We’re constantly being told times are tough, so if you’ve had to tighten the old belt and forgo this year’s cruise, then this one could be for you. Put yourself back in the ‘late night and rather overfed Ocean Bar & Lounge’ mood with this collection of ‘so lightweight they’re almost flimsy’ jazz covers. Austrian singer Kopmajer is big in Japan, and that’s not surprising, given that this is audiophile jazz at its finest, of the kind essayed by many a Japanese chanteuse. True, PM has his own observations on the provenance of some of the tracks – see his Lab Report below –, but there’s no denying the smoothness of the entire enterprise.
There’s not exactly a shortage of piano trio albums out there (despite the strong challenge seemingly being staged by accordions in this month’s hi-res selection), and while Martin Tingvall’s trio’s album starts unpromisingly with the low-key ‘Evighetsmaskinen’ (it means ‘Eternity Machine’) – a mid-set track if ever I heard one – it soon hits its groove with the impetus of ‘Bumerang’. That sets the pace for the rest of the album, notably the pacy ‘Skånsk Blues’ and ‘Sjuan’, and while the set has its contemplative, introspective moments – well, it is a jazz trio album, after all! – there’s more than enough here to have the listener coming back for second helpings. True, this isn’t the cleanest-sounding recording ever, with occasionally a bit too much cymbal splash, for example, but it’s certainly punchy and definitely enjoyable – and goes out with bang. AE
Sound Quality: 85%
Hi-Fi News Lab Report
There’s evidence of mixed sample rate content here (trks 3, 4, 7, 8, 11 and 13) while the piano feed carries a deal of spuriae at 26kHz, 28kHz and 33.
Those of the view that audiophiles only like obscure and ‘plinky-plonky’ music, of the kind no-one would actually sit down to listen to for pleasure, are going to have a field day with the title of this one, but behind the ‘lost in translation’ is a truly lovely album. In contrast to our other squeezebox offering this month on p95 (and there’s a phrase I never thought I’d find myself writing!), this album is of tango pieces associated with guitarist Roberto Grela, and beautifully played by Louise Jallu on bandoneon together with acclaimed Japanese guitarist Hiroki Fukui. It’s a delightfully simple set, treated to a wonderfully intimate recording, combining crispness and warmth to winning effect. And boy, can these two play, with an easy rapport and that sense of firing off each other that’s the sign of true musicianship.
Definitely smarter than your average charity album, this one has been produced by the veteran pianist to benefit the Southern Californian hospital where he received bone transplant surgery a few years back, spending his recovery time in the hospital auditorium composing the pieces here. OK, so all very worthy, but this is also a great album, both in the ease and fluidity of the playing and above all in the superb sound quality on offer. For anyone thinking that dynamics are all about the punch of a rock track or the Sturm und Drang of a big orchestra, the way this set captures the power, light and shade of Winston’s piano will be quite an eye-opener. From the tinkling ‘Carousel 1’, opening the album, through to the infectious ‘Requited Love’, this is a masterclass in vibrant, enchanting piano recording.
Launched in the late '70s as part of a new wave of shoebox-sized systems from Japan, this elegant deck packed plenty of groundbreaking tech. How does it perform today?
It wasn't until the 1970s that the LP reached its heyday. By then, most albums were stereo and the equipment needed to play them was widely available. In 1975, Mike Oldfield's Tubular Bells hit the high watermark for vinyl sales, confirming the format's dominance. At the time, most people still only had 'record players' – all-in-one turntables, amplifiers and speakers – but this was the peak of the decade's hi-fi boom, and people were scrambling to get their hands on proper, grown-up, stereo systems.
A new name in turntables from Serbia and an equally new arm from Timestep in the UK make for a very stylish combination. But do they sound as good as they look?
It's not every day one comes across a turntable named after a film director but the Soulines Kubrick DCX really has been christened in honour of Stanley Kubrick. Soulines is no stranger to this naming practice, its other models being the Elgar and Satie (composers), Dostoyevsky (novelist) and Hermes (Greek god). Designer Igor Gligorov says he drew inspiration for the look of the £2995 Kubrick from the spinning, double-wheeled Space Station V depicted in the film director's movie 2001: A Space Odyssey and that the name naturally followed.
With a more compact and elegant design, plus both wired and wireless connectivity, iFi Audio’s new top-of-the-range portable DAC/headphone amp seems to have it all
The iFi Audio range of portable DACs and headphone amps has been one of the main challengers to the popular Chord Mojo [HFN Jan ’16], with its first-generation nano iDSD [HFN Dec ’14] picking up an EISA Award back in 2014. The company recently updated its range with the entry-level nano iDSD Black Label [HFN Apr ’18], which offers a highly competitive audio upgrade for just £199. However, it’s this new xDSD model that’s setting the standard for the company’s latest range of products, with a more streamlined and portable design, improved connectivity, and a £399 price tag that pits it right up against the Mojo.
A reversal of digital direction marks out this hi-tech integrated amp from the Masters Series, so can NAD's innovative thinking make the M32 stand out from the crowd?
Just in case you can't work out what the £3499 NAD M32 actually is – straight from the box only a volume control sets it apart from the company's similarly styled M22 v2 power amp – the front panel tells you, at least when powered up, that this is a 'Direct Digital DAC/Amplifier'. Of course, even powering it up may be a challenge for those for whom 'RTFM' is a sign of weakness. After a bit of stabbing of the NAD logo, which glows amber in standby, suggesting it might do something, they'll probably eventually alight on the little touch pad top and centre above the display. Brush this and the amp gets ready to do its stuff, at which point the amber surround on the logo turns white and you're in business.
With a coincident driver array and interport-coupled cavity bass, meet the company’s most radical floorstander in years
Out with the old and in with the new. ELAC is a German loudspeaker company of quite some repute and a great many years’ standing. Yet major changes have been afoot at the company, with its new VP of Engineering, Andrew Jones, indelibly stamping himself on the brand’s products. A former KEF man – there in what were arguably the company’s harvest years with Laurie Fincham, in the late 1980s – he went on to put Pioneer’s luxury brand TAD on the map with some great soundinghigh-end loudspeakers [HFN Jan ’15].