Outboard DACs

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Hi-Fi News Staff  |  Nov 11, 2014
This is Chord’s first network player. What it has done, in effect, is to marry its top-of-the-range QBD76 HDSD DAC with StreamUnlimited’s Stream700 audio streaming client – an off-the-shelf hardware solution for network audio which includes a 3. 5in, 320x240 pixel colour display, supports up to 24-bit/192kHz FLAC or WAV files via wired Ethernet (24-bit/96kHz via a wireless connection), provides for internet radio and offers remote control via a smartphone app. There are just two rear inputs –a BNC socket for S/PDIF connection and, of course, the Ethernet socket – and just two pairs of phono and XLR outputs: one at fixed level and one a variable output, adjusted by an analogue volume control within the DSX1000, which allows for direct connection to a power amp.
Review: Andrew Everard, Lab: Paul Miller  |  Aug 01, 2018
hfnoutstanding.pngIt can sometimes seem tricky to keep pace with the changes in the Chord Electronics range, but its Hugo 2 claims technical and spec advances over the original DAC/amp

For a relatively small specialist audio brand – well, by the standards of some of the huge companies the industry seems determined to keep constructing these days – Chord Electronics has its bases covered in fairly spectacular fashion, from tiny pocket devices to hugely powerful amplification. What’s more, there’s little evidence of resting on laurels going on here. The company just keeps on adding new models to its range, from the Mojo/Poly portable DAC/amp/player/streamer combo to the newly announced Etude amplifier, said to use its ‘first fundamentally new topology’ since the company was founded some 30 years ago.

Review: Ken Kessler, Lab: Paul Miller  |  May 20, 2022
hfnoutstandingTiny, solidly made, UK-built and now even more capable, is this compact USB DAC/headphone amp from Chord Electronics still the one to beat below £500?

Inundated as we are with pocket-money portable headphone amp/DACs, Chord's Mojo 2 asks the question: why drop £449 on a portable headphone DAC? Once you hear it, you'll understand, especially if top-quality sound on the move matters to you. The Mojo 2 is an upgrade on the top-drawer Mojo [HFN Jan '16], the battery-powered, smaller-than-a-deck-of-cards DAC/headphone amp. It arrives with only a £50 price increase that doesn't even correspond to real-world inflation. Even without the Mojo 2 improvements, the original Mojo should retail for £470 in 2022 just for the inflation, so Chord has somehow managed to squeeze in a host of upgrades with but a nominal price hike.

John Bamford and Paul Miller  |  Sep 02, 2011
It doesn’t seem that long ago since D-to-A converters featuring USB sockets were something quite rare. How times have changed in just a few short years. Today pretty much all standalone DACs – including models from UK specialist manufacturer Chord Electronics – have them. Computer audio is ubiquitous in modern households, after all.
Review: Andrew Everard, Lab: Paul Miller  |  May 18, 2023
hfnoutstandingDebuted in the flagship Vivaldi, and now trickled down to the Bartók, dCS's APEX upgrade brings enhancements to the PSU, Ring DAC clocking and analogue output

Maybe it's a sign of the times, or the state of the specialist high-end audio market, but this latest version of dCS's Bartók streaming DAC, often referred to as the company's 'entry-level' model, is now almost twice the price of the original [HFN May '19]. Then, the Bartók was £9999, or £11,999 when fitted with the optional headphone amplifier; now the Bartók APEX, taking on board the company's latest package of enhancements, first seen in the Vivaldi APEX [HFN Jun '22], is £19,000, rising to £21,500 if you choose to take the headphone option.

Review: David Price, Lab: Paul Miller  |  Jul 02, 2019
hfnoutstandingWith the option of a high-quality headphone stage, the new entry-level dCS network DAC marks a walk on the wild side for the Huntingdon company. Can it succeed?

By way of celebrating its 30th anniversary, dCS launched the limited edition Vivaldi One streaming DAC/SACD player [HFN Feb '18]. It was a present to itself, and some of the company's most well-heeled customers. Now, however, dCS's gaze has turned from past to future as it debuts its new £11,999 Bartók streaming DAC/headphone amplifier. The non-headphone version represents a saving of £2000.

Paul Miller  |  Nov 19, 2011
Another digital masterclass from dCS but with added aesthetic charm. Down the years a great many words of praise have been directed at dCS products but I doubt that ‘stylish’ or ‘chic’ have often been among them. Well, the new Debussy DAC represents a big step in the right direction. Let’s begin the tour with that striking fascia, festooned with no fewer than 17 blue LEDs.
Review: Andrew Everard, Lab: Paul Miller  |  Sep 17, 2025  |  First Published: Sep 01, 2025
hfnoutstandingFirst came the three-box Lina headphone amp/DAC, followed by the Lina and Lina 2.0 DACs, the latter tickled-up again with the addition of volume and a full-width chassis

On recent form, the £13,500 dCS Lina DAC X could almost be considered ‘conventional’. Following on the heels of the Lina headphone amp system [HFN Nov ’22], and the massive – and massively pricey – multibox Varèse player [HFN Feb ’25], complete with separate mono DACs and the option of an SACD/CD transport add-on, the Lina DAC X looks dangerously like any number of models from rival companies, from its proportions to the inclusion of a front-panel rotary volume.

Review: Mark Craven, Lab: Paul Miller  |  Mar 11, 2024
hfnoutstandingNestled at the heart of dCS's three-box Lina headphone amp solution is the Lina DAC, now refreshed with APEX-level firmware as a springboard into its mainstream range

When dCS was founded in 1987, the idea that hi-fi hardware could be comprehensively upgraded without the need to lug it back to the shop might have seemed the stuff of science-fiction. Skip forward some 40 years, however, and firmware updates – delivered over-the-air for networked products – have become the norm. They're often used to squash 'bugs' and tweak minor settings, but what the Cambridge-based company has done with its Lina Network DAC is more noteworthy.

Review: Andrew Everard, Review and Lab: Paul Miller  |  Dec 02, 2022
hfnoutstandingAimed at very high-end headphone users, dCS's Lina Network DAC, Master Clock and Headphone Amplifier might also be the ideal compact system front-end for audiophiles

Headphone use has changed in recent years, from something to be endured through necessity to its own subset of hi-fi listening, with no shortage of ambitious and upmarket hardware currently available. Now dCS is on that bandwagon, for while it's been busy launching its APEX DAC technology for its 'full-size' offerings [HFN Jun '22] it's also developed the Lina, which is not so much a headphone amp as a complete playback system.

Review: Andrew Everard, Lab: Paul Miller  |  Nov 07, 2019
hfnoutstandingThe high-tech Cambridgeshire company has added a dedicated CD/SACD transport to its Rossini range – and it, and the updated DAC, are remarkably flexible devices

AdCS Rossini CD player? Doesn't the company already have one of those, usable as either a standalone device or as a transport for its range of digital-to-analogue converters? Well yes, and the Rossini Player continues in the range as a pure Red Book device because, at the time it was developed, dCS was unable to source a suitable SACD/CD combination transport.

Keith Howard & Paul Miller  |  Feb 05, 2009
The last time I was fortunate enough to have a dCS upsampler at home it was the Purcell, which was limited to upsampling PCM to PCM. Since then dCS has become a staunch advocate of DSD – the 1-bit, 2. 8224MHz coding system used in SACD – and so the Upsampler half of the Scarlatti pairing here (the other being the Scarlatti DAC) offers upsampling to either PCM or DSD. It’s the user’s choice, with dCS’s preference being the latter.
Review: Andrew Everard, Review and Lab: Paul Miller  |  Feb 02, 2025  |  First Published: Feb 01, 2025
hfnoutstandingFirst seen at the UK Hi-Fi Show Live in 2024, dCS’s multi-component Varèse streaming solution aims to pitch digital audio into another league. Has it succeeded? You bet...

The French/American composer Edgard Varèse, from whom this latest dCS digital product takes its name, described his music as ‘organised sound’, challenging reactionary critics who likened his compositions to ‘no more than noise’ by saying ‘what is music but organised noises?’.

Review: Andrew Everard, Review and Lab: Paul Miller  |  Jul 07, 2022
hfnoutstandingLockdown afforded dCS's engineers the time and space to look at the implementation of its iconic Ring DAC afresh. The APEX upgrade is tested here in its flagship Vivaldi DAC

You know that old saying about the devil making work for idle hands? While the periods of lockdown over the past couple of years left a lot of hands idle in the hi-fi industry, the wisest turned this fallow period to good use, regrouping and rethinking. That's certainly the case with the engineers at Cambridgeshire-based Data Conversion Systems, better-known as dCS.

Review: David Price, Lab: Paul Miller  |  Feb 01, 2018
hfnoutstanding.pngHugely flexible, hugely capable and, well, just plain ‘huge’, dCS’s flagship Vivaldi four-box digital stack has been condensed into a one-box solution. So why a limited edition?

There comes a time when you have to pop the champagne cork, relax and have fun. That’s what dCS (Data Conversion Systems Ltd) has done with its new £55k Vivaldi One single-box disc player/upsampling DAC/streamer. It’s a limited edition of just 250 pieces, designed to celebrate the company’s 30th anniversary. In that time, the company has gone from being an Official Secrets Act signatory supplying advanced radar systems for the RAF towards the end of the Cold War, to one of the most respected high-end digital audio specialists around.

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