Lab: Paul Miller

Hi-fi’s style icons of the ’60s are reimagined here over a half century later combining a sympathetic industrial design with a performance beyond the reach of its ancestors

It’s taken long enough but Quad has finally revived one of the best-selling pre/power amp combinations of all time. Between 1967 and 1982, 120,000 Quad 33 ‘control units’ were sold, while the 303 power amplifier remained in production until 1985 to reach 94,000 sales. So these new Quad 33 and 303 models have big shoes to fill, but retaining the original model designations and dimensions are a start. And that’s pretty much where the resemblance stops. Welcome to the 21st century.

While some companies look to completely re-brand in the face of changing attitudes, it’s reassuring to see others persuade us of technological advancements in more familiar fashion. So, at the opposite end of the spectrum from the reborn Jaguar automotive brand, you get Pro-Ject Audio Systems being as evangelical as ever in its quest to steer all vinylistas towards balanced operation.

Based in Berlin, German company MBL is perhaps still best known for its omni-directional Radialstrahler loudspeakers [HFN Jun ’21], spreading their output over 360o in the cause of creating sound that fills a room. The idea isn’t new – the design was first launched at IFA in Berlin in 1979, in the times when audio was a major focus of that show – but it has been developed and refined over almost five decades, and is still a mainstay of the company’s lineup.

With the launch of the £1300 Model 60n, Marantz finally has an entry-level alternative to the £2200 Model 40n [HFN Apr ’22]. This is par for the course, as Marantz has similar ‘good’ and ‘better’ offerings in the shape of the Model 30 [HFN Jan ’21] and Model 50 amplifiers. But where those two are ‘old-school’ analogue-only separates requiring external sources, this new Marantz amplifier is an all-in-one with DAC and streaming capabilities – all of which explains the ‘n’ for ‘network’ at the end of the name.