LATEST ADDITIONS

Review: Tim Jarman,  |  Aug 01, 2018
hfnvintage.pngLaunched in 1980, these slimline separates proved just the tonic for those seeking sophisticated sonics wrapped in eye-catching casework. How do they sound today?

Who buys top quality hi-fi equipment? First there is the audiophile, who is willing to devote considerable resources in the pursuit of components that deliver what he or she regards as the best sound quality for a given budget. There was once also a largely non-technical group who had equally high musical expectations. Wealthy and design conscious, they wanted complete systems that not only sounded good but looked good too, and included all the latest technological refinements.

Ken Kessler  |  Aug 01, 2018
As one of Quad's longest-serving employees hangs up his soldering iron, Ken Kessler talks with Ken Bunting about a lifetime working on iconic kit

It was 15 years since I had interviewed Ken Bunting, in charge of Quad's service department, but back then it was to pick his brains about the company's history. Early this May, I had the privilege of repeating the interrogation, on the occasion of Ken's retirement. Off to the wilds of Cambridge, where I found him on his last day, in a busy-as-ever service area with everything from Quad ESL63s to valve units being repaired – contrary to any rumours or worries that the company had abandoned its legendary back-up division.

Reviews: Hi-Fi News Team,  |  Aug 01, 2018
This month we review and test: Bobo Stenson Trio, Bahamas, Bettye Lavette, Chris Thile, and Imelda May.
Review: Ken Kessler,  |  Aug 01, 2018
hfncommended.pngEighty-two years after its founding and 61 years after the ESL-57, Quad delivers its first headphone, the ERA-1, and it's a planar design... but not an electrostatic!

For Quad devotees, the ERA-1 headphone has been a long time coming. One suspects that the company – like B&W, KEF and so many other traditional British brands – saw the writing on the wall. And what did this say? 'Headphones are now the only growth area in audio.' Disagree or concur, that's the reality check in the post-iPod era, and Quad has wisely chosen to deliver a model costing £599.

Review: David Price,  |  Aug 01, 2018
hfnoutstanding.pngIf the BeoLab 90 wowed you with its tech but daunted you with its size and price, here’s a pint-sized alternative

Kii Audio’s THREE is an exemplar of what can be achieved when the hi-fi industry’s, and hi-fi buyers’, lingering obsession with passive loudspeakers is set aside and a 21st century approach – active operation in conjunction with digital signal processing (DSP) – is adopted instead. In short order we’ve experienced the B&O BeoLab 90 [HFN Dec ’16], the KEF LS50 Wireless [HFN Oct ’17] and now the Kii (pronounced ‘key’) THREE.

Review: Andrew Everard,  |  Aug 01, 2018
hfnoutstanding.pngIt can sometimes seem tricky to keep pace with the changes in the Chord Electronics range, but its Hugo 2 claims technical and spec advances over the original DAC/amp

For a relatively small specialist audio brand – well, by the standards of some of the huge companies the industry seems determined to keep constructing these days – Chord Electronics has its bases covered in fairly spectacular fashion, from tiny pocket devices to hugely powerful amplification. What’s more, there’s little evidence of resting on laurels going on here. The company just keeps on adding new models to its range, from the Mojo/Poly portable DAC/amp/player/streamer combo to the newly announced Etude amplifier, said to use its ‘first fundamentally new topology’ since the company was founded some 30 years ago.

Review: Ken Kessler,  |  Aug 01, 2018
hfnoutstanding.pngNot just a new model but a radical change for the venerable Reference Series, the REF160M mono power amp heralds a fresh direction in both looks and performance

A genius mix of both rebellion and restraint, Audio Research's latest chapter in the Reference saga, the REF160M monoblock power amplifier, is one of the biggest departures in the much-lauded series' evolution. Most obvious is the new look, which takes its cues from the G-Series, bringing with it a cool oversized meter, but the rest of the amplifier has been redeveloped, too, not least to incorporate features that will improve system matching, reliability, ease-of-use and initial set-up.

Review: Andrew Everard,  |  Aug 01, 2018
'Bridge' digital sources, the link between conventional physical media and computer-based audio, are very much on-trend at the moment – what can T+A bring to the party?

So, are the twin threats of downloaded music and streaming services putting the final nail in CD's coffin? In the future will our music collections exist only as files on a home server, or indeed not as collections at all – figures seem to suggest downloads are flagging – but rather as infinite libraries accessed on demand from online services?

Review: David Price,  |  Aug 01, 2018
hfnoutstanding.pngInspired by the success of its A-70 integrated from 2012, Pioneer has trickled down the tech and combined it with a new close-coupled PSU in this DAC-equipped budget amp

Having recently achieved the grand old age of 80 years, the Pioneer Corporation is rightly celebrating the fact. While some believe that all Japanese companies are the same – faceless consumer electronics giants with sprawling factories full of robots, making generic white goods – anyone who's lived in Japan knows this couldn't be further from the truth. In practice, each organisation has its distinct identity and corporate culture, going about things in its own special way.

A. Everard (Music); P. Miller (Lab)  |  Jul 30, 2018
As one whose knowledge of the accordion stretches all the way from ’Allo ’Allo! to the Tour de France theme music, I approached this homage to the instrument over the years with un peu d’inquiétude. However, led by Vincent Peirani – ‘le “Jimi Hendrix” de l’accordéon’, apparently – this set is strangely captivating, with a mixture of ‘where have I heard that before?’ and unfamiliar music. It’s all very Gallic, and there might be a temptation for quite a lot of the tracks here to sound a bit similar on a casual listen, but both the performances and the recording justify closer attention, at which point it’s much easier to appreciate the quality of both. Yes, the artists will be new to most listeners, but this is actually a fascinating set, and one that rewards repeated listens.

Pages

X