Lab: Paul Miller

Review: Andrew Everard,  |  Mar 25, 2026  |  Published: May 01, 2026  |  0 comments

This month we review and test releases from: Johannes Hustedt/S. Speidel, Gregory Hutchinson, Sankt Otten, Hanna Paulsberg Concept/Elin Rosseland, and Ingi Bjarn

Review: Andrew Everard,  |  Mar 25, 2026  |  Published: Apr 01, 2026  |  0 comments
hfnoutstandingTrickled down from TAD’s existing Class D power amplifiers and partnering preamp, the A1000 is the first integrated model designed to complement its storied Evolution series

Flying in the face of received hi-fi wisdom that presumes absolute sonic purity is best achieved with separate pre/power amplifiers, integrated amplifiers are having something of a renaissance. Aside from the entry-level and mid-market, where one-box amplification has always been the go-to choice, there’s now a good selection of high-end models from the likes of Rotel’s Michi X3 S2 [HFN Jan ’24], starting from just under £6000, to the massive Dan D’Agostino Momentum MxV [also HFN Jan ’24], yours for just short of £100k when fully loaded with DAC and phono modules.

Review: Jamie Biesemans,  |  Mar 20, 2026  |  Published: Apr 01, 2026  |  0 comments
hfnoutstandingFrom the Premium Audio Company Technology Centre in Osaka, part of the diverse US Gentex Corporation, Onkyo returns to its specialist hi-fi roots with a new pre/power

Onkyo has carved a name for itself as a leading maker of AV receivers, but the Japanese company has never lost sight of its two-channel roots, and neither have its fans. Onkyo’s M series power amps, including the M-504 from 1987, still trade for hefty prices on the secondhand market. Aside from its sonic capabilities, that model is valued for its large VU meters, a trend not lost on Onkyo when it came to setting the aesthetic for its new M-80 power amplifier. Paired with the P-80 streaming preamplifier, the system delivers the convenience demanded in 2026.

Review: Mark Craven,  |  Mar 16, 2026  |  Published: Apr 01, 2026  |  0 comments
hfnoutstandingPS Audio’s head honcho, Paul McGowan, signs off a new range of separates that reflect the state of the company’s art, including this I2S-linked SACD transport and DAC

With its PMG Signature serie, PS Audio now has a clear flagship range. Moved into the ‘Legacy’ section of its website are the BHK Signature Preamplifier, PerfectWave DirectStream DAC Mk2 [HFN Jun ’23] and PerfectWave SACD Transport. In come a new SACD transport, DAC/streamer/preamp, analogue preamp and phono preamp, all under the PMG Signature banner and sharing the same aesthetic and £8995 asking price.

Review: Ken Kessler,  |  Mar 13, 2026  |  Published: Apr 01, 2026  |  0 comments
hfnoutstandingLaunched in the vanguard of a new flagship series of hi-fi separates, is this powerful and comprehensively equipped amplifier ‘the best integrated Quad has ever made’?

Trust me on this: Quad is definitely on a roll. In rapid order, it has delivered the reborn 33/303 pre/power [HFN Jan ’25] and Quad 3 entry-level integrated [HFN Sep ’25], the ESL 2912X electrostatic speaker [HFN Feb ’26], and now this absolute honey of an integrated amplifier. The Platina is billed by Quad as the best integrated amp it’s ever delivered, a claim certainly justified.

Review: Adam Smith,  |  Mar 13, 2026  |  Published: Apr 01, 2026  |  0 comments
hfnoutstandingWhile European Audio Team’s (EAT) latest E-Glo tube/hybrid phono preamplifier looks similar to its predecessors, key circuit revisions deliver a glowing uplift in performance

For a manufacturer that began life making boutique audio valves, EAT has gone from strength to strength in the last 20 years or so. With a portfolio that now encompasses turntables, arms, cartridges, phono stages, amplifiers, accessories and those staple valves, the brand shows no sign of resting on its laurels. The latest additions are two new phono stages, the £1299 E-Glo Petit 2 and £1799 E-Glo Petit B, which replace the original E-Glo Petit [HFN Feb ’19].

Review: Jamie Biesemans,  |  Mar 12, 2026  |  Published: Apr 01, 2026  |  0 comments
hfnoutstandingThe most compact floorstander in the Danish brand’s premium range is a statement speaker in its own right...

When DALI launched its flagship KORE speaker [HFN Dec ’22], followed by the Epikore 11 [HFN Feb ’25], the Danish company clearly wanted to turn heads in a higher-end segment. Which worked out fine, but both speakers have a ‘downside’: they are colossal. Applying trickle-down technologies from the £85k KORE and £40k Epikore 11, the smaller £20k Epikore 7 floorstander might just be the more sensible choice for typical living rooms.

Review: Ken Kessler,  |  Mar 12, 2026  |  Published: Apr 01, 2026  |  0 comments
hfncommendedJapanese moving-coil artisan Yasushi Yurugi proposes ‘an analogue life that will make you feel “at ease” from the bottom of your heart’. Will the EX700 set pulses racing?

Perhaps hoping to replace the much-loved but-now-in-limbo Koetsu, fellow Japanese brand Analog Relax has developed into a range of five ‘artisan’ moving-coil cartridges. The EX700 sits exactly in the middle, above the EX500 and below the EX1000, at a no longer shocking £7288. Stop here if you find the pricing of cartridges (and cables) has no bearing on reality, but that’s now mid-priced for the high-end, whether we like it or not.

Review: Mark Craven,  |  Mar 11, 2026  |  Published: Apr 01, 2026  |  0 comments
hfncommendedSeen here in its new pearlescent Midnight Silver finish, AE’s flagship floorstander aims at a sub/sat system in a single box

Acoustic Energy's flagship Corinium floorstander stands out from the rest of the manufacturer's range, and not simply in the matter of its pricing. In place of AE's familiar numerical system (AE500, AE300, etc), there's that one-of-a-kind title – Corinium being the Roman name for Cirencester, Gloucestershire, where the brand is based. There are new colourways too, plus a freshly curved cabinet design. And if that wasn't enough, AE claims the loudspeaker was three years in development.The result is a three-way, four-driver floorstander intended to act as a calling card for the company.

Review: Tim Jarman,  |  Mar 11, 2026  |  Published: Apr 01, 2026  |  0 comments
hfnvintage‘The only thing it doesn’t do is take the record out of its sleeve’, said Philips of its mid-1970s fully automatic turntable. With no fewer than three motors, how does it fare?

There is always some kind of surprise in store when reviewing vintage Philips products. Whether a new way of doing things or an extra feature you never knew you needed, Philips always had a knack for this sort of thing. The GA 209S seen here was an attempt to completely automate a high-quality turntable. Introduced in 1973, it entered a market where the grinding gears, clicking cams and greasy levers found in the mechanisms of some BSR and Garrard decks were still very much the norm. The Philips approach was quite different; it made extensive use of electronics to control and sequence the mechanism.

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