Japan is home to more boutique cartridge brands than any other hi-fi territory, and the Harmony, brainchild of vinyl addict Yasuo Ozawa, is a product of this artisanship
According to the dictionary placed at my elbow, the definition of 'harmony' is 'the process by which individual sounds are joined together or composed into whole units or compositions'. That, and the obvious association with the world of music, probably explains why it's appeared in the name of more than a few domestic and pro-audio brands and products over the years. This particular celebration of 'Harmony' comes in the form of Shelter's flagship moving-coil cartridge which, at £4300, is far from the costliest pick-up on the high-end scene.
With its aluminium-plated boron cantilever and precision elliptical diamond stylus, this hand-built Japanese moving-coil cartridge is a rare yet special thing to behold
All things considered, 1986 was an unlikely time to launch a high-end phono cartridge brand, and all the more so considering it happened in Japan. When I moved to Tokyo four years after Yasuo Ozawa started Shelter, what the Japanese call 'Analog Disc' was almost as dead as the proverbial Monty Python parrot. True, you could slum it around the seedier sides of downtown Shimokitazawa and Asagaya and find an isolated second-hand record shop, but the only news in town was the shiny new Compact Disc.
Is this the largest cartridge manufacturer we've never heard of? Stepping out of the OEM shadows to unveil its own-brand MCs, Skyanalog looks set to be a major disruptor
Two things struck me when PM said we'd be reviewing a cartridge from a new manufacturer. The first thought, from my glass-half-empty side, was: do we really need another? But the second was: this must be proof that the vinyl revival is substantial enough to warrant it. When told that the company was planning a 25th anniversary model, my curiosity about Skyanalog was truly piqued. 'New' it most certainly isn't.
The latest improvements to a long-standing classic are subtle but extremely effective
After launching the turntable range 20 years ago with the Model 30/2, SME founder Alastair Robertson-Aikman followed it with a lighter version called the Model 20 – thinner in upper chassis and subchassis plates, with a smaller, thinner platter and other reductions in mass. In 2006 SME released the 20 in a widened version that would accept a 12in arm. It was a huge success, so the Model 30/12 appeared to equal acclaim [HFN Mar ’09]. In the interim, the external power supply had been upgraded, and was made common to all models, while 2010 saw the introduction of a new black platter mat material.
SME's flagship Model 60 turntable was more than an aspirational torch-bearer for the UK brand – it set the tone for revisions that will trickle down through the entire range
Every hi-fi era has its buzzwords, and while variations on the theme of 'digital' and 'high-res' have permeated our collective consciousness over the past few decades, the 2020s have so far proved thick with references to 'trickle-down technology'. Brands have always launched flagship products to showcase technologies that eventually 'trickle-down' to middle and entry-level ranges, but nowadays there's almost an expectation that this osmosis of tech will happen swiftly, and wholesale.
The company has introduced a second turntable package, priced to appeal to a new generation of customers and upgraders alike. Could it be the answer to all your needs?
It was the Synergy [HFN Mar '19] that saw SME strike out in a new direction, following its aquisition in late 2016 by the Cadence group. The company's first ever turntable package, the Synergy came with an arm derived from the SME IV, Ortofon Windfeld Ti cartridge and boasted an integrated phono stage made by Nagra. It also came with a £14,950 price tag. Now SME has reinvigorated its turntable portfolio still further with the introduction of a far more affordable package.
SME’s rollout of MK2 models – all benefitting from lessons learnt in the development of its flagship Model 60 turntable – has reached the Model 15, tested here with 309 arm
SME’s development of its formidable flagship Model 60 turntable, released a couple of years ago [HFN Jul ’22], continues to influence designs lower down the UK manufacturer’s range. All are being upgraded to MK2 status, the latest being the Model 15. On test here, retailing for £12,067 with pre-fitted SME 309 tonearm, this deck is also the most affordable in SME’s lineup with a proper suspended subchassis.
It was as inevitable as Rocky 2. As soon as SME issued the Model 20/12 turntable in 2006, enthusiasts wondered, would it be joined by a 30/12? Shortly before he passed away that same year, Alastair Robertson-Aikman revealed that it was definitely happening. And almost two years to the day after the funeral, his son Cameron announced the Model 30/12.
Its name was a given.
This icon of British hi-fi is typically sparing in its celebration of milestones, but SME's Diamond jubilee demanded something very special indeed. And here it is...
If the engineers at SME felt the need for a motivational quote or two while working on the company's new turntable, Rolls-Royce co-founder Sir Henry Royce's 'Take the best that exists and make it better' would have been a good choice. This summed up the challenge facing the UK company in designing a successor to the previous Model 30 flagship – the result is the £49,950 SME Model 60, and it has a tough act to follow.
After a change of ownership comes an unexpected new direction for this iconic British analogue brand – meet the world's most prestigious all-in-one turntable package...
Ten years after the passing of SME's founder, Alastair Robertson-Aikman, in 2006, the hi-fi world's most iconic precision engineering brand finally moved out of family hands to be acquired by Ajay Shirke's Cadence group. Former aerospace man Stuart McNeilis was appointed as CEO, and the company signed up a UK distributor, Padood (also handling Nagra), for the first time.
It was a deck designed to keep vinyl replay relevant in a market attracted to the convenience of CD. Did it succeed and, more importantly, how does it sound today?
One challenge faced by those designing hi-fi in the high-tech 1980s was how to re-package the LP in a way that would ensure it remained of interest to consumers in a future that was clearly going digital. Released in late 1979, the Technics SL-10 turntable [HFN Apr '19], with its parallel tracking, optical position sensing and slick packaging was one of the first components to address this issue seriously.
Launched in the late '70s as part of a new wave of shoebox-sized systems from Japan, this elegant deck packed plenty of groundbreaking tech. How does it perform today?
It wasn't until the 1970s that the LP reached its heyday. By then, most albums were stereo and the equipment needed to play them was widely available. In 1975, Mike Oldfield's Tubular Bells hit the high watermark for vinyl sales, confirming the format's dominance. At the time, most people still only had 'record players' – all-in-one turntables, amplifiers and speakers – but this was the peak of the decade's hi-fi boom, and people were scrambling to get their hands on proper, grown-up, stereo systems.
More miniature magic from a brand proud to beat its own path came in 1982 in the form of probably the smallest hi-fi turntable ever made. How does it sound today?
When Technics released its SL-10 turntable in1979 [HFN Apr '19], it was evident that a record player did not have to be large, overly expensive or complicated in use to give top quality results. So compelling was this concept that soon all of the big players in the Japanese hi-fi industry were racing to produce something similar. Well, almost all. Sony, the great master of miniaturisation, was not a company to imitate others.
When it came to Lilliputian LP players Sony was late to the party, but is this early '80s deck with two motors and a tangential arm now an overlooked gem? We find out...
The 'small and square' turntables that appeared in the early 1980s were arguably the last important development in vinyl playback before CD arrived. Begun by Technics in 1979 with its SL-10 [HFN Apr '19], Japan's hi-fi industry rushed to produce something similar, with varying degrees of success.
Direct drive was viewed with suspicion here by many in the 1970s. Elsewhere, high-end direct-drive units from the Land of the Rising Sun were snapped up.
The TTS-8000 is now widely regarded as the second best turntable Sony ever made (first place goes to the company’s PS-X9, aimed at studios). But the runner-up reviewed here did a sterling job in straddling both the domestic and professional markets.