Lab: Paul Miller

Think valve amplifiers, and the chances are the image brought to mind is that of a minimalist device, with little apart from a source selector, volume control and output stage. And when we're talking about valve preamplifiers, things might be even simpler. Well, clearly that particular memo went straight into the junk folder at McIntosh Labs' HQ in upstate New York, as the new £11,995 C2800 valve preamp is anything but minimalist.

With a memory long enough to remember buying my first CD player, a Philips model, back in the mid-1980s, complete with a free copy of Dire Straits' Brothers In Arms, it feels a little strange to be considering the format, launched promising 'Perfect Sound Forever', as something of a niche proposition. Yes, CD has been a huge commercial success, with a 2007 press release marking 25 years of the format declaring that some 200 billion discs had been sold in that first quarter century, and many people having huge collections.

Following the debut of its first direct-drive models over 50 years ago [see PM's boxout, p75], many versions of Technics' iconic SL-1200 model have appeared, all able to trace their technical and industrial design back to the original. Neither have enthusiasts been short of choice - when the legendary spinner returned in 2016, after a six-year hiatus, the brand introduced four SL-1200 tiers. The 'GR' or 'Grand Class' occupied a middle position, with the apex SL-1200R version and heavier 'G/GAE' models catering to hardcore audiophiles, and the more affordable 'MK7/ M7' units aimed at budding DJs.

The smallest speaker in Technics' three-strong F series has already featured in our Vintage Review section . It was a popular product and sold in decent numbers for something that could have easily been mistaken for a mere novelty. Less well remembered were the larger members of the same family, the SB-F2 and SB-F3. Neither of these was exactly 'large', but the SB-F3 was certainly too big to be considered a miniature model like the SB-F1. It was, instead, in the class of conventional compact loudspeakers intended for shelf or stand placement, a sector where the number of competing models was far greater.