Turntables, Arms & Cartridges

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Review: Ken Kessler, Lab: Paul Miller  |  Jun 21, 2021
hfnoutstandingSingular driving force behind the revival of the strain gauge generator system first seen in phono pick-ups from the '60-70s, Soundsmith's latest offering is nothing if not flexible

Hardly scientific, I know, but I am predisposed toward components that cause binge-listening. Not knowing what to expect of the Soundsmith Strain Gauge cartridge and the accompanying SG-230 preamp/energiser at a pound shy of £16,000, I will declare my surprise upon discovering that it was so engaging, I listened to 14 LPs in a row in their entirety. I repeat: fourteen.

Review: David Price, Lab: Paul Miller  |  Dec 27, 2021
Arguably best known for its high-end strain-gauge pick-ups, Soundsmith also offers a series of high- and low-output moving-iron/fixed-coil cartridges. Is the Zephyr a 'star'?

The so-called 'vinyl revival' has not only fermented an uptick in sales of both turntables and LP records but it's also created a renewed demand for cartridges of all shapes, sizes and types. Designer/audio artisan Peter Ledermann was far from alone in seizing the opportunity, sensing, very specifically in this instance, that many Bang & Olufsen turntable owners wanted to get their ageing record players going again. He successfully obtained a licence to restart production of these plug-in MMC pick-ups, and Soundsmith was born.

Paul Miller  |  Nov 16, 2011
The American brand arrives in the UK with a design determined to make an impact Only recently have Spiral Groove products become available this side of the Atlantic. The SG2 turntable is determinedly luxurious, with an exemplary quality of finish. The SG2 eschews suspension in favour of constrained layer damping in its plinth and platter. The plinth has two thin layers of unspecified material separating three aluminium plates, while the platter comprises a thick phenolic layer followed by two thinner layers, one of vinyl, the top surface of graphite.
Ken Kessler  |  Mar 24, 2022  |  First Published: Apr 01, 1997
hfnvintageThere's a glowing new object in the hi-fi galaxy – the Quasar turntable. Ken Kessler makes space for a deck with a sound as sweet as sugar

Gorgeous. That's the word I kept hearing, every time someone noticed the Quasar LE turntable while it was in for review. And one of the first to utter it was the owner of a Michell Orbe, itself no canine. What these individuals cooed over is one of the prettiest LP spinners to come along since the first Oracle. And that's one hell of an antecedent.

John Atkinson  |  May 21, 2019  |  First Published: Oct 01, 1983
hfnvintageThe Acoustic Research turntable is back! John Atkinson looks and listens

It is June 1982 and Compact Disc is still more science fiction than fact (although both sides have carried out their groundwork and preliminary skirmishing). The scene is the restaurant of Boston's classy Copley Plaza Hotel and a handful of British hi-fi journalists, fresh from the Chicago CES, are dining with Ron Fone, the (English) President of Teledyne Acoustic Research. Over dessert arises the subject of turntables and the question, 'Why doesn't anyone – apart from Rega, or Thorens – produce a good mid-price mass-market deck?'.

Hi-Fi News Staff  |  Jan 09, 2015
It’s that very rare bird: a suspended-subchassis turntable with a direct-drive motor. A development of STST’s original Motus solid-chassis model, the Motus II inverts the usual concept of a subchassis turntable. Although the ‘plinth’ is a substantial component made of 20mm MDF, in reality it is just a cover. Once the platter and arm have been removed, it can be lifted off to reveal the whole mechanism.
Review: Ken Kessler, Lab: Paul Miller  |  May 12, 2022
hfnoutstandingLaunched to mark Sumiko's 40th, this latest version of the 'Celebration' moving-coil takes its cues from the mkII Pearwood, albeit with Plumwood to invoke a unique hue...

This celebratory model, marking 40 years, recalls a bygone time, its perfectly apt wooden box and body inadvertently honouring a specific Japanese MC cartridge with the greatest claim to establishing the genre in the West: the original Koetsu [HFN Nov '80]. What doesn't evoke the 1980s is the £3199 price tag, although this is perhaps not so forbidding when we can list a dozen £10,000-plus cartridges, aimed at those who quaff Petrus at every meal…

Ken Kessler & Paul Miller  |  Jul 16, 2010
Moving-coil cartridges have been around for more than a half-century, but they didn’t displace the moving magnet as ‘the audiophile’s choice’ until the 1970s. Before that, MMs ruled for two simple reasons: higher output and better tracking ability. For decades, Shure, Goldring, ADC and other moving magnetics were default purchases. They put few demands on phono stages, allowing the industry to standardise 47kohm inputs, and MMs (allegedly) took better care of LPs.
Review: Jonathan Gorse, Lab: Paul Miller  |  Jul 22, 2020
hfnoutstandingWith nearly a half century of MC experience under its corporate belt, Sumiko knows how to optimise pick-up performance: enter the Pearwood, an MC that tracks like an MM

Since it was founded in 1972 by noted audio designer David Fletcher, the US-based Sumiko Corporation has been making some of the world's most desirable pick-ups at its production facility in Japan. What's more, not only has it become one of the leading agents for audio equipment in North America but its UK presence has recently been boosted by distributor Henley Audio.

Review: Adam Smith, Lab: Paul Miller  |  May 08, 2020
hfnoutstandingOne-time distributor of Grace, Kiseki, Supex and other brands from the vinyl vault, Sumiko is also a manufacturer with a legacy. Here's its new open-bodied MC flagship

One testament to the continuing love for vinyl is that the steady trickle of brand new cartridges making their way onto the market shows no sign of abating. The latest company to pep up the party is US-based distributor and manufacturer Sumiko.

Paul Miller  |  Nov 16, 2011
A classic British name returns with a real heavyweight Systemdek is back, with two brand new decks for vinyl aficionados, both high-end designs. There’s a tastylooking 3D Precision model and this go-for-broke 3D Reference. Given its eye-watering price, it was bound to be a serious high-end statement. And it’s a heavyweight piece of engineering indeed.
Review: Ken Kessler, Lab: Paul Miller  |  Aug 13, 2019
hfnoutstandingTechDAS' Air Force III gets the Premium treatment, with upgrades throughout the design, a heavier platter and revised 'Air Condenser' – does it punch above its weight?

Positioned in the 'lower half' of the burgeoning TechDAS catalogue, the original Air Force III [HFN Sep '16] delivered more compact dimensions, the capability to handle up to four tonearms and a substantial saving over the One [HFN Jun '13] and Two [HFN Apr '15] turntables. Even with its new, performance-gap-closing fitments in Premium guise, the price is two quid shy of £29,000 – roughly a tenth the estimated cost of the forthcoming Air Force Zero flagship and £17,000 less than the Two Premium. A bargain, then?

Hi-Fi News Staff  |  Oct 21, 2014
It does not take a genius to see, even without hearing what one could do, that the Air Force One, with its air suspension, air bearing and vacuum LP hold-down, is something out of the ordinary. This turntable is the fruit of almost a half-century’s experience in high-end audio. Chief designer Hideaki Nishikawa-san says ‘The goal of Air Force One is to achieve silence in reproduction comparable to digital reproduction, especially in reproducing the recorded information of the background noise. ’ This is the first time we’ve ever heard a turntable designer acknowledge that the background and between-track silences of digital are virtues one should aspire to in analogue, even if attaining them seemed impossible.
Review: Ken Kessler, Lab: Paul Miller  |  Mar 29, 2019
hfnoutstandingWho knew that TechDAS could follow the remarkable Air Force III with an even less-expensive, air-bearing, vacuum hold-down turntable? We welcome the Air Force V

Reason to celebrate: at £12,500, TechDAS's latest turntable – the Air Force V – costs one-tenth the price of the current Air Force One [HFN Jun '13]. Re-read that sentence. It means that the glory of owning one of the true upper-echelon turntables has been reduced by 90%. And you still get 90% of the performance.

Review: Tim Jarman, Lab: Paul Miller  |  Jun 28, 2019
hfnvintageParallel tracking, optical position sensing and all in a slick package no larger than an LP sleeve. It dazzled in its day, but how does this '70s direct-drive deck sound now?

There is an argument which says that to recover maximum information from any recording the playback system should be as similar as possible to the arrangement with which it was made. For example, a tape deck identical to the one used in the studio should replay the original master tapes with the highest achievable accuracy.

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