Not only did this '80s amp claim to tackle distortion using the company's new 'Super Feedforward System', it was also priced to have mass appeal. How does it sound today?
When the Sansui AU-D33 integrated amplifier was launched in 1982, it had a lot to live up to. Its predecessor, the AU-317II from 1980 [HFN Jun '15], delivered the sort of performance one would expect from a manufacturer of specialist hi-fi, thanks to its well engineered DC-coupled circuitry. The company's 'All hi-fi, everything hi-fi' slogan set out a clear manifesto – no transistor radios, no coffee machines, just quality audio products.
Latest in Exposure's top-end compact series is this flexible MM/MC phono preamp, inspired by the XM3 Phono but with improved audio stages and an outboard PSU
Despite concerns over pressing delays and the availability of raw materials, the lure of vinyl seems to show no signs of abating, which explains why the selection of phono stages available now is greater than ever. The latest company to add to the audiophile wishlist is West Sussex-based Exposure Electronics, with the VXN Phono. This is the first 'source' item in the only-available-in-black VXN range, joining two-way and three-way active crossover units and the VXN Power Supply [HFN Feb '20].
Austria's vinyl juggernaut has leveraged German expertise to launch a series of fully-automatic turntables. The range starts spinning with the A1, inc. a built-in phono stage
Decades ago, along with tone controls, the automatic turntable was relegated to 'amateur' status because audiophiles revel in masochism. 'What? The arm lifts up at the end of the side?'. As lies were told about CD, so were falsehoods spread about how triggering the arm lift would snap your cantilever. It was a load of tosh, and as many new to LP want convenience, Pro-Ject has responded with the A1 at only £369.
This Polish hotshot brand broke onto the audiophile scene with its programmable DC PSU, followed by the OOR headphone amp. Now, with DAC onboard, comes the ERCO
The name of this new product from Polish company HEM, selling under its Ferrum brand, is spelt ERCO, but pronounced 'ertso'. Apparently it's Esperanto for 'ore', and so follows on from the mineral-based brand-identity – Ferrum, OOR – you get the idea. What's also not immediately apparent, given that all the Ferrum products basically look the same, is that the £2395 ERCO is perhaps the most comprehensively equipped model the company has made to date.
For 50 years and two generations Germany's Canton has been building 'audiophile' loudspeakers. We catch up...
The Reference lineup from Canton marks the apex of its engineering thinking, combining years of experience with new computer modelling software and a freshly built testing laboratory. Given 'free rein', its designers came up with no fewer than nine separate models for the new Reference K series, including six floorstanders, one standmount, a centre channel speaker and a 750W-rated active subwoofer for home theatre applications.
Now a full quartet, T+A's compact but beautifully formed Series 200 has expanded to include a media player, DAC/preamp and Purifi Eigentakt Class D stereo power amp
Siegfried Amft, founder and MD of T+A, declares the intent of the brand's Series 200 is to 'combine the appearance of a Midi system with a high-end performance'. Midi, of course, is a word that evokes memories of 1980s/'90s hi-fi, so I'm surprised to see the term attached to a range that's rather more aspirational in its technology. You might think something has been lost in translation, T+A being a German manufacturer, until you lay eyes on the DAC 200 and its button-heavy compact chassis. From the appearance side, at least, the 'Midi' mission has been accomplished.
This late-'80s flagship CD player boasted no shortage of metal for your money while offering 4x oversampling to boot. But with few to be found, is it worth tracking down?
The law of diminishing returns was perhaps never more evident than when the CD player arrived in the early '80s. As more machines came to market in the years that followed, all but the crudest would offer a level of perfection unthinkable to the majority of audiophiles in the 1970s.
With no fewer than eight channels (bridgeable to four), Primare's most powerful amp to date will service the most ambitious bi-, tri- or quad-amp loudspeaker solutions
It goes without saying that an eight-channel power amplifier is unusual. In the hi-fi world, two channels is the default, and even in multichannel home cinemas the trend is to start with five or seven and then, if you must, add more in pairs. Furthermore, the A35.8, priced £4500, arrives not from a specialist custom install brand, or an audio company with pro studio leanings, but from Primare.
The first SACD player from French audio artisans, Kalista, is also this spin-off brand's most comprehensive digital hub to date, with wired/wireless network streaming
Having emerged from French manufacturer Métronome Technologie with its inaugural model in 2003 – think Citroën spawning DS, or Seat's Cupra line – Kalista now has a growing range of DreamPlay products. This includes the £21,000 Kalista STREAM – described as 'The only streamer on the market that combines perfect functionality with exceptional looks' – and a turntable, the £44,000 Twenty-Twenty.
KEF's flagship Blade cuts to the heart of the music, and with 'MAT' on board its edge has never been keener
More than a decade after their launch, there's still nothing quite like the KEF Blade One speakers. Well, OK, there's the smaller Blade Two [HFN Jul '15], but the point still stands! The result of one of those 'no constraints' projects that speaker companies seem to love, the original 'Concept Blade' created a stir with its radical styling and carbon-fibre construction. The final retail version employed a more production-friendly high-density polycarbonate, but the speakers were unmistakably the same, and just as unmistakably odd.