Surely the most compelling of two same-priced preamplifiers in the McIntosh range, both equipped with its custom DA2 digital module. Why? Only the C2800 has tubes...
Think valve amplifiers, and the chances are the image brought to mind is that of a minimalist device, with little apart from a source selector, volume control and output stage. And when we're talking about valve preamplifiers, things might be even simpler. Well, clearly that particular memo went straight into the junk folder at McIntosh Labs' HQ in upstate New York, as the new £11,995 C2800 valve preamp is anything but minimalist.
Billed as McIntosh’s most powerful integrated amp to date, the mighty MA9000 combines transistors with transformers and a ‘blue’ aesthetic that’s truly timeless
Right, let’s get the ‘and fries to go’ thing out of the way first. If ever a product deserved the title, this is the ‘Big Mac’. Or at least ‘Big Mc’, for the McIntosh MA9000 is huge in every respect, from the sheer bulk of the thing – at least by the standards of most integrated amplifiers – to the 45.8kg fighting weight, increasing to 60.8kg packed, and the £12,995 price tag.
Well, one thing's for sure: the new SACD/CD player/DAC from McIntosh looks quite unlike any other machine of its kind. So, does the sound live up to the unique style?
Take a quick look at the £4995 McIntosh MCD85, and you'd probably think it was another in the seemingly endless line of amplifier variations emerging from the Binghamton factory in upstate New York. In fact, the first sign that this isn't actually a power amp is the weight. Thanks to their hefty transformers and solidity of build, the company's powerhouses tend to be back-achingly heavy, and arrive on pallets – the new MA1200 integrated amp, for example, weighs in at a shade under 49kg, and the MC901 monoblock is getting on for twice that. By contrast, the MCD85 is a manageable 12.5kg boxed, and a positively featherweight 9.3kg in the buff.
If there's one man synonymous with the 'custom DAC' it's Ed Meitner, who has crafted his own digital tech for 30 years. His latest outboard DAC is a chip off the digital block
Twenty years or so ago, standalone DACs were fast becoming an endangered species. The breed had a brief moment in the sun in the early '90s, with almost all CD player brands fitting digital outputs, but until the advent of USB audio, the add-on digital box was on the wane. Now, with the rise of digital streaming, network-attached DACs are the gift that keeps on giving, for hi-fi brands and buyers alike.
Top dog in a range of just two outboard DACs from Swiss brand Merason, the DAC1 is a modern-day example of 'less is more' audiophile thinking. We lift the lid and investigate
In common with a lot of HFN readers, I have a bit of a 'thing' about overly complex digital devices. I'm not referring to input flexibility – many of us will have systems in which different flavours of digital connection are accommodated, from USB links from a computer to good old S/PDIF from a CD player or the like. No, what I really find obstructive is devices bristling with digital-domain options, from filters to dither to PLL bandwidth and the like, all of which often look like an exercise in 'because we can' – a facilities arms-race – rather than being of any real-world assistance to the user.
Metrum Acoustics outboard DACs offer a specific appeal by implementing a no-frills approach to cosmetic design while cracking the DAC nut in a wholly bespoke fashion. The range, including this flagship HEX, eschews off-the shelf chipsets and are all non-oversampling [NOS] designs.
Designer Cees Ruijtenberg was convinced higher audio performance could be achieved by using cutting-edge industrial application chipsets rather than traditional audio components. After much experimentation and listening, a suitable high-speed data acquisition chipset was identified that the company suggests handles 24-bit audio and sampling rates well in excess of the hi-fi standards.
This slimline amplifier from an established French brand may suggest another product from the same country, but it's a very different prospect with some unique features
So, it's a slimline amplifier, and it's French – already thinking of the 'D' word? But while it might seem that the M-One amplifiers from Micromega could be 'inspired' by the success of Devialet's range, in fact they have little in common beyond their country of origin and a passing resemblance in dimensions: under the skin they're very different animals.
Adding Roon-ready capability to its highly customised DAC has given this curiously-named Dutch company another highly intriguing device. Nothing fishy here!
For an insight into the digital audio product we have before us, the £8999 Mola-Mola Tambaqui, I turn to no less an authority than biologist, author and TV presenter Jeremy Wade, best-known for his series River Monsters and Dark Waters, in which he goes in search of – and catches – some of the world's largest and most predatory fish.
Traditional 'resistor ladder' DACs are rarely seen these days but California-based MSB has made the technology its own and elevated performance to an entirely new level
Despite persistent rumours of the standalone DAC's demise, the industry continues to provide us with converters with capabilities far in excess of any digital sources commonly available. MSB's DACs fall into this category, and given the sheer brilliance of the Premier we're reviewing here, it's hard to fathom that this isn't even the top rung of the MSB family, coming in below the flagship Select and the Reference, and above the Discrete. That said, the bare-bones version is £19,500. Ulp.
The best high-end DACs often employ entirely bespoke converter technologies rather than off-the-shelf chipsets. We look at the first rung on MSB's range of 'ladder DACs'
Based in Silicon Valley, California, Jonathan Gullman and his brother Daniel have become major players on the international hi-fi scene, courtesy of their fine-sounding and technologically innovative range of MSB digital-to-analogue converters. For 15 years this team has turned out increasingly flexible products, and more recently the range has expanded to satisfy a wider group of potential customers.
It seemed like a brave new world back then. It was early 1999, DVD video had been on the market for less than two years, and already audio people were seeing the possibilities – music in the home at 24-bit, 96kHz linear PCM, with the potential to knock CD audio into a cocked hat. Alongside the small flurry of music DVD discs that were released with 24/96 audio came the first outboard DACs capable of exploiting this high-resolution material. One of the very first companies to take the challenge was MSB Technology, a digital audio specialist based in California.
This is a luxurious hi-fi DAC which sets out to cover all possible bases. It’s really designed to be a comprehensive processor for all digital sources, with almost every possible input/output option.
And to complete the M6 DAC’s capabilities, Musical Fidelity has also included Bluetooth, which means that you can play music files wirelessly from any recent Bluetooth-enabled phone or other device, without involving your main home computer wireless network.
Current Bluetooth devices use the APTX codec instead of the earlier SBC lossy compression, and this has perhaps encouraged hi-fi manufacturers to take it more seriously.
Thirty-two years after the Digilog set the scene for aftermarket add-on converters, the M6x – the M6 series traceable over a decade – is a no-nonsense DAC for legacy sources
Coming from Musical Fidelity's upper-tier M6 series, the M6x is the Austrian company's priciest DAC, and the latest evolution of a product that originated around a decade ago. Of course, there has been plenty of progression through the M6 [HFN Mar '13], M6s [HFN Jan '18] and M6sR models to where we are now, both outside and in, but a few things haven't changed, including the size of the hardware, and the absence of any network streaming.
One of a trio of small but substantial add-ons, the MX-DAC joins Musical Fidelity's partnering MX-HPA headphone amp and MX-Vynl phono stage. Is this another steal?
Imagine the dilemma when Pro-Ject acquired Musical Fidelity: the overlap with the former's Box range and the latter's MX models created an in-house rivalry in the 'affordable audiophile' sector. Both produce pint-sized ranges with matching phono stages, headphone amps and – of relevance here – beer-budget DACs. Musical Fidelity's MX-DAC, at £499, is a direct challenge to Pro-Ject's Pre Box DS2 Digital [HFN Nov '17] and a few others in the family, but the lineups are distinctive enough to cause no sleepless nights.
The miniature nuvistor 'tube' continues its inexorable march through Musical Fidelity's latest separates, defining the flagship products in its range. Now it's the turn of the DAC
Since Heinz Lichtenegger acquired Musical Fidelity in 2018, the company has appeared truly revitalised, particularly at the upper end of its range. Working with the UK design team, the Pro-Ject boss has resurrected the nuvistor tube-based Nu-Vista line with a slew of new models. And Lichtenegger is a big believer in separates – just in case the many pocket-sized boxes Pro-Ject produces hadn't made that clear – so while on the one hand the EISA Award-winning Nu-Vista 800.2 integrated amplifier [HFN Aug '23] provides a one-stop solution, there's also Musical Fidelity's Nu-Vista PRE/PAS pairing [HFN Mar '23], the Nu-Vista Vinyl 2 phono stage [HFN Feb '24], and now the Nu-Vista DAC.