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Vinyl’s renaissance has resulted in some thought-provoking developments, particularly when it comes to turntable manufacturers. Naturally, well-established brands such as Rega and Pro-Ject have seen their output rise dramatically and, unsurprisingly, more than a few new names have appeared on the scene. What is fascinating, however, is to see manufacturers that made turntables in the past return to their vinyl roots once more.

The hi-fi industry throws up some wonderful contradictions. If this were a review of a five-way loudspeaker you’d expect it to be a monster and question whether five-way wasn’t one way too many. If the subject of the review were a five-way over-ear headphone you’d think the world had gone mad: most over-ear headphones make do with a single drive unit, and while there have been two-way models they have rarely been successful. Yet going down the size scale one more notch to the insert earphone (aka in-ear headphone), here we have a new £800 flagship model from AKG boasting, yes, five drive units within its compact exterior dimensions.

Awash as we are with terrific phono stages, it takes a lot to stand out from the crowd. From sub-£50 units to £30,000-plus fantasy hardware, there are probably as many standalone phono stages on offer today as during the Original Vinyl Era. What Bel Canto offers with its e.One Phono, in its more cost-effective range, is a way to enjoy the adjustability demanded by perfectionists, at a sane price.

There's a very clear philosophy at work in all Transparent's cables: that 'wires' are unavoidable, so their bandwidth should be constrained to an appropriate range, banishing the egress of RF noise, and their lumped parameters – inductance, capacitance and resistance – be 'managed' to maintain a consistent and predictable performance regardless of the cable length. This, in a nutshell, is the rationale behind the in-line filter network that's part-and-parcel of every Transparent cable.