Released at the very end of 1975, the band's fourth album saw them hoping to build upon their success as one of the decade's most successful pop acts. Yet the very clash of creativity that produced such hits as 'I'm Not In Love' would split the group in two
Since its release in 1976, 10cc's How Dare You! has been described variously as soft rock, art rock, glam rock and even progressive rock. But one neologism that hopefully will never catch on – yet it evokes the essence of both the group and this album in particular – is 'sophisti-pop'.
Released in the UK at the tail end of a decade that was becoming defined by tribalism and industrial strife, this eponymous debut drew on the energies of both punk and ska music, bringing the band's mission to promote racial equality to the mainstream
Ska originated in Jamaica in the late 1950s and was first taken up in the UK in the early '60s by the mods. It began to gain mainstream popularity towards the end of that decade, yielding hit singles such as The Pioneers' 'Long Shot (Kick The Bucket)', Desmond Dekker's 'The Israelites', Jimmy Cliff's 'You Can Get It If You Really Want' and 'The Liquidator' by the Harry J Allstars.
Produced over a six-month period in 1968 by the group's manager Kit Lambert, this was the first big rock opera to appear on LP. Today it is regarded as Pete Townshend's 'magnum opus', yet on release there were those who derided it for being in poor taste
For The Who, 1966 was a pivotal year. Listen to their debut album My Generation, released in 1965, and it's clear they were essentially still a mod band – posters for a Marquee residency the previous year had them billed as 'Maximum R&B'. But once you've reached the maximum, where do you go from there?
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