Building on the earlier D2 platform, Lumin's equally compact D3 model features a new processor, new DAC, LeedH volume control and support for increased file sample rates
It's not only loudspeaker brands playing the trickle-down technology game. Lumin's D3, its new entry-level streaming DAC, borrows liberally from the Hong Kong manufacturer's costlier network hardware, utilising elements both inside and out to effect a comprehensive upgrade on the previous D2 [HFN Jul '20]. Its maker says the D3 'brings the audiophile potential of music streaming within everyone's reach', and while the £2195 price tag makes that somewhat debatable, it certainly has plenty of appeal.
Artisanship and innovation meet in this precision-engineered turntable/arm combo that brings 21st century know-how to bear on a pre-Millennium turntable technology
Maybe you can teach an old dog new tricks. After decades of being dismissive of idler- or rim-drive turntables, if not downright hostile towards them, I have had my ears opened by Reed's Muse 1C. A previous owner of a Thorens TD 124 [HFN Jun '59] and a Garrard 401 [HFN Dec '65], I never considered them to be as rumble-free nor as quiet as direct-drive or belt-drive turntables. The Lithuanian-designed and built Muse 1C, at £9998 without arm, the least expensive model in a range of three, has changed all that.
More sober than the 'steampunk' styled RA180, and more powerful too, the new RA280 takes HiFi Rose's GaN FET-based Class D architecture into the audiophile zone
HiFi Rose delighted, and in some cases flabbergasted, hi-fi enthusiasts with its RA180 [HFN Jul '22], an amplifier that looked like it had just escaped from the pages of Gibson-Sterling's steampunk classic The Difference Engine. Boasting lots of knobs and dials on the outside, and novel GaN FETs in its Class D power amp on the inside, it was undeniably 'something else'. It was quite an unexpected product from the Seoul-based brand too, as up to that point HiFi Rose was principally known for streamers and DACs with very large touchscreens [HFN Jun '21 and Mar '22].
These super-compact loudspeakers are simply the tip of the iceberg for Germany's expansive Magnat brand whose ranges encompass the gamut of 'lifestyle' to 'purist'
Bigger is better' seems to be one of those unwritten rules of hi-fi that ensures every audio show is packed with speakers towering high above the audience. Unfortunately, out there in the real world most people don't have the space to wheel in a pair of Wilson Audio Alexx Vs [HFN Jan '22] or Focal Grande Utopias [HFN Dec '18]. So, in an age when tiny houses are proclaimed as the way to go, Magnat's Signature Edelstein might be the speakers that better fit the zeitgeist. But these are not especially low-cost petite models. As 'Edelstein', or gemstone in German, indicates, these particular Magnat boxes – priced at £949 – are positioned as small and luxurious.
Rising phoenix-like from the ashes of Deltec Precision Audio in 1992, the 'continuity brand' DPA retained designer Robert Watts' flair for innovation. How does it fare today?
The story of DPA is not uncommon among small and specialised hi-fi manufacturers. Arriving in 1992, it actually represented the second iteration of a company co-founded by Robert Watts (who has since gone on to be digital design consultant at Chord Electronics). And while Deltec Precision Audio, which debuted in 1984 with its CTA80 preamplifier, had ultimately shut up shop in the early '90s, the ideas behind its original models clearly had some merit – it was soon back with Watts onboard, albeit under a slightly different name.
There's more to this slender, stylish Italian floorstander than striking wood veneers as trickledown hits the target
Think Sonus faber, and the chances are you'll imagine speakers with luxurious finishes and price tags to match. After all, the company used the 2024 CES event to roll out its Suprema speaker system, comprising two main 'towers' and two subwoofers, with a £695,000 price tag. But such lofty ambition also brings the option of 'trickling down' new technologies to less expensive models, including the £2999 Lumina V Amator floorstander we have here.
Inspired by the diminutive and still current Accordo, the Goldberg variation features a larger cabinet and bass/mid driver, and integral crossover. Is bigger always better?
Odd though this might sound, it bothers me when PM gives me a sequence of exceptional loudspeakers to review. Can there really be that many miraculous designs, one after the other – or am I growing soft? Following models from DeVore Fidelity [HFN Aug '23] and Wilson Audio [HFN Sep '23], and reborn LS3/5As, I find myself with a new Franco Serblin speaker that has rocked my world. The Accordo Goldberg could be, overall, the best yet to come out of the fertile brain of the inspirational if, sadly, late designer.
The third and final component in Audiolab's three-strong 9000 series has landed – an app-driven network DAC with balanced outs. But what, if any, is the Lumin connection?
Arriving to crown Audiolab's top-flight 9000 series, which launched with the 9000A integrated amplifier and 9000CDT CD transport [HFN Aug '23], the 9000N is arguably the most intriguing model in the range. This streaming DAC, priced at £2499, and styled to match, marks a point of departure for the brand as its association with DTS Play-Fi is cut in favour of a new streaming platform and app.
This Slovakian design and production facility takes pride in its tube selection, in-house PCB 'milling' and other innovations. Here's the new flagship 'Premium Line' integrated
Canor Audio, based in Slovakia, is certainly not the most famous of hi-fi brands, but has been around for longer than many will realise. And, cunningly, it sidesteps the minefield of online rage surrounding tube versus solid-state amplification by manufacturing hybrid amps, a solid-state design, and fully fledged tube products. Canor is clearly smart enough to hedge its bets.
The miniature nuvistor 'tube' continues its inexorable march through Musical Fidelity's latest separates, defining the flagship products in its range. Now it's the turn of the DAC
Since Heinz Lichtenegger acquired Musical Fidelity in 2018, the company has appeared truly revitalised, particularly at the upper end of its range. Working with the UK design team, the Pro-Ject boss has resurrected the nuvistor tube-based Nu-Vista line with a slew of new models. And Lichtenegger is a big believer in separates – just in case the many pocket-sized boxes Pro-Ject produces hadn't made that clear – so while on the one hand the EISA Award-winning Nu-Vista 800.2 integrated amplifier [HFN Aug '23] provides a one-stop solution, there's also Musical Fidelity's Nu-Vista PRE/PAS pairing [HFN Mar '23], the Nu-Vista Vinyl 2 phono stage [HFN Feb '24], and now the Nu-Vista DAC.