Lab: Paul Miller

The announcement in the summer of 2024 of new products from Audio Research Corp. (ARC) was not only the company’s largest-ever simultaneous release, but also, it said, ‘a fresh start [signalling] a promising future’, and ‘a renewed commitment to inclusivity and accessibility in the world of high-fidelity sound’. With the pre/power pair here priced north of £21,000, one might take that latter claim with a pinch of salt, although with the brand’s Reference Series pitched comfortably higher [HFN Apr ’25], these things are relative.

With its three new Summit series loudspeakers, JBL is continuing its journey through the Himalayas. The Makalu and Pumori floorstanders, plus the standmount Ama auditioned here, join its existing ‘Project’ Everest DD67000 [HFN Aug ’14] and K2 S9900 [HFN Aug ’10] flagships in taking their name from the world’s highest peaks. Like those two models, they also come with prices that demand a head for heights, even if the Summit Ama – at £14,998 – can be said to be relatively affordable when compared to the Everest at £79,998.

There’s an easy way to understand the hierarchy of amps in the Hegel catalogue, be they pre, power or integrated. The higher the number, the ‘better’ the specification (you might think this would be the only way to go about it, but some rival companies – I’m looking at you, HiFi Rose – beg to differ). And so it is that the Norwegian manufacturer’s new H150 integrated, priced £2750, takes up a middle-of-the-range position, above the entry-level H95 [HFN Oct ’20], and below the H190v, H400 [HFN Oct ’24] and H600 [HFN Oct ’23].

If you’re looking at the legend on the tweeter surround of Acoustic Energy’s new loudspeaker and wondering how a brand that was established in 1987 can launch a 40th Anniversary Edition model in 2025, the answer is simple. When Acoustic Energy founder Phil Jones began work on his original AE1 design [HFN Jan ’89], seeking an ‘accurate monitor’ for his recording studio, he certainly wasn’t intending to launch a consumer audio company. But the speaker, a compact two-way that was groundbreaking in its use of metal diaphragms for both bass/mid and treble drive units, caught the eye and ear of audiophiles. And now it’s back...