The greatest English pop lyric writers of the 1960s? Steve Sutherland argues his case as he reassesses this mono LP from 1968, recently reissued on 180g vinyl
Afew decades ago I read an interview with Tom Waits where he was asked about the art of songwriting. Tom thought about it for a second, then declared that in fact he found it very easy, thanks to a nine-word magic formula. Those words were: 'Things will be better when we get to Chicago…'.
European Audio Team's (EAT) third E-Glo phono preamplifier is half the price and size of the second – can the E-Glo Petit redefine the entry-level/high-end phono stage?
As the most affordable of EAT's three MM/MC phono stages, the new E-Glo Petit has its work cut out, as there are plenty of killer phono stages at this £1249 price point. Nevertheless you should still prepare to revel in a transistor/tube hybrid phono stage bursting with facilities, in a package – not counting the 18V wall-wart power supply – with a footprint of only 226mm wide by 250mm deep, plus sockets and wooden cheeks.
Veteran of the late '70s British pub rock scene, this UK-born guitarist began to hone his studio skills when appointed in-house producer for the fledgling Stiff Records label. Steve Sutherland traces the career of the self-effacing pop crafstman they call 'Basher'
What's the most embarrassing thing you've ever done? Snog the wrong person at the office Christmas party? Leave the house with your flies undone? Send an email meant for your partner to your boss by mistake?
Classical horns do not come any more colourful, or compelling, than this 'entry-level' floorstander
Hi-fi can be such a confusing passion, with so many products to explore in the quest for better sound, but enthusiasts often start by upgrading their loudspeakers, as they're where the greatest subjective differences are typically to be found. Most will begin with conventional box speakers, but many then progress to more left-field approaches – the most striking being 'horns'.
Sometimes you rediscover a classic once so far ahead of the curve that it cuts a dash to this day – and we're not just talking style but sound. Is this '80s amp one of them?
The 1980s was a decade of great change. Consumer products that had been the stuff of science fiction just 15 years earlier – digital watches, home computers, LaserDisc players – were now increasingly commonplace. The era had a dynamic, hedonistic feel, and it was now acceptable not just to have wealth but to show it.
Designed for movies as well as music, the idea of a 'universal' disc player is an appealing one. Now that Oppo is out of the picture, how does this battleship Pioneer shape up?
Though maybe not for the hi-fi purists, who will look with disdain at any machine in which ultra-high-frequency video circuits are buzzing away, potentially affecting audio purity, for the pragmatist the concept of a 'universal' disc player is very appealing. In one machine you can have both a piece of hardware capable of playing both CDs and SACDs – and more – and a high-quality video source for a home cinema system.
Produced over a six-month period in 1968 by the group's manager Kit Lambert, this was the first big rock opera to appear on LP. Today it is regarded as Pete Townshend's 'magnum opus', yet on release there were those who derided it for being in poor taste
For The Who, 1966 was a pivotal year. Listen to their debut album My Generation, released in 1965, and it's clear they were essentially still a mod band – posters for a Marquee residency the previous year had them billed as 'Maximum R&B'. But once you've reached the maximum, where do you go from there?
Employing a novel dual-pulley drive system and a bespoke 10in tonearm, AVM's first deck is a flamboyant addition to the rapidly expanding pantheon of high-end turntables
Ibuilt a unique record player for my son's 18th birthday,' says Udo Besser, Managing Director of AVM (Audio Video Manufaktur) GmbH, 'and that's what sparked the development of this turntable'. What then kept the fire burning, he told HFN, were the numerous requests for a vinyl spinner from his customers, adding that, 'also, turntables are my passion'. So Udo set about designing his own deck from scratch, and the £5490 AVM Rotation R 5.3 you see here is a clean-sheet design, new to the market.
Joining the 'horsepower club', Chord Electronics rolls out its flagship pre and massive (and hefty) monoblock power amps. Does the sound live up to the imposing style?
At the risk of tempting fate, I wonder whether there's a power output arms race going on between manufacturers. The arrival of the new Ultima power amplifiers from Chord Electronics – at £30,000 apiece in either silver or black, along with the matching (and similarly-priced) Ultima preamp – suggests so. After all, their rated power of 780W/8ohm load is just north of the 768W claimed by Naim's 'Statement' NAP-S1 monoblocks [HFN Jun '15] – a target vaunted as 'one horsepower'. In practice, Naim's NAP-S1 achieved 795W/8ohm in PM's lab tests at the time, but it seems that in the current ultra-high-end amp scene, there ain't no substitute for cubic inches – or something like that.
European Audio Team's (EAT) third E-Glo phono preamplifier is half the price and size of the second – can the E-Glo Petit redefine the entry-level/high-end phono stage?
Sometimes you rediscover a classic once so far ahead of the curve that it cuts a dash to this day – and we're not just talking style but sound. Is this '80s amp one of them?
Designed for movies as well as music, the idea of a 'universal' disc player is an appealing one. Now that Oppo is out of the picture, how does this battleship Pioneer shape up?
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