For over 40 years and two generations, this family-run speaker specialist has epitomised the best of Danish design
Everything about the Audiovector R 8 Arreté is impressive, from the size and scale of the speaker – it stands 144cm tall and weighs over 72kg – to the seemingly fiendish complexity of the design, which appears to have drivers firing and venting in all directions. The piano-lacquered Italian Burl Walnut veneer, seen here, is gorgeous too, and offered alongside Italian Grey, black and white finish options.
This late '80s player may have been built to a price using a DAC suited to portables, but it promised few compromises when it came to sheer sound. How will it shape-up today?
One of the many impressive achievements of the early CD era was the way in which the price of players remained constant, or even fell, as the technology used inside them improved. The first machines were masterpieces, beautifully constructed utilising the best materials and processes. However, it was soon realised that when it came to the basic task of playing a disc, much could be stripped away, and in the years that followed the format's release this was exactly what began to happen.
Anniversary celebrations continue with this four-strong Magellan series and trickle-down from the 'Grand Concert'
Historically, the city of Soissons in the north of France played a major role in the First World War. But for the last 40-plus years, to hi-fi buffs it's been better known as the home base of Triangle, one of France's major loudspeaker brands. It's a company that decidedly loves to celebrate birthdays, as after launching limited Anniversary models of the Antal [HFN Sep '21] and Comète last year, it has yet another festive offering – this time a complete range encompassing four loudspeakers and two dedicated stands. Strictly speaking, Triangle was founded in 1980, which makes it nearly 43 years old. Yet with the last few years being what they were, the brand has had to wait patiently before unpacking all its anniversary cadeaux.
Traditional, all-analogue amplifiers have an advantage over their digitally-packed contemporaries as there's simply less to go 'out of date'! That's the theory...
These days, the letter 'i' included in a product name will have some people assuming there are networking features onboard – blame BBC iPlayer or Apple iTunes, I suppose. It's therefore worth stressing that Simaudio's £1900 MOON 250i is an all-analogue integrated amplifier (that's what the 'i' stands for here, of course), lacking digital connectivity and DAC, or any networking talents whatsoever. If this counts as an old-school approach, then there's at least one good reason for it – the 250i has now been in the Canadian company's stable for a decade.
The Austrian brand's first multichannel power amp is designed not just for home theatre systems but also to service bi- or even tri-amped stereo set-ups. Is this a trend?
Musical Fidelity is no stranger to big power amplifiers. Its top-of-the-range monoblock, the £3599 M8s-700m, claims a 700W/8ohm output and weighs in at 35.5kg, and the company sells a stereo model in the M8 series too, the £3999 2x500W/8ohm-rated M8s-500s. But perhaps what few expected from the brand, considering its range also consists of DACs, streaming amps, phono stages and CD players – everything a two-channel audiophile could want, in other words – is a seven-channel amplifier. Which is what we have here, in the shape of the M6x 250.7.
The flagship of Nagaoka's 'Moving Permalloy' range can trace its lineage back to ADC's 10E pick-up from 1964. Has this top-of-the-range cartridge stood the test of time?
For many audiophiles the transition from using a moving-magnet (MM) cartridge in a 'starter' system to a moving-coil (MC) by way of upgrade is something of a rite of passage. However, as Japanese cartridge specialist, Nagaoka, is keen to remind us, other options are available. The debate goes something like this: given that some superb MCs can be had from around £300 and up, one might ask who is going to buy an MM that costs nearly double this, such as the Nagaoka MP-500. This flagship pick-up retails for £799 or £899 in MP-500H guise, the latter pre-mounted into a rather swish Nagaoka-branded headshell.
Designer David Shaw has stripped the best-selling Stereo 40 tube amp back to its basics and replaced its KT88s with 6L6/KT66s for a less 'power hungry' musical experience
Who'd have believed that the world would be awash with affordable valve amps in the 2020s? Certainly not those who recall the desperation of trying to source fresh tubes during the era when solid-state ruled and valves were yet to make a comeback. But now the choice is so vast that you can look beyond nursing vintage Leaks or Quads, with the risks that entails. Arguably the doyen of affordable valve amps is Icon Audio, its latest the absurdly cost-effective integrated Stereo (ST) 40 MkIV 6L6, starting at £2200.
This 2+2 hardware/software audio interface was crafted with budding musicians, video producers and live streamers in mind. So, is there anything here for the audiophile?
It's not unusual for pro-facing audio brands to entice hi-fi consumers with dedicated products – SPL [HFN Jul '21] and RME, for example, are companies that have created head-fi-orientated DACs – and even attend hi-fi shows. Yet Apogee hasn't taken that route with its £329 BOOM. This compact, table-top device is resolutely aimed at what you might loosely call 'creators'. Gameplay streaming, podcast development, music production, light studio duties, that kind of thing.
Combining the network streaming capability of the RS150 flagship with the GAN-FET Class D amplification of the RS180, the RS520 aims to be the 'all-in-one' for everyone
Another smart move from the Korean tech specialist? That certainly seems to be the case with the latest arrival from Seoul-based HiFi Rose, which has rapidly established itself as a major player in the network audio/video market with a string of excellent streaming players. Having taken what looked like an abrupt turn with the launch of its bonkers-styled – but great-sounding – RA180 integrated amplifier [HFN Jul '22], it's now delivering on the promises made by the company's Sean Kim, interviewed for that review. We're yet to see the simpler, more affordable RA280 integrated amp, but here's the company's all-in-one streaming amp, the RS520.
SME's flagship Model 60 turntable was more than an aspirational torch-bearer for the UK brand – it set the tone for revisions that will trickle down through the entire range
Every hi-fi era has its buzzwords, and while variations on the theme of 'digital' and 'high-res' have permeated our collective consciousness over the past few decades, the 2020s have so far proved thick with references to 'trickle-down technology'. Brands have always launched flagship products to showcase technologies that eventually 'trickle-down' to middle and entry-level ranges, but nowadays there's almost an expectation that this osmosis of tech will happen swiftly, and wholesale.