Outboard DACs

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Hi-Fi News Staff  |  Nov 07, 2014
Metrum Acoustics outboard DACs offer a specific appeal by implementing a no-frills approach to cosmetic design while cracking the DAC nut in a wholly bespoke fashion. The range, including this flagship HEX, eschews off-the shelf chipsets and are all non-oversampling [NOS] designs. Designer Cees Ruijtenberg was convinced higher audio performance could be achieved by using cutting-edge industrial application chipsets rather than traditional audio components. After much experimentation and listening, a suitable high-speed data acquisition chipset was identified that the company suggests handles 24-bit audio and sampling rates well in excess of the hi-fi standards.
Review: Andrew Everard, Lab: Paul Miller  |  Jun 01, 2018
hfncommended.pngThis slimline amplifier from an established French brand may suggest another product from the same country, but it's a very different prospect with some unique features

So, it's a slimline amplifier, and it's French – already thinking of the 'D' word? But while it might seem that the M-One amplifiers from Micromega could be 'inspired' by the success of Devialet's range, in fact they have little in common beyond their country of origin and a passing resemblance in dimensions: under the skin they're very different animals.

Review: Andrew Everard, Lab: Paul Miller  |  Jan 24, 2020
hfnoutstandingAdding Roon-ready capability to its highly customised DAC has given this curiously-named Dutch company another highly intriguing device. Nothing fishy here!

For an insight into the digital audio product we have before us, the £8999 Mola-Mola Tambaqui, I turn to no less an authority than biologist, author and TV presenter Jeremy Wade, best-known for his series River Monsters and Dark Waters, in which he goes in search of – and catches – some of the world's largest and most predatory fish.

Review: Ken Kessler, Lab: Paul Miller  |  Oct 04, 2019
hfnoutstandingTraditional 'resistor ladder' DACs are rarely seen these days but California-based MSB has made the technology its own and elevated performance to an entirely new level

Despite persistent rumours of the standalone DAC's demise, the industry continues to provide us with converters with capabilities far in excess of any digital sources commonly available. MSB's DACs fall into this category, and given the sheer brilliance of the Premier we're reviewing here, it's hard to fathom that this isn't even the top rung of the MSB family, coming in below the flagship Select and the Reference, and above the Discrete. That said, the bare-bones version is £19,500. Ulp.

Review: Nick Tate, Lab: Paul Miller  |  Apr 10, 2020
hfnoutstandingThe best high-end DACs often employ entirely bespoke converter technologies rather than off-the-shelf chipsets. We look at the first rung on MSB's range of 'ladder DACs'

Based in Silicon Valley, California, Jonathan Gullman and his brother Daniel have become major players on the international hi-fi scene, courtesy of their fine-sounding and technologically innovative range of MSB digital-to-analogue converters. For 15 years this team has turned out increasingly flexible products, and more recently the range has expanded to satisfy a wider group of potential customers.

Andrew Harrison & Paul Miller  |  Apr 05, 2009
It seemed like a brave new world back then. It was early 1999, DVD video had been on the market for less than two years, and already audio people were seeing the possibilities – music in the home at 24-bit, 96kHz linear PCM, with the potential to knock CD audio into a cocked hat. Alongside the small flurry of music DVD discs that were released with 24/96 audio came the first outboard DACs capable of exploiting this high-resolution material. One of the very first companies to take the challenge was MSB Technology, a digital audio specialist based in California.
Hi-Fi News Staff  |  Nov 07, 2014
This is a luxurious hi-fi DAC which sets out to cover all possible bases. It’s really designed to be a comprehensive processor for all digital sources, with almost every possible input/output option. And to complete the M6 DAC’s capabilities, Musical Fidelity has also included Bluetooth, which means that you can play music files wirelessly from any recent Bluetooth-enabled phone or other device, without involving your main home computer wireless network. Current Bluetooth devices use the APTX codec instead of the earlier SBC lossy compression, and this has perhaps encouraged hi-fi manufacturers to take it more seriously.
Review: Mark Craven, Lab: Paul Miller  |  Aug 31, 2022
hfnoutstandingThirty-two years after the Digilog set the scene for aftermarket add-on converters, the M6x – the M6 series traceable over a decade – is a no-nonsense DAC for legacy sources

Coming from Musical Fidelity's upper-tier M6 series, the M6x is the Austrian company's priciest DAC, and the latest evolution of a product that originated around a decade ago. Of course, there has been plenty of progression through the M6 [HFN Mar '13], M6s [HFN Jan '18] and M6sR models to where we are now, both outside and in, but a few things haven't changed, including the size of the hardware, and the absence of any network streaming.

Review: Ken Kessler, Lab: Paul Miller  |  Nov 20, 2020
hfnoutstandingOne of a trio of small but substantial add-ons, the MX-DAC joins Musical Fidelity's partnering MX-HPA headphone amp and MX-Vynl phono stage. Is this another steal?

Imagine the dilemma when Pro-Ject acquired Musical Fidelity: the overlap with the former's Box range and the latter's MX models created an in-house rivalry in the 'affordable audiophile' sector. Both produce pint-sized ranges with matching phono stages, headphone amps and – of relevance here – beer-budget DACs. Musical Fidelity's MX-DAC, at £499, is a direct challenge to Pro-Ject's Pre Box DS2 Digital [HFN Nov '17] and a few others in the family, but the lineups are distinctive enough to cause no sleepless nights.

Review: Jamie Biesemans, Lab: Paul Miller  |  Apr 08, 2024
hfnoutstandingThe miniature nuvistor 'tube' continues its inexorable march through Musical Fidelity's latest separates, defining the flagship products in its range. Now it's the turn of the DAC

Since Heinz Lichtenegger acquired Musical Fidelity in 2018, the company has appeared truly revitalised, particularly at the upper end of its range. Working with the UK design team, the Pro-Ject boss has resurrected the nuvistor tube-based Nu-Vista line with a slew of new models. And Lichtenegger is a big believer in separates – just in case the many pocket-sized boxes Pro-Ject produces hadn't made that clear – so while on the one hand the EISA Award-winning Nu-Vista 800.2 integrated amplifier [HFN Aug '23] provides a one-stop solution, there's also Musical Fidelity's Nu-Vista PRE/PAS pairing [HFN Mar '23], the Nu-Vista Vinyl 2 phono stage [HFN Feb '24], and now the Nu-Vista DAC.

Ed Selley  |  Nov 19, 2011
New version of the V-DAC offers asynchronous USB and improved appearance. The V-DAC II replaces the company’s earlier V-DAC [HFN May ’09] and comes with a number of updates – as well as a £40 increase. Firstly, the new version replaces the black finish and quirky lettering of the V-DAC with brushed silver aluminium replete with more mature typography and inset grooves. The cigar-box-like dimensions remain the same and the casework feels solid and well made.
Review: Adam Smith, Lab: Paul Miller  |  Feb 11, 2020
hfnoutstandingAdding full network connectivity to Mytek's Brooklyn DAC+ beefs up an already comprehensive feature set. Don't be fooled by its size – this is a pocket rocket!

Although the New York-based Mytek company has traditionally named its products after the city's landmarks, it has really nailed the title of its latest offering – the £2500 EISA Award-winning Brooklyn Bridge. After all, to describe this all-in-one preamp, streaming network player, DAC and headphone amplifier as 'versatile' or 'useful' would be something of an understatement. Rather like its namesake, which replaced multiple ferry services across the East River in 1883 to provide a single solution that made life easier for everyone.

Review: Andrew Everard, Lab: Paul Miller  |  Jun 11, 2019
hfnoutstandingThe new flagship player network player from Naim ups the ante – not to mention the price – from the company's previous range. Is the performance elevated, too?

The ND 555, sitting at the top of Naim's latest three-strong network player/streamer/call-it-what-you-will range at £12,999, isn't a direct replacement for the 'old' NDS. Yes, that player is now discontinued, but note I said the ND 555 isn't a 'direct' replacement – after all, the new model is more than twice the price of its forebear...

Review: Andrew Everard, Lab: Paul Miller  |  Mar 12, 2019
hfncommendedThe entry-level model in Naim's new network music player range may look simple to the point of anonymity, but its performance could make it the true star of the lineup

No display, no power supply upgrade route, not even a remote handset: at first glance, the most striking feature of Naim's £2299 ND5 XS 2, the junior model in its revitalised network music player range, could be everything it hasn't got. After the striking looks of the 'new Uniti' models, with which it shares a software/hardware platform, and the large full-colour displays of the pricier NDX 2 [HFN Sep '18] and ND555, the ND5 XS 2 gives away little about its functionality.

Review: Andrew Everard, Lab: Paul Miller  |  Sep 01, 2018
hfncommended.pngThe Naim ‘platform for the future’ has brought new facilities, and a new look, to its network music player range – but have the signature sonic fireworks been retained?

There was a certain inevitability about it. Back in October 2016, when Naim Audio launched its four ‘new Uniti’ models, based around what MD Trevor Wilson described as the company’s ‘platform for the future’, the elephant was in the room throughout the press event. Eventually it was unleashed, and the question asked: would this new technology also be applied to the ND-series of network music players?

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