubbed 'The Conductor' and 'The Orchestra', respectively, Hegel's replacements for the decade-old P30/H30 pre/power amplifiers are flagships worthy of their names
By all accounts Hegel has been very busy over the last few years, which is a notion that might raise some eyebrows because – understandably – the Norwegian company went a little quiet during and after 2020. In fact, the V10 phono preamplifier [HFN Mar '21] has been about the only piece of hardware to escape the drawing board of Hegel's owner and master engineer Bent Holter since Covid. However, as industry insiders and the company's user base well knew, Hegel was battling the angry gods of software development to make its major integrated amplifiers Roon Ready.
While not exactly an apex bovine of the wide-open prairies, the diminutive 'monitor' of Totem's new Bison series can still stampede with the best of the musical herd
Canada's Totem Acoustic is fond of a pun or two, promising a 'prairie-like', wide-open soundstage from its newest Bison loudspeaker range. You can't help feel, however, that while the name might fit the lineup's Bison Tower and Bison Twin Tower floorstanders, it's a bit of a mismatch for the Bison Monitor. Priced £2495, and available in White Oak, Satin White and Black Ash colourways, this two-way standmount/bookshelf model hardly possesses a muscular, bovine build. On the contrary, it's practically petite.
From Germany's SPL (Sound Performance Laboratory) comes this multicolour USB DAC designed for both 'legacy' and computer connection. There's a volume control too...
Given that most of today's digital components seem to be multifunctional – streamer DACs, DAC/headphone amps and the like – it's unusual to find a product as simple in its operation as its design. Yet that describes the latest arrival from German manufacturer SPL, the £2499 Diamond DAC, available in silver, black or red like all the company's products. A back-to-basics DAC? Well, almost...