Turntables, Arms & Cartridges

Positioned in the 'lower half' of the burgeoning TechDAS catalogue, the original Air Force III [HFN Sep '16] delivered more compact dimensions, the capability to handle up to four tonearms and a substantial saving over the One [HFN Jun '13] and Two [HFN Apr '15] turntables. Even with its new, performance-gap-closing fitments in Premium guise, the price is two quid shy of £29,000 – roughly a tenth the estimated cost of the forthcoming Air Force Zero flagship and £17,000 less than the Two Premium. A bargain, then?

Reason to celebrate: at £12,500, TechDAS's latest turntable – the Air Force V – costs one-tenth the price of the current Air Force One [HFN Jun '13]. Re-read that sentence. It means that the glory of owning one of the true upper-echelon turntables has been reduced by 90%. And you still get 90% of the performance.

The vinyl market hit rock bottom in 2009, but has been growing ever since,' says Technics' Tetsuya Itani, adding that, 'we foresee this trend will last.' And that, in a nutshell, is why one of the world's most iconic turntables has been relaunched. Panasonic – the brand's parent company – is not in the business of being nostalgic, remembering the glory days of vinyl, flared trousers and disco dancing. Instead, the reappearance of the SP-10 family is all about the here and now.

Think of direct-drive turntables and the chances are that one brand will spring to mind: Technics. What's more, its SL-1200 turntable will be the model most people think of first. This famous deck casts a long shadow over the others in the company's range and yet there were many to choose from. In fact, when the SL-Q303 seen here was launched in the UK in 1982 it was part of a 13-model lineup – a series that went from the professional-spec SP-10 MkII right down to moulded plastic belt-drive budget models such as the SL-B202.

As I sat back and listened I thought, maybe it's the particular recording, perhaps it's my frame of mind but no – it can only be the cartridge. All I know is that my smooth and steady progress in coming to terms with CD has been set back to its 1985 level. Why? Because I was in peril of missing an important fact of hi-fi life, which is that just as CD hardware and software has been getting better and better, so has analogue.

While fully automatic turntables have enjoyed a long history, arguably the daddy of them all was the Thorens TD-224 from 1962. Based on the TD-124, which appeared in 1957, it was able to retrieve LPs one at a time from a stack of discs located alongside the platter.

How many audiophiles ten years ago would have thought that come 2020 you would be able to buy a brand new Leak amplifier and a pair of Wharfedale Linton speakers? Not many, I'd bet. And it's now possible to front a system comprising these components with a belt-drive, suspended subchassis turntable made by Thorens, and one with 'TD160' in its name. It seems the onward march of 'retro' is unstoppable!