Mike Barnes

Mike Barnes  |  Mar 03, 2025  |  Published: Dec 01, 2024  |  0 comments
This month we review: David Gilmour, Gaudi Kosmisches Trio, Von Hertzen Brothers and HOO
Mike Barnes  |  Nov 25, 2024  |  0 comments
This month we review: Humanist, Louise Patricia Crane, Simon Fisher Turner, and Seasick Steve
Mike Barnes  |  Oct 29, 2024  |  0 comments
This month we review: Beth Gibbons, John Cale, Dirty Three, and La Luz
Mike Barnes  |  Oct 02, 2024  |  0 comments
The guitarist's first album for Warner Bros saw him put together a twin-keyboard band and dig even deeper into his fusion-jazz style. The result? A set that topped the Billboard charts and brought him a Grammy award for its only vocal performance...

Overall, I think the jazz police never forgave me for taking George Benson from the jazz area to where he became a pop artist', record producer Tommy LiPuma told jerryjazzmusician.com in 2022. 'I was always a pop music freak, but I was also a big jazz fan.'

Mike Barnes  |  Sep 25, 2024  |  0 comments
This month we review: The Zutons, Crowded House, Crumbs, and The Lonely Eggs
Mike Barnes  |  Sep 09, 2024  |  0 comments
This month we review: Jane Weaver, Liam Gallagher & John Squire, Rural Tapes, and Caleb Landry Jones
Mike Barnes  |  Aug 31, 2024  |  0 comments
Before embarking on a decades-long solo career, Gary Numan was the driving force behind New Wave three-piece Tubeway Army, and his electronic fingerprints are all over their sci-fi-tinged 1979 album, which took synth pop to the very top of the charts

When punk arrived in the UK in late 1976 it had its radical aspects, including questioning the relationship between audience and artist, but it was essentially a form of back-to-basics rock ’n’ roll, albeit harder, faster and more aggressive than its predecessors.

Mike Barnes  |  Jul 28, 2024  |  0 comments
This month we review: The Bevis Frond, Ty Segall, Sheherazaad
Mike Barnes  |  May 17, 2024  |  0 comments
Released in 1981, the third album from the UK kings of Gothic rock built upon the stark sounds of its predecessor, added even more melancholy, and contained a song that the band's leader and singer Robert Smith would later describe as 'life-changing'

From 1976, UK punk produced such a surge of energy that it was like riding a wave, both for musicians and fans alike. The Cure began in earnest in Crawley that year, as The Easy Cure, having grown out of a number of other bands dating back to their schooldays. Robert Smith was on guitar and vocals, Lol Tolhurst on drums and Michael Dempsey on bass. Their sound was sparse and urgent, fuelled by punk but with a finger on the pop pulse.

Mike Barnes  |  Apr 29, 2024  |  0 comments
This month we review: Ministry, Slift, Yard Act and Anna Calvi.

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