Lab: Paul Miller

Review: Jamie Biesemans,  |  Dec 12, 2025  |  Published: Jan 01, 2026  |  0 comments
hfnoutstandingThe pinnacle of Musical Fidelity’s solid-state range – the M8 series – now has a top-flight DAC in the driving seat, complete with volume control and headphone amplifier

Sentimental audiophiles might think Musical Fidelity’s M8 range is rather left out in the cold, stuck between the brand’s high-end Nu-Vista models [HFN Mar ’23 & Aug ’25] and thought-provoking remakes like the A1 [HFN Jan ’24] and B1xi amplifiers. Since Pro-Ject’s Heinz Lichtenegger took over the wheel of the brand, the series has received only piecemeal updates, starting with the M8xi ‘super’ integrated [HFN Jul ’20], then the M8xTT turntable [HFN Dec ’23] and M8x Vinyl phono stage [HFN Mar ’25], and now the ‘dual-mono’ M8x DAC.

Review: Paul Miller,  |  Dec 09, 2025  |  Published: Jan 01, 2026  |  0 comments
hfnedchoiceThe design is instantly recognisable, but there’s new thinking buried within the familiar braid of Kimber’s Carbon interconnect. Review & Lab: Paul Miller

If Kimber Kable could be said to have a core philosophy then the sage advice ‘if it isn’t broken, don’t fix it’ would come very near the top. Of course, Kimber does have its own longstanding USP in the form of its ‘VariStrand’ conductors, braided geometry and use of both PE and PTFE dielectrics, depending on a cable’s position in the range. Copper is still the material of choice in this Carbon interconnect, each conductor comprising seven strands of four different diameters. These strands are clamped within a ‘carbon-infused polymer’ that forms an electrostatic screen, while a Teflon sleeve provides a final insulating layer with superior dielectric properties. Four of these conductors, for left and right channels, are woven into Kimber’s familiar braid.

Review: Andrew Everard,  |  Dec 09, 2025  |  Published: Dec 01, 2025  |  0 comments
hfnoutstandingEye-catching, certainly, but what’s going on within is even more unusual. We unravel the riddle of the Sphinx...

Sometimes, sitting in front of a product for review, a degree of puzzlement sets in. Yes, the style of the £40,000 Sphinx Audio Element 3 speakers, which made their debut at the UK Hi-Fi Show Live in Ascot in Sep ’25, is entirely in accord with the name of the brand. The stone-effect outer panels, harp-like side profile and sphinx-like head housing the tweeter are all redolent of the 1920s Art Deco Egyptian revival, following the discovery of the tomb of Tutankhamun in November 1922.

Review: Mark Craven,  |  Dec 08, 2025  |  Published: Dec 01, 2025  |  0 comments
hfnoutstandingThe Italian manufacturer has adopted a no-compromise philosophy for its flagship ‘InPoL’ amplifier – the result is a 140kg, all-analogue integrated blending tubes and transistors

In high-end hi-fi, it’s common to see the phrase ‘two-man lift’ applied to heavyweight loudspeakers, amplifiers and subwoofers. Yet the top-of-the-line InPoL Legacy from Italian manufacturer Pathos goes one (well, two) better. This integrated amplifier, priced £51,995, arrives in a purpose-built wooden crate on wheels, along with two metal ‘pull-up’ bars that slide underneath the chassis once the crate has been disassembled. It’s then a four-person job to lift the bars and manoeuvre this 140kg beast into position.

Review: Adam Smith,  |  Dec 08, 2025  |  Published: Dec 01, 2025  |  0 comments
hfnoutstandingElectronic speed control, decoupled DC motor, all-acrylic plinth and platter, and custom titanium-tubed tonearm. Takumi is out of the blocks and racing into the lead...

Fans of affordable vinyl reproduction are somewhat spoilt in Europe as the continent is home to the titan that is Pro-Ject Audio Systems, responsible for half the turntables sold above €200 or so. It becomes easy to understand why some manufacturers might take the route of ordering an OEM model from this Austrian powerhouse and labelling it as their own.

Review: Andrew Everard,  |  Dec 07, 2025  |  Published: Dec 01, 2025  |  0 comments
hfnoutstandingKorea’s HiFi Rose continues to move apace as its second-gen streamer/DAC platform is trickled down within just six months to a more affordable but still fully-fledged solution

To misquote those old M&S adverts, this isn’t just a network streamer, this is the HiFi Rose RS451 Master Fidelity Network Streamer. The latest addition to the Korean company’s ever-expanding digital audio offering, it features second-generation technology trickled down from the high-end RS151 [HFN Jul ’25] launched earlier this year. This makes it, in HiFi Rose’s terms, ‘a semi-reference level network streamer’.

Review: Mark Craven,  |  Dec 07, 2025  |  Published: Dec 01, 2025  |  0 comments
hfnoutstandingLeading the charge in Exposure’s flagship 5510 series is a new integrated amplifier that leverages technology from the 3510 monoblock. But what’s this... an OLED display?

By kicking off its new 5510 series with an integrated amplifier, Brit brand Exposure (Malaysian owned but still based near Brighton) is already ringing the changes over its previous 5010 line, which only included a preamp and monoblock power amplifiers [HFN Nov ’18]. You can expect 5510 pre/power models to arrive in due course, but until then the 5510 Integrated, at £4600, can be considered the company’s flagship.

Review: Ken Kessler,  |  Dec 07, 2025  |  Published: Dec 01, 2025  |  0 comments
hfnoutstandingFrom the Talk Electronics clan comes a range of MCs named after ‘one of London’s most iconic musical districts’. Fortunately, they cost less than a foothold in the Royal Borough!

It never hurts to have a sibling manufacturer making phono stages when you’re also offering cartridges. Better still is having a range of tonearms and turntables in the family, too. In this case, the oh-so-Britishly-named Kensington Audio can boast being part of the Talk Electronics group, along with Edwards Audio and Kestrel Audio, so its quintet of cartridges is in good company.

Review: Mark Craven,  |  Dec 07, 2025  |  Published: Dec 01, 2025  |  0 comments
hfnoutstandingThe American manufacturer’s flagship floorstander adds two dedicated woofers, and ABRs, to its concentric driver array. Is this the bang-for-your-buck loudspeaker to beat?

When we first saw MoFi Electronics’ SourcePoint 888 floorstander [HFN Jan ’25], its sheer size, at the £5599 price, raised an eyebrow. But designer Andrew Jones (ex-ELAC, TAD, KEF) hasn’t stopped there. Selling for £8800, the company’s new flagship takes the style and shape of the ’888 and scales it up, resulting in cabinets measuring 1239x394x505mm (hwd) and weighing 72.6kg.

Review: Andrew Everard,  |  Nov 26, 2025  |  Published: Dec 01, 2025  |  0 comments
hfnoutstandingIs the compact hi-fi form-factor witnessing a resurgence? Rotel certainly thinks so as its DX-5 ‘personal audio amplifier’ looks likely to be the first in a wave of bijou separates

You know where you stand with Rotel. This is a long-running company, still family-owned after almost 70 years, and with a commitment to spending money on what’s on the inside of its products rather than the cosmetics. It still winds its own transformers, and tightly specifies other components it buys in. Its halo brand, Michi, has striking looks [HFN Apr ’25 & May ’24] – from the originals with their Japanese lacquered side-panels to the understated chic of the black-on-black current generation – but the core products remain plain and simple [HFN Apr ’22], looking functional to the point where some might even consider them dour.

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